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Well, today is St. Patrick’s Day so it is the one day a year where I stop getting “You’re half black???” from people and get “Didn’t know you were half-Irish!”  But not only do I have the heritage to lecture all of you, but I also live in Turtle Bay, an area of Manhattan with a median age of 23, the most common ethnicity is Bro and there is a bar for every 6 residents, so I have actual field studies over the last 6 years to call upon.  And lastly I am a comedian, which means nothing really, but at least I know a few jokes that are overused.  So here is how comedians should act today (and some of these can apply to civilians as well):

1) Do Not Tell This Joke – I was guilty of this early in my career (first two years so I say this from a “don’t make the same mistakes that I did” perspective.  But let’s retire this joke (I knew when I did it and it got laughs, but a few shows later I heard a terrible comedian do roughly the same joke that I realized it was easy and lazy):

How crazy that we drink on St Patrick’s Day!  We don’t do that on other holidays. We don’t tip 5% on MLK’s birthday!  We don’t rape Native Americans on Thanksgiving!  We don’t fu*k donkeys and sever people’s heads on Cinqo de Mayo! (granted I updated these from what I actually said when I was doing this joke in 2005, but let’s just not do it.

2) Stay away from firefighters and cops.  This is generally good advice, but I have never been out for SPD and not seen these groups have either inter and/or intra squad fights.  This is for men (given the demographics of the FDNY and comedians this is like a day when heroes get amnesty to pop off on condescending, nerdy Jewish dudes in this city so watch your mouth).  For women who are into FDNY don’t let me stop you – this is like Fleet Week for angry, fit Irish guys (who might be even angrier this year due to all sorts of “diversity” efforts). Just don’t be mad when his wife knocks on the car window while you are blowing him in the middle of his description of his cross fit workout.  And if you are married to a cop – he is not working 16 hours of overtime tonight.

3) Get a Shamrock Shake – They are delicious and at under $3 well within a comedian’s budget of $7 on food per day.  Unless you are a comedian (or civilian) constantly posting about a great new diet you are on that is changing your life, in which case you should go talk a bunch of sh*t to some drunk firefighters.

4) Listen to this podcast episode – Comedian John Moses sat down with me last year to chat about St Patrick’s Day (my aversion to its American representation outside of the parades) and it became, in part, an excellent discussion of drunken escapades and bar fights he had been in.  You can only hear it HERE

5) Get Ready to Hear the Dropkick Murphys and House of Pain.  A lot. 

For more opinions, comedy and bridge burning check out the Righteous Prick Podcast on Podomatic, iTunes and NOW on STITCHER. New Every Tuesday so subscribe on one or more platforms today – all for free!

There is a saying in stand-up comedy, “it takes ten years to find your voice.” I don’t know who invented this saying. Perhaps it was a club owner running bringer shows wanting to postpone frustrations of the semi-slave labor being manipulated with tapes and compliments. Perhaps it was a well-meaning veteran comedian trying to encourage a frustrated, younger comedian. Or maybe it is just true.  After all I feel like around 5 years in is when my comedy started to shift to the more personal and opinionated and around 8 years in when it merged with my sense of frustration and injustice with the way the comedy business worked, both as a business and as an art.  After all, it may take 10 years to find your voice, but from half of the casting and showcase lists you see from major comedy players, it can sometimes appear that you find your manager and your opportunity after your first pubic or facial hair sprouts, “voice” development be damned.  But in my 10th year is when all the things I had been writing, performing and producing hit a new stride and grew my audience.   So now I have, for better or worse, carved out a niche in the business through my videos, podcasts, blogs and stand up as sort of a guy who at best, offers funny and unflinching shots at anything I see wrong, even if it is with the business that I am trying to succeed in, or, at worst, is committing career suicide for his peers’ enjoyment.

What has perplexed me is that on a weekly basis I get messages, e-mails and texts from fellow comedians, many of who are friends or at least people with whom I am friendly, pointing me in the direction of some comedy news/blog/practice/etc or something they at least think will anger me into producing new content making their argument for them.  I don’t mind it, and am certainly not calling out any friend or acquaintance in particular.  But I have gotten suggestions for podcasts, blogs and videos from numerous people over the last few months and the question I want to ask is “You are a comedian, why don’t you do something with it?”

Some of the examples that come to mind include a blog last year, made as humorous and as complimentary as I could about an experience I had at a club (fun club, great staff) where the condo was infested with roaches in a pretty shitty building.  And the blog may have gotten me banned at that club.   But since then I have had private communications with several comedians about those accommodations and how terrible it was and other comedians cancelling gigs there.  But I am on the hook as the person who made a public stink of conditions that the department of health would take issue with, let alone hard working entertainers.  When the comedy business (or just a comedy business) treats performers poorly they should be ashamed and crawl into hiding, not the comedian who has a legitimate gripe about maltreatment.  And my post was only meant to be my personal humorous experience, until I heard at least a dozen comedians describe a similar experience.

There was Comedy Academy, my web series, which has passed 26,000 views total in a month and the most private messages of congratulations I have received in the last year but, per video, the fewest public shares on social media of all my videos, in the last year.  The people who were most likely to share the videos were people at the lower rung of comedy or people located in the untouchable upper rung of comedy, like Adam Carolla and Sebastian Maniscalco.  And while I deeply appreciate every share and post, I was disappointed by the fact that more of the videos were not shared.  It reminds me of how so many lower class and middle class Republicans in America vote against their interest.  They believe the American Dream so hard they ignore things right in front of their face.  Similarly, in comedy whether it be manipulation, poor payment (forget $5 spots at UCB when features on the road are getting paid the same (or less when you factor in the disappearance of paid-for lodging on the road at many places) as comedians 25 years ago, or just calling out bullshit professionally or artistically, so many up and comers are about “playing the game,” which most of them cannot win.  Just like the economic ladder in America, the comedic ladder, towards a career in comedy, especially stand-up is more difficult than ever.

Then there was my Facebook post about the Laughing Devil in Long Island City being booked by the people at The Stand.  People were nervous about what that post implicated because it looked like a shot at The Stand, which is the rising challenger in the NYC club scene with great buzz.  But what I was actually questioning, which was missed by most people who were afraid I was taking a shot at The Stand, was why did a cozy club in Long Island City, which was providing paid spots to comics like me, that are not getting them elsewhere in the city (it was nice to have a club not directly tied to talent management in the way some of the bigger clubs in NYC are) and free spots to comics that were not getting many elsewhere in NYC, switch booking practices… and not tell their roster of comics?  I know this because I was fortunate to at least be on the list for avails that The Stand sent out, but I know several people who were only on the Laughing Devil roster who knew nothing about a change and just assumed they needed to submit more avails for spots.  I don’t know why the change was made to different bookings on weekends because the last three weekend shows I did at the Laughing Devil were all packed, but that was a business deal/transaction to which I am not privy.  I feel like it is going to eventually become The Stand East (I don’t actually know that, but as an up and coming neighborhood with a built in audience it would make sense to get a foothold in it, especially since it was close to being sold last year) and can now be a workout room for spillover from The Stand’s roster.  Why am I saying all this?  Because clubs and comics like to speak of “community””, but unless I am completely off base this flies in the face of that.  And yes, having recorded an album and my biggest YouTube video at that club I feel particularly annoyed by the change, but that is business.  But individual comedy club ownership is a small business and should treat their comedians like part of a small business, not like a cog at Wal-Mart.

My point with a few of these examples is that if comedians are only speaking up or being bold about the business or art of stand up when they have the cover of industry or fame or are taking generally accepted “bold stance”” topics within the comedy world (like scoring tried and true points attacking conservative politics as an example), then how can it actually stand for anything anymore?  If everyone in stand up spoke out on bullsh*t, demanded more equitable treatment on the road (why does $200-$300 have to come out of the feature worker, when you can afford to pay a headliner anywhere from $2-$20K per week?  It is the same “job creator” argument we hear in politics, except in this case it is the “seat fillers.”  Will your audience stop coming if every food item is raised 25-50 cents to pay a decent week’s wage and accommodation to a hard working middle class (literally) comedian?

These are just some of the things I try to attack with serious writing, but also with humorous personal stories (self-deprecating to depressing) and funny sketches.  I guess I should be thankful that not many people, if any, take this sort of approach to the comedy business because it has allowed my name and reputation to rise slightly higher than where my actual career is right now financially.  But it also makes me wonder what happened that comedy because so full of cowards or at least people too afraid of repercussions for doing or saying the right thing (honesty is the right thing and what I believed was the hallmark of comedy versus other arts with more sullied reputations in the popular culture).  This is what confuses me above all: if comedians don’t treat stand up as a profession and an art on its own (and not just a pit stop on their way to television deals) then how can the industry possibly do better.  As philosopher Katt Williams once said (and he could have been making a decent defense for the comedy industry), “How can I ruin your self-esteem? It’s esteem of yo muthafuckin self!”  I think there is a lot of shabbiness by the industry, but there seems to be little push back or standing up for oneself in the comedy world (UCB “controversy” aside, which still led to no pay).  I want to believe that there could be a strike or a union or improved work for comedians, especially on the road, but comedians are almost conditioned at this point to think and act like desperate scabs – so how do unionize workers when the work force already consists of scab mentality?

Just under a year ago, when I made my Louis CK Tells The Classics video I remember one of the very first YouTube comments I got was “This would have been funny if you were making fun of Dane Cook, but not Louis.”  And I feel like that all the time in comedy now.  Like there is an acceptable way to question or challenge things in comedy.  I don’t think there is, as long as it is either valid or funny.  Or ideally, both.

For more opinions, comedy and bridge burning check out the Righteous Prick Podcast on Podomatic, iTunes and NOW on STITCHER. New Every Tuesday so subscribe on one or more platforms today – all for free!

This weekend was a very busy one for me.  First I had to take my Dad to Dunkin’ Donuts on Friday for an afternoon of father-which-son-of-mine-are-you bonding (he is 82 and like Tony Soprano’s mother I am starting to see a blur between loss of memory and loss of respect for his younger son, which is making it more difficult to know when I should be sympathetic and when I should be offended).  Then I was #blessed enough to have  a friend with some serious comedy connections hook me up last minute with great seats to the NY Knicks-Utah Jazz game (if you are new to my site I am a big Utah Jazz fan – coming from a mixed marriage family marked by hostility I always found the harmony that Malone and Stockton played with to be oddly reassuring).  The seats actually belonged to a major mogul in comedy, so naturally I taped my impression reel underneath his seat for the next game he attends himself.

One of the great things about attending Knick games in the rich seats is that you get to see 12 year old kids with pouty looks begrudgingly marching into Madison Square Garden for tickets costing over $400 per game as if they are doing their fathers a favor leaving their PS4 and horny middle school teacher to sit in seats most American adults will never be able to afford.  Another thing I observed during the game was that t-shirt gun technology is out of control.  As gun violence has continued to make headlines it has given cover to the absurd NRA-porn level t-shirt gun technology.  There was one that looked like a massive Gatling gun of polyester.  It is only a matter of time until 11 year old Seth has a t-shirt smack him right in his smug 4th row seat face.  Then we may see real change to this horrific t-shirt gun technology.

The game ended up being a horrible beat down of the Utah Jazz, but it was nice to be in the rich seats.  I now realize that the next time I will be that close to the court will either be as a courtside celebrity (.01% chance) or as a survivor of a horrible tragedy being honored by the Garden (.02% chance).

Saturday was a monster Saturday.  From 745am to 430 pm I was filming my new sketch “Happy Madison Presents ‘Tyler Perry’s ‘ Old Testament, New Problems’” a parody of what would happen if film legends Adam Sandler and Tyler Perry combined their brilliant writing and film-making.  The shoot was exhausting (4 locations), but a ton of fun and will be my best (and hopefully biggest) work to date.  Here is the photo that will be the promo shot for the video:

So super tired and relieved of the stress that I always feel when filming one of my sketches I headed to Comedy Outliers, a show run by two NYC comics at the Sports Bar at Webster Hall.  The crowd was big and enthusiastic and several audience members had a look of hopeful happiness in their eyes and that is when I knew it might go off the rails for me.  I was tired and had just witnessed an awful mother-daughter combo a block from the bar.  Let me explain.  I was tired, which put me in a susceptible mood to be pissed off.  Then, a cab was stuck in the crossing traffic so although I had the right of way I let the cab go because not letting him go would hold up the 20 cars waiting to go north on the avenue.  As the cab started to go forward the mother-daughter duo stepped into traffic, oblivious to the rest of the situation. The mother was a formerly attractive blond (she was halfway to leathery Robert Redford stage) and her daughter was a semi-chubby 13 year old brunette (i.e. a slightly hotter Lena Dunham). And the daughter yelled out out “Excuse me!” to the cab driver, and the mother pointed for a good three seconds at the walk sign (cab driver was going about 6mph so no one was in any danger).  And as I looked at these two – a woman who had most likely married a less attractive, more accomplished man, otherwise how does one explain the daughter with worse looks, but equally awful character as her, and her offspring and thought – this is just like the Evolution of Man poster, except instead it is like seeing the Evolution of Cu*t.

Why did I share this story?  Because I took a risk and made it the first joke of my set.  And I actually had the crowd in a combination of curiosity and laughter until I hit the C bomb.  And that look of hopeful enthusiasm half of the crowd had disappeared and the four laughs for the line could not heal the damage I felt from the other people’s silence.  I worked doubly hard the rest of the set, but jokes that are touchy, but usually kill, were now tainted by the fruit of the poisonous C-Bomb tree.

After conversing with a couple of comedians I left the bar, bought a Hostess Apple Pie and did this (the usual way I celebrate after a less than perfect set):

Sunday was just lots of media watching and I will not get into True Detective today because TOMORROW”s Podcast episode will be dedicated, in part, to me arguing against the wave of love for that show (a B+ is solid, but when everyone treats it like an A, I get pissed).

For more opinions, comedy and bridge burning check out the Righteous Prick Podcast on Podomatic, iTunes and NOW on STITCHER. New Every Tuesday so subscribe on one or more platforms today – all for free!

This past weekend I was performing at the Mohegan Sun Casino in Wilkes-Barre, PA (normally I post my comedy recaps on Monday, but had to bump up this week’s Oscar recap podcast to Monday).  I always love doing casino gigs. Not because they are always great crowds, but because even the weirdest, crappiest (pun intended), in the middle of nowhere casino still has a standard level of accommodations that shame almost all other road comedy accommodations.  It is a sliding scale of trade offs that comedians often have to do: Hey this club is great (no room); hey this club is really good (semen stained comedy condo accommodations); hey this club sucks! (can’t wait to be back because you put me up in a Hampton Inn and I am desperate for money). But casinos are always a win, no matter how good or bad the crowds are (the crowds were solid at MSWB, so this is not a tease to some nightmare story from the weekend).  So here is the recap:

The Bus

I took the Martz Trailways bus to Wilkes-Barre.  Always a good sign when Greyhound tells a town, “No, we are either to scared to travel to your town or your town is too insignificant for Greyhound to service.”  The bus trip was uneventful, but the Martz Trailways bus depot in Wilkes-Barre was anything but uneventful.  It made the average crowd at NYC’s Port Authority Bus Terminal  look like the cast of Downton Abbey.  It looked like the people from The Hills Have Eyes had had an orgy of unprotected sex a few decades ago with the zombies from The Walking Dead.  The kind of sad that makes you feel sorry for some of the people if you were not also simultaneously frightened.

The Casino

The casino was really really nice (other than the stream of tobacco entering my lungs).  All the accommodations were great, the buffet was delicious (though I did flaunt my comedy wealth by eating at Johnny Rockets one night), but rather than tell you here are some pics of some of the highlights:

The Shows

The first show on Friday was solid. Sold zero CDs, but delivered at least 40 firm handshakes after the show.  I was still feeling the effects of a cold and was a little lower energy than normal, but I still, like any veteran entertainer, blame the crowd for me not selling well.  Crowd was good though.  The second show (Saturday) though was a full house (450 versus show #1’s 150) and was great.  Other than the woman who kept muttering possible hate speech about President Obama before I did my impression they were a great crowd, as evidenced by the two CDs I sold after the show. That is an increase of INFINITE percent over the zero I sold on show 1.  Then I was paid cash by the club and managed to walk by all the tables without losing any of the money before leaving the casino the next morning. #Hero

For more opinions, comedy and bridge burning check out the Righteous Prick Podcast on Podomatic, iTunes and NOW on STITCHER. New Every Tuesday so subscribe on one or more platforms today – all for free!

Over the last few weeks I have been muttering to comedians in the back of comedy clubs the term “pick 6.” What it basically means is that when a comedian lays out a joke whose punchline is so easily telegraphed that if it were a football pass (something half of today’s popular comedians only pretend to know the meaning of for the sole purpose of a well timed Super Bowl tweet) it would be picked off and taken to the house for a defensive touchdown.  There have been jokes recently that literally made me want to grab the microphone from the offending comedian and yell “You come at me with a weak ass punchline like _______!” Richard Sherman style.  And because the status update/tweet I posted about it turned out to be fairly popular, I wanted to codify the pick 6 term, as well as 9 other passive aggressive sports analogies in the blog that speaks the truth, the whole truth and nothing but the truth about comedy (seriously if Pick 6 become s a “thing” I want evidence of where it started). So enjoy this one folks:

1. Pick 6 – Already explained in the intro, but as my buddy Nick D offered as an example,”Hey, Republicans want to build a wall to keep the Mexicans out…”  Any comedian/defensive back with a full compliment of chromosomes can see “Who is going to build it” a mile away.  A crowd should groan at that point, but if they are comedy newbies, then a comedian in the back should scream “PICK SIX!” and high step out of the room like Deion Sanders.

2. Luke Walton – Luke Walton had no business getting drafted in the NBA. But he came from a big program and had an even bigger name legacy so he got drafted by the Lakers and shock of shock, after 7 years of practicing with Kobe Bryant and NBA championship level players and coaches he became an NBA level player.  This of course ignores what other people might have done with his draft spot.  This is what I think whenever I see managers or clubs gassing up their talent as if Luke Waltons in comedy were born of the Virgin Mary with comedy powers.  Eventually, if you do enough spots that your connections earned over your talent, your talent will begin to approach the opportunity, unless you are completely brain dead.

3. NFL Commissioner – Sometimes the NFL can use their leverage for good (like thinly veiled threats about moving the Super Bowl if the anti-gay legislation were passed) and other times to extract exorbitant fees from cable providers, etc. but either way its power is undeniable.  So next time you see some new jack headlining a club with 26 minutes of material you might want to shout – “WE GOT GODELLED!” because chances are that club got a two-for-one deal with a higher profile comedian.  But rest assured, after a few years of Luke Walton headlining… he or she will be a real headliner!

4. Anti-Cliff Levingston – Cliff Levingston was a solid NBA player, but I will always remember him as the guy who got fined by the Atlanta Hawks for waving his towel in admiration for Larry Bird torching his own team!  Now this may seem stupid, but in a way I respect it.  Bird was putting on such a vicious and virtuoso display Levingston dropped all pretense and just enjoyed it.  In comedy, there are a lot more anti-Levingstons: cheering for all the wrong reasons.  Maybe the guy making the joke is “hot” right now (social media or in real life) or maybe the chick making the joke seems DTF – any number of reasons, other than funny make all these people Anti-Cliff Levingstons and should have thrown in their towel instead of waving it.  (begin watching the Bird video around the 4:00 mark and just watch the Hawk’s bench):

5. Bill Simmons a/k/a Sports Guy – a few well timed analogies or references to childhood pop culture are fun, but building an entire empire on it (or even a 7,000 word blog on Grantland.com) can tax one’s patience (even from a guy analogizing comedy to sports).  I think once a comedian starts clocking in at a rate of one 1980s or 90s movie/TV show/song reference per 50 seconds of stand up time someone needs to shout SPORTS GUY and log off of the microphone

6. Bob Cousy No-Look Pass – Bob Cousy was one of those “play-making” NBA point guards of the 1950s that you watch video of now and go, “THIS GUY SUCKED!”  He would throw those kind of no look passes that had all the magic of tapping a child one shoulder so they would look the wrong way. Very simple.  This is saved for the comedians (often, but not exclusively, ladies) who set you up with the nice set up – DIRTY PUNCH LINE so often that you start to anticipate where Cousy is going and his head fake is no longer fooling you. In fact, you want to steal the ball and dunk it harder just for thinking he could work a bullsh*t head fake on you a fifteenth time in a row.  (e.g. “My boyfriend is really into Jesus… because we have threeways with our gardener.”)

7. Hockey Fight – this is for the ranter or the person who thinks they are speaking truth to power, but are just ruining the vibe of a comedy show with a diatribe.  Just start yelling “break it up!” when you see this happening. Thankfully I have only seen one of these atrocities on a late night set in my life.

8. Advanced Metrics.  Although this kind of work yielded some positive results (see Moneyball), this is basically what I think of when I see some comedian being labeled “daring” or “genius” that makes me and many other people go “I don’t get it.”  If you need too many metrics and explanations to show why someone is talented, and laughter is #14 on your factors of why the person is great, maybe you are trying to hard to justify them.   This in no way is a defense of the Jeff Dunham’s of the world, but I also refuse to see Andy Kaufman, or his more recent iterations, as anything above mildly amusing strange person.

9. Jack Haley – This guy was a player who barely made a dent in the NBA, but was Dennis Rodman’s good friend so when a team wanted to get the talents of Rodman, but have someone who might keep him semi-sane, Jack Haley had a roster spot.  But just like Jack Haley, who was annoyed and insisted he had earned his roster spot (bullsh*t) in comedy, so many Jack Haleys know for about six months that they are Jack Haley, but after enough re-tweets and bookings-by-association they start talking like they are Dennis Rodman.

10. Jay Glazer/Mike Wilbon-ing – This is the “journalist-as-friend/fan-of-subject” phenomenon that permeates sports journalism.  In comedy, to hear any truth about the business you have to read Facebook accounts or blogs of the five or six comedians who are not wholly consumed with climbing the ladder of shaft stroking and ass-kissing. Every other comedy site generally appears to be a portal to becoming a super fan.  Which is fine, unless you pose as a quasi-journalistic source because then you shroud your fan agenda in a cloak of journalistic integrity.

For more opinions, comedy and bridge burning check out the Righteous Prick Podcast on Podomatic, iTunes and NOW on STITCHER. New Every Tuesday so subscribe on one or more platforms today – all for free!

There are multiple ways to view most events, where from one perspective something plays out one way, but from a different perspective (either visually, mentally, or emotionally) it can seem to be a completely different result.  My appearance on The Adam Carolla Show last Wednesday (aired on Thursday) could be one of those situations.  As I discussed with Nick Dopuch (my friend and chauffeur for my three days in LA) here is the neutral way to describe what led me on to that show: Step 1: I wrote a web series, which required both a fund raising campaign and out of pocket costs to get made, with the intention of showcasing my impressions and my voice within comedy.  Step two was to find a way to get the series publicity because 100% of the comedy media sources were unwilling to promote the series because the only thing more important to these sites and their creators than web clicks (which my videos are reliable for) is access to celebrities, several of whom are targets in the series.  Step three was a well timed tweet to Adam Carolla who actually watched and enjoyed the video and had his producer play it on the air. Step 4 was a dialogue with the show producer about making a new video specifically for the show. Step 5 was to write, cast and make the new video on my own dime within a week.  Step 6 was to be offered a guest spot on the show to release the video and fly myself out to Los Angeles. Step 7 was to do the best I could on the show.  And then step 8 was hopefully pick up lots of new traffic and fans and (long shot) begin a relationship with the show.  Right now, the plan was executed perfectly and led to exactly zero dollars (at least in the short term).   As Nick and I said in his car after my appearance, what I had just pulled off was BEST CASE SCENARIO for a comedian with no management and no industry connections.  To paraphrase Scarface, all I have in this world is my comedy and my balls and I don’t break them for no one.  (for the record, the other way to look at this scenario is like my Mother or millions of other rational human beings and ask “So wait, you are not getting paid?”)

But let’s break down the appearance, which meant more to me and has done more for me than my appearance on The Late Late Show with Craig Ferguson six years ago (landmarks in my comedy career are like Senate elections):

I was starting to feel sick the day of the show (it is now full blown bronchitis), which was probably a combo of a 1 am Greyhound trip from Syracuse to NYC on Sunday morning, followed by a six hour early morning flight to LA two days later and the stress of what I knew was an important opportunity for me.  About three hours before the show I almost puked (from nerves, not sickness).  The fact is when you are not in the chosen class of comedians where industry is fawning for whatever myriad of criteria they use, chances to expand your fan base in a big way are few.  So even though I did not know what I could gain from a successful appearance I also knew that opportunities like this are not frequent so I had to make the most of it.

When I arrived at the studio about 15 minutes before they told me to be there I was greeted by a small woman who had never heard of Adam Carolla.  The address number I wanted was 629, but I had a mental slip and went to 621. Now that my ride had left the neighborhood I panicked and thought what if I had the whole address wrong?  I have 15 minutes to get where I needed to be and had no idea how far I was.  Then an older gentleman popped his head out of another room and said “Carolla? Two buildings down.”  Crisis averted.

When I walked in to the Adam Carolla Studio building I was blown away. First I was meeting all these behind the scenes characters from the show and putting faces to names and jokes.  I have been listening to the show for 4 years, 5 days a week so at least to me it was very cool.  And then there was the studio itself.  It was like a shrine/fan room/man cave of the show.  Not so much a tribute to Adam, but rather a collection of things (probably made by fans who like the show) and tons of stuff Carolla likes.  And, although not politically in tune with Carolla, his humor and his “fu*k the industry – I will run my comedy business how I see fit” are things I appreciate and respect (and foolishly emulate since I do not have hundreds of thousands of fans).

I proceeded to get buzzed off of Carolla’s signature drink, Mangria, before the show to calm my nerves and then it was showtime.  I threw in a few quips, got to do impressions of President Obama, Louis CK, Biggie, Dane Cook and JB Smoove.  I got Adam to laugh a few times, which was a real accomplishment, and got compliments from the show’s staff (maybe they do that for everyone but I think they meant it).  They also played my new video Adam Carolla vs The Patent Troll in its entirety on the air.  In other words I really felt like I stuck the landing.  Afterwards, while waiting by myself in front of a Del Taco by myself waiting for Nick to pick me up I almost started turning into Tom Hanks at the end of Captain Phillips, but I kept my composure.

More than anything I have done in comedy this was the most satisfying thing I have accomplished in 11 years.  Because it was all me.  It offered me a day or two of validation for the way I have approached comedy and it is all attributable to me. This may sound conceited or selfish, but for all the effort and sacrifice I have made to build my own life raft (Carolla calls his a pirate ship, but given the relative size of my operation, as well as my Haitian father, I feel life raft is a more apt analogy), I earned a chance to say for a night, like Cerano in Major League, “fu*k you comedy business… I do it myself.”

But like anything in comedy, there always seems a price to pay.  And not only did my bronchitis get worse, but randomly checking my bank balance the next day I saw that my bank account was short what it should have been because a check from a previous gig had just bounced.  If anyone has read the book 11/22/1963 by Stephen King, it is about someone changing the course of history, but the bigger the event, the more impediments pop up to prevent change to that event.  It felt sort of like that “Congrats on working your way into an opportunity not usually provided to people in your position. Hope you don’t mind us taxing you for the chance.”

But not even that could make the trip any less than a big success.  I picked up 100 YouTube subscribers, 50 Twitter followers and a ton of new podcast subscribers.  And sadly, in comedy this counts as currency.  It also validated my work to a large pool of people that I think will also appreciate my work.  Now all I need to do is figure out how to appear on The Adam Carolla Show 225 times a year and I will be a star by this time next year. Check the episode HERE (or on iTunes)

For more opinions, comedy and bridge burning check out the Righteous Prick Podcast on Podomatic, iTunes and NOW on STITCHER. New Every Tuesday so subscribe on one or more platforms today – all for free!

Well I am writing this post from LA and as expected the weather is beautiful.  Not that 80 and Sunny that would have Cross Fit Brosephs walking around shirtless with Oakley shades and 5 o’clock shadow kind of weather, but that 60 with a slight breeze that accommodates my relative lack of fitness and makes me feel good (60 and a breeze is the out of shape man’s 80 & sunny).  Tonight is a huge opportunity for me as I will be a guest on the Adam Carolla Show.  It feels particularly good because it is an opportunity I created 100% on my own.  No manager, no PR, no agent, no connection – just a good web series and a timely tweet led to this.  I don’t know if it will be the launching pad for anything beyond a bump in traffic for my various media, but it sure beats watching Amazon Prime (Netflix is for successful comedians) in my apartment this week. So here’s your recap up to this point:

On my flight yesterday I watched The Croods (it was free because we were 90 minutes delayed) and it sucked.  Don’t know how the Academy missed nominated Monsters University this year, clearly the best animated movie of the year, but nominated The Croods, which had a few moments of quality, but was generally a boring flick.  Other highlights from the flight were the matching bruises on my knees from being buried into the seat in front of me.

Aside – why as a tall person (#blessed) do I need to pay extra money for extra leg room?  I understand fat people (#unblessed) having to pay for two seats because there is some element of personal blame with that, but why do I, bearing Evolution-favored traits, have to suffer in seats made for Asian infants?  I am thinking of challenging it under the Americans with Disabilities Act.  My slogan: I’m so abled, it is like I am disabled.

Other highlights on the flight were a teenager, who I believe may have really been autistic had a therapy dog with him. Walking around. The thing was only slightly smaller than a Labrador.  I don’t mean to be uncaring, but if you need a big ass dog to fly maybe you shouldn’t fly?  Though the dog was well behaved (the dog never pooped on the plane, but someone near me dropped a tremendous fart halfway through the flight).

When I arrived in LA my friend Nick D. picked me up and I will present the rest of my first day in LA in a series of bullet points (#Lazy):

• We ate at In n Out Burger.  It is cheap and solid, but still wildly overrated.  Half a step above Wendy’s.
• I noticed that Carolla’s criticism of traffic cops in LA is not exaggerated.  Nick and his friend Melody had fear of tickets’/towing (even when the signs clearly indicate that they are parked in a correct spot) the way a field slave feared the master in antebellum south.  I am like their northern cousin going “you can park there – look at the sign,” to which they reply “SHUSH Traffic cop master gonna hear you – Master don’t care – he will tow your car away without thinking and he’ll arrest your ass just for talking back. I didn’t want to see this movie anyways.”
• Did a show at a hostel (see – I traveled 3000 miles to bang out another hostel show #blessed) – it was fun and I like that people I have never met know me from my work.  I am changing my intro on stage from “You’ve seen him on Craig Ferguson…” to “This motherfu*ker’s name rings out in the comedy street, ya heard? J-L Cauvin!”  Granted the audience was tiny, but still felt good. And the hostels in Santa Monica are much less roachy/burglary-y/dirty than NYC.
• Did some shopping this morning at a local grocery store.  LA is a major city, but because of its sprawl they have suburban size grocery stores!  I don’t have to bang my shoulders on hanging items like I am Dwight Howard in the NYC thin-aisled supermarkets.  I can feel like I am in a city, but get the jumbo-sized aisles to accommodate my defensive lineman frame (retired).

Well, off to see a movie, vomit and then hopefully kill it on Carolla’s show.  Either way I will be at the Cheesecake Factory after. Salmon and 1 piece of cheesecake if it goes well.  4 pieces of cheesecake and 4 gin and tonics if it goes poorly.  Stay tuned.

For more opinions, comedy and bridge burning check out the Righteous Prick Podcast on Podomatic, iTunes and NOW on STITCHER. New Every Tuesday so subscribe on one or more platforms today – all for free!

This weekend I was in Syracuse, NY performing at Wise Guys Comedy Club (actually, the club recently moved from Syracuse to a sleepy, store-less, almost organic life-less VILLAGE (not a big fancy place like a town) called Camillus.  I was performing Friday and Saturday nights.   It is worth noting that this was my first time performing at this venue since the New Year’s Eve roided up MMA massacre that occurred after the stroke of midnight on January 1, 2013 (read the full recap HERE).  The disturbing epilogue to that story is that the victim was convinced not to press charges by his wife who was/is friends with K-FedRoid’s girlfriend.  So good luck to the men and women of Syracuse knowing that that dude is free in your city.

But before I heard that bit of disturbing news I was taking Greyhound round trip for the gig.  Because it was a holiday weekend Amtrak was not allowing customers to use points for travel and jacked up their rates.  So instead it was too Greyhound, or as I call it, the Anti Olympics (because on every bus it looks like every nationality has sent their worst representative).  And I must take back some of the bad words I have said about Greyhound. Sure there was a flaming gay guy who shuffled in his Ugg boots to cut me on line and a wanna be tough guy rapping vulgar lyrics while sitting right behind two old ladies, but the bus was 20 minutes early to Syracuse AND was already a faster scheduled trip to Syracuse than the train and less than half the cost.

When I arrived I was driven to the Green Gate Inn, which as you can tell from the thumbnail picture above appears to be the site of several horror films.  It was a pleasant enough space, though I did not fully fit on the bed and the nearest Starbucks (a good sign of civilization in 2014 America) was over four miles away (the nearest IHOP was 14+ miles away I believe).  The Green Gate is actually a local pub where it appears Syracuse Basketball fans that were around when James Naismith invented basketball hang out.  My room was located above the pub.

The shows were both great. Sold several CDs and no official complaints were logged as far as I know.  And as a bonus, no roided up MMA wannabes showed up to beat up mild-mannered sweater wearing husbands.  But after Saturday’s show it was time to get on the 115 am Greyhound.  I decided better to be home as early as possible than get a fitful six hours sleep in a bed made for a smaller person.  And if you think Asian women are crafty at snatching up seats on the New York City Subway no matter what rule of civility they must ignore, you should see them work on the 115 am Greyhound from Syracuse to NYC!  As I got on the Greyhound (note to Greyhoud – leather seats, plus full of people equals no need to have the heat on full blast) I noticed no less than half a dozen tiny Asian women with face masks on (seriously, cut the sh*t Asians – Jack Nicholson in As Good As It Gets  was less narcissistic and delusional in his approach to personal health than Asian women) sleeping (or pretending to sleep) taking up both seats. One Asian – rude. Two Asian women – coincidence.  Three?  Trend. Six on the same bus?  A fu*king epidemic.  As a large person, the Asian woman is my ideal  bus seat companion because they rarely use their entire bus seat.

So all in all it was a productive weekend of comedy and Greyhound buses earned some points in my book. But their customers are still the Anti-Olympics.

For more opinions, comedy and bridge burning check out the Righteous Prick Podcast on Podomatic, iTunes and NOW on STITCHER. New Every Tuesday so subscribe on one or more platforms today – all for free!

Well, the video that Adam Carolla’s producer asked me to make is up and ready thanks to some great and expeditious work from my usual crew.  The better news is that Carolla’s producer loved the video and will have me on the show next week I think.  It is a great chance to reach his hundreds of thousands of listeners and meet one of my biggest role models in the comedy game (naturally his self-made, outsider role is what I have been trying to emulate on a much, much smaller and more financially precarious level for the last couple of years).  I hope this is the start of something really big for me (maybe not, but breaks don’t come along too often and I am glad I made this one without industry, PR, management or any other typical gate keeper for any decent opportunity for a comedian).  So I will keep you posted, but for now please enjoy the new video (admittedly it is mainly for Carolla fans to enjoy”):

For more opinions, comedy and bridge burning check out the Righteous Prick Podcast on Podomatic, iTunes and NOW on STITCHER. New Every Tuesday so subscribe on one or more platforms today – all for free!

Many comedians were discussing an interview done with Jerry Seinfeld this week, in which he seemed annoyed with a question concerning the lack of racial and gender diversity on his Internet show Comedians in Cars Drinking Coffee, or something like that. I watched the interview where he basically dismissed the question, probably because of a combination of being questioned at all and also the intimation that he might have gender or racial insensitivities or blind spots.  And Gawker, due to some combination of personal animosity towards Seinfeld and a Woodward & Bernstein-esque commitment to web clicks posted the shamefully misleading title “‘Who Cares’ About Diversity in Comedy Says Jerry Seinfeld”.  This was once again, in my opinion, for liberal web media to find a new villain, where we least expect it.  Wait a second – JERRY SEINFELD IS RACIST????  No, not really.  He might be a slightly ornery or dismissive, rich 60 year old white guy, but this was a ridiculous stretch.   There are a lot of nuanced points I would like to make regarding this, but it is not even worth it to me, if only because IT IS A SHOW IN HIS CAR.

But more significant to me in the we-are-not-a-post-racial-America were two other stories this week.  In one story, George Zimmerman will be boxing in a “celebrity” boxing match against the rapper DMX.  In another story I saw an outpouring of universal praise and sadness for the heroin-related death of Philip Seymour Hoffman.

The Zimmerman story is so obviously appalling on its face.  His celebrity stems from the shooting (murder) of an unarmed black male teenager.  From his subsequent run-ins with the law and his immediate weight loss and hair shaving since the trial should demonstrate that he took the judicial system for a ride.  Even if you are in the most hardcore defense of George Zimmerman you should acknowledge that this is offensively tasteless at best.   At worst it is a slap in the face of Trayvon Martin’s family and young black men everywhere who can rightfully view this as salt in the gun shot wound of Trayvon.  Are there any other killers (I am not saying murder since legally he was acquitted of the crime) of unarmed people that have parlayed their infamous act into an opportunity at celebrity? Maybe there are, but none are coming to mind for me.

However, the treatment of Philip Seymour Hoffman I found more subtly troubling.  He was a great actor with addiction problems.  There is no problem mourning his loss and I found the general lack of tasteless jokes refreshing.  However, when I learned that he had children and a substantial stockpile of heroin in his apartment I was reminded of the backlash I observed on social media after the death of Whitney Houston.  As great an actor as Hoffman was he was still not to American acting what Houston was to American singing.  And yet many more people were willing to post things like “Why are we mourning this irresponsible crack whore who wasted talent” or “she was a singer but we don’t care about the troops that are dying for our freedoms.”  I have yet to see any posts like these for Hoffman.  Why is that (obviously the NY Daily News posted a somewhat harsh cover for Hoffman, but I am just referring to the sample of my associates on social media – not scientific, but still worth noting the differing responses). And as The Black Guy Who Tips tweeted “Did anyone arrest Whitney Houston’s drug dealer?”

The point is, as the late, great Patrice O’Neal said, ” Black people are mad now because white people now have that racism that we can’t prove.”  But is there any way to articulate the reason for why Zimmerman can even be considered for a celebrity event or how Houston can be examined so critically versus Hoffman without at least a subconscious racial discrimination being at work?  If there is I would love to hear it.

So instead of picking apart Jerry Seinfeld to manufacture a racist villain we can just tackle the ones that are right in front of us.

For more opinions, comedy and bridge burning check out the Righteous Prick Podcast on Podomatic, iTunes and NOW on STITCHER. New Every Tuesday so subscribe on one or more platforms today – all for free!