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The King of All Unpaid Media Week!

Tomorrow (Friday July 12th) I record the last of the shows that will comprise my new stand up album Keep My Enemies Closer.  I have never worked harder at my comedy that I have over the two years and this final recording will be the culmination of that effort.  If I can get the album marketed well when it comes out this Fall I truly believe it will be considered one of the best stand up albums of 2013 with room to spare.   Tickets are only $10 and can be bought HERE.  Of course, true to the bittersweet nature of even my greatest accomplishments in comedy, the Laughing Devil Club, which has been very supportive of me (with spots, money and a location for my Louis CK parody) is up for sale.  So come tomorrow!

But this week has also been chock full of all sorts of comedy exploits that pay no money (they don’t call me the King of All Unpaid Media for nothing!).  If you want to prep for the show properly and hear what is at stake for me (or if you cannot make the show and just want to hear me be funny and depressing and angry all at once) check out these various items:

1. My appearance on comic-to-comic radio.  An hour long chat about comedy and my blog for the 30,000 listeners of this fun show

http://www.blogtalkradio.com/wazeoutradio/2013/07/11/comic-to-comic-with-guest-j-l-cauvin

2. My print interview with Examiner.com

http://www.examiner.com/article/interview-j-l-cauvin-to-record-new-album?cid=PROD-redesign-right-next

3. My appearance on the very popular Off The Meter Podcast with comedian/former NYC cabbie Jimmy Failla

http://offthemeter.podomatic.com/entry/2013-07-10T14_08_58-07_00

4. Connected Comedy Podcast –  no holds barred conversation about the comedy business and my career

http://connectedcomedy.com/podcastepisode40/

And just so you know this weekend I am filming SCARED STRAIGHT – STAND UP COMEDIANS EDITION, my newest sketch video.  On the horizon are that, 2 weeks in San Antonio, a week in Cleveland and my web series with Investigation Discovery which I will bombard you with probably around the 22nd of July.  But none of these are as important to me as the album recording tomorrow.  The show is going to be great stand-up and is a cheap night out.  So hope to see you Friday night (or just keep enjoying all the stuff on my site if you cannot – maybe share some stuff with a friend if you feel guilty about not going).

For more opinions, comedy and bridge burning check out the Righteous Prick Podcast on Podomatic or iTunes. New Every Tuesday!

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Comedy Karma and the Connecticut Comedy Nightmare

I have been delinquent in my blogging duties this week for a variety of reasons, but I am back on this glorious 4th of July to celebrate that most American of professions… stand up comedy.  July will be the busiest month of my year so far and it kicked off with a July 3rd feature gig at Foxwoods for my buddy (who will become “one of my best friends” once he hits it big, which is what all comedians seem to do these days), and hilarious comedian, John Moses.  He asked me to feature for him for one night (he is the feature for someone else the rest of the weekend).  The gig only paid $50, but John was driving and he thought it was a good opportunity to get me in front of the people from Comix to possibly get work down the line.

Side Note on John – he is an extremely talented comic, hard working and like me, someone who is not caught up in the mutual admiration society that has become the world of stand up comedy.  He just does his work, makes people laugh and moves on to the next opportunity or job.  But, at the risk of sounding like what I hate, that is why John is one of the few people I trust in comedy.  So I headed up to Foxwoods with John and his fiancée.  I lugged my podcast equipment to record an episode with John before the show, but in a sign of worse things to come the drive took about 6 hours with holiday traffic and we arrived only 30 minutes before show time.  No time for the podcast.  Not even time to ice my shoulder from lugging aforementioned podcast equipment.

The club at Foxwoods, Comix, is really nice and just walking around the casino I kept thinking two things – one, I wish all the casino gigs I got were not one-nighters and two, I wish I was not a struggling comedian because I would love to go to a casino for a nice weekend vacation.  Being a comedian is like being permanently on a working vacation.  You are not tied to an office, but you are always sort of working on stuff.  I was taking two vacations a year when I had a regular job.  I have not travelled anywhere that was not comedy-related or family visit-related in 4 years.   So if you consider play station marathons vacations then I am the most relaxed man in the world.

The gig went great.  I did 22 minutes, taped a really solid set, sold a CD to the one guy who was buying merchandise from anyone and also had J-L fan (and Dexter superfan from Tuesday’s podcast episode) Jon Butler show up to the show with a buddy.  Then the booker came up to me in the green room and told me he enjoyed my set.  Perfect – done.  Good set and even at $50 I was going to turn a profit on the gig.  And then Comedy Karma (CK?), like some sort of villain from a Stephen King novel, intervened. Martin Luther King Jr. said that “the arc of the moral universe is long, but it bends toward justice.” (this could have also been a pick-up line he told to his side action referring to his penis)  Well according to J-L Cauvin, the arc of comedy is sad, and bends towards fu*king you over.  Here is a timeline of what happened from that point on:

9:52 pm – I accompany John and his fiancée to Fuddrucker’s next door to the club for dinner.  I ate at the club already, but the two of them were starving and with John willing to drive me 1 hour to the New Haven train station I had no intention of being pushy.  Important detail: the last Metro North train to NYC from New Haven was scheduled to leave at 1135pm.

9:55pm – a woman cuts in front of John and his fiancée on the Fuddrucker’s line.  This is a great move that people should try more often, especially women.  I have been cut on line several times in my life and I do what most people do – I huff and I question and I semi-speak up, but then I sort of reach a confusion level where I half doubt if I was ahead of the person on line, simply because the conduct of the person cutting is slightly out of my frame of normal behavior that I know how to respond to.  The three of us did that to this woman’s cutting.  She took two minutes with her order.  Like The Usual Suspects you will want to review this timeline when you finish this blog to see all of the things that contribute to its tragic ending.

10:18 – Dinner is finished.  Just as we are saying goodbye to John’s fiancée who is headed up to the room, John realizes he left his valet parking ticket up in the room.

10:26 John hands the ticket to the valet

10:31 I get in the car with John.  I turn on the GPS and it is giving me an estimated 1144pm arrival at the New Haven Metro North station.  What then transpired was the first installment of a potential film franchise known as The Crass and the Furious, starring John Moses as Paul Walker and J-L Cauvin as Vin Diesel.  John Moses proceeds to shed 12 and a half minutes off of that time, all in a 2001 Malibu.  The unfortunate part is that he needed to shed 13 and a half minutes for me to catch the train.  When we arrived at 1136 pm there was no sign of the train.  John had basically pulled a Rocky I – he made it closer than anyone thought possible, but in the end Comedy Karma had received just enough help from a Fuddrucker’s skank and a momentary lapse in valet card placement judgment.

11:52pm We decide to look for a bus station to see if there are any midnight buses.  My GPS leads me to just a random public bus stop in West New Haven, where skinny black and white men wear lots of tattoos and no t-shirts at night. We arrive at the bus stop at 12:01 to see that it is a bench with a Rite Aid in the background.  Despair begins to set in.

12:07 We drive back to a La Quinta Inn, which had a sign out front saying “Rates from $95 a night.”  Considering I needed something walking distance to the train in the morning this was the most affordable choice.  I have stayed in La Quinta Inns before.  They are a solid chain, but not all La Quintas are created La Equal.  This felt more like a housing project that had been converted into a La Quinta Inn.  I go in and the lobby (and as it turns out the hallways) have no air conditioning.  I sign up for a room and John Moses says to me “You can’t quit comedy… not like this,” apparently reading a look of despair on my face that Helen Keller could have seen.  I bid him safe travels and went upstairs to my room.

12:20am If you have seen the movie Heat then you know the character Waingro (also cinema’s best representation of comedy karma).  He is a psycho who ruins everything for Robert DeNiro and when DeNiro has a chance to escape he decides to pay back Waingro, which eventually seals his fate.  This hotel and hotel room felt like the hotel in Heat where Waingro murders a prostitute. The room is sweltering so I turned the air conditioning on full blast.  I waited until my body had reached a decent level of cooling and then pulled down the sheets to reveal (no exaggeration) blood stains and some grey-ish brown streaks.  So in fact a murder may have actually taken place here, or at least a miscarriage.  Needless to say I slept on the other side of the bed.

12:47am I look up on Amtrak.com the trains in the morning.  I might as well travel in modest style home if I am already losing significant money on this trip.  And then what I saw truly horrified me.  There was a 12:35 am Amtrak for $39 that I had just missed and had forgotten even ran. It reminded me of the Stephen King movie The Fog, where Thomas Jane opts to kill his son in an act of mercy before he starves to death, only to have help come minutes later.

2:00am I fall asleep, ending the nightmare.  Well played Comedy Karma.

For more opinions, comedy and bridge burning check out the Righteous Prick Podcast on Podomatic or iTunes. New Every Tuesday!

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Biggest Winners and Losers from Marriage Equality Day

With today’s historic decisions in the Supreme Court, one striking down the Defense of Marriage Act and the other, on procedural grounds, paving the way for Same Sex marriage in California, the Supreme Court has made today the most recent, and probably to be the most festive, celebration of the expansion of Civil Rights.  So before you start selling your stock in Grindr, double down on your in vitro medical practice or become a lawyer with a specialty in foreign adoptions I think it is worth looking beyond the obvious victories today and see who the real winners and losers are on this monumental day for gay rights, civil rights and lubricants.

1. Jason Collins. Loser.  Sorry Jason, but just a few weeks ago you were a pioneer, as the first “active” (unsigned) major sports athlete.  Now, with the avalanche of nationwide good news for the gay community, people will start to just look at you as a pleasant person who is terrible at basketball.  Get starting on that memoir now because I am pretty sure you will have all winter to finish it.

2. Marcus Bachmann. Winner.  Sure he is still married to Michele Bachmann, but this may give him the strength he needs to get rid of the Wicked Witch of the Midwest and finally be the Chicago Bear he was meant to be (this is the gayest sentence I have ever written)!

3. Heterosexual White Chicks. Losers.  Uh oh.  Your usage of gay men as mascots and sounding boards at brunch may be at an end.  it may not be as fun anymore having to listen to Thom and Brint’s wedding plans over mimosas while you struggle with yoru 19th failed relationship with a guy who is just not motivated or successful enough.  Start your own brunch Thom and Brint!

 

4. The WNBA. Losers.  Just thought I would reiterate this point.

5. Marijuana Smokers. Winners. Now as we move on down the line of freedom issues, the next will be weed smokers.  And as Adam Carolla once or twice said about gay marriage and marijuana – “Reason 1 I want them legal is because it is a matter of having equality and freedom as citizens and tax payers.  Reasons 2-10 is because I want them to shut the fu*k up.”

6. Scalia and Thomas. Winners.  They get to erode the fabric of the progressive movement each year playing the Wade and Bosh to Chief Justice Roberts’ Lebron, but also they will now be able to have their man crush legally recognized.  Huge week for these two love birds.

 

7. Frustrated Fathers of Gay Sons. Winners. OK, so as a father we know that your goal is to keep your kids away from dick, regardless of gender or orientation and you were dealt a tough play with a gay son.  But look on the bright side – if your son gets married, there is a strong (though I must stress, not certain) chance that that marriage will cut down his dick quantity but at least 40%.  It may not be the win you want, but it is mitigating your frustration (yes this is part of a bit from my upcoming album Keep My Enemies Closer)

8. Hollywood.  Draw. The Court loves business. And now it loves gays.  You guys are like the Vatican to the Supreme Court.  The world is yours, though remember Hollywood execs, when you bugger that young stud actor just looking for a role in your next pilot it might not just be business as usual – it might also be adultery.

9. Justice Anthony Kennedy. Winner.  Expect Time or Newsweek to declare Justice Kennedy “The Gay Justice” or to drop the “The” and just refer to him as Gay Justice – which either sounds like a Hollywood producer or a superhero who spent too much time learning punishment tactics on HBO’s Oz.  Kennedy has his digits on the two most significant victories for the gay community with his decision in Lawrence v Texas, which overturned sodomy laws and today’s DOMA decision.  He will never have to pay for another drink or pill of ecstacy for the rest of his life.

10. Crystal Meth. WinnerIf you thought the gay community was into Breaking Bad’s candy of choice before, just wait til that market explodes when they realize that marriage sucks!

 

For more opinions, comedy and bridge burning check out the Righteous Prick Podcast on Podomatic or iTunes. New Every Tuesday!

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Keep My Enemies Closer

Sorry for the misleading title, but this is not going to be a list of all of the people in comedy and life that I want to wipe away like when Michael Corleone handled all family business.  No, in much more pleasant news Keep My Enemies Closer is the title of my new album coming out in late September.  I reviewed my set from the Triad in May this weekend, and for the first time I was extremely pleased with what I listened to.  Even my last two albums, which I am extremely proud of (my very first one I am just proud of), did not please me on first listen as this one did.  But that is  not to say it is perfect.  Yet.  There were two bits I forgot to do and three bits I want to tighten up so if you missed the Triad taping (or if you were there but want to support again, since there will be around 20 minutes of material that was not recorded at the first taping), then please mark your calendar for July 12th.  I am recording one more headlining set to complete the album at the Laughing Devil Comedy Club in Long Island City (one stop from Grand Central Station on the 7 train).  Please get tickets HERE and share with friends.  Opening for me are the hilarious Chris Lamberth and John Moses.  And as a treat I have put a couple of short clips from the set up on YouTube and if you have ten minutes to spare check the clips out and share your favorite.

Lena Dunham

NYPD Cheaters

Gay Guys vs. Lesbians

Equal Storytime

Hopefully you enjoyed these.  And if you like any of my previous albums I promise you this is the best one by far.  Hope you can be part of the taping on July 12th.

For more opinions, comedy and bridge burning check out the Righteous Prick Podcast on Podomatic or iTunes. New Every Tuesday!

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James Gandolfini and the 7 Ways Comedians React To…

James Gandolfini passed away shockingly yesterday at the age of 51.  He was known primarily for his iconic performance/character of Tony Soprano and for being the face of one television’s greatest, if not the greatest, shows (my pre-Game of Thrones list has it at #6 on my favorite shows of all time).  But with an untimely death comes the ritual of comedians taking to social media immediately to offer RIPs, jokes and other comments.  I was particularly disturbed after Whitney Houston’s death only because I thought her talent was so singularly spectacular that it would have been nice for people to reflect and appreciate it for a minute or too before offering half-baked jokes.  Plus, it is worth noting that I saw a lot of trashing of Whitney Houston (black) for her drug problem – sometimes in the form of “Why do we care about this crackhead whore who did this to herself when we have troops and other real heroes dying,” and yet interestingly enough I have seen no calls for similar reflection from America’s social media heroes in the wake of grieving and reflection for the obese Gandolfini (white).  But rather than make this my usual tone of judgment I thought I would just offer the casual comedy observer the different types of responses that now come from comedians in the wake of a tragedy.  Enjoy!

1) Standard RIP message – this is made to either show appreciation for the man or woman’s work, but just as likely to let everyone know that you have heard the news and are hopefully either informing them, which makes you cool, or that you are feeling something profound, which makes you look warm.

2) Hack Joke – for example if you mentioned the ending of The Sopranos or Journey’s Don’t Stop Believin’ you need your comedy license revoked.  These always seem to happen so quickly to the point that you see 8 comedians with the same joke, and they are all Facebook friends sharing the same wall, but they still failed to realize that the joke was dead on arrival.

3) Video Clip and/or Photo RIP – I like these actually. The person is known for something so it makes sense to share.  Which is why I will share Kim and Ray J’s tape when Ray J dies.

4) Actually Funny Joke – after a day or more of respectful time usually, you can just go to www.Facebook.com/JLCauvin for these 🙂 but seriously folks… every so often someone posts something that manages to be a little gallows humor, but not too disrespectful and actually funny (or disrespectful, but really funny).  But if they do that and then spend the next 2 minutes telling you how good that joke was you are watching Anthony Jeselnick.  This is a great blog post people…

5) Unbelievable Emotional Post – This is the horsesh*t extension of #1 where someone with no emotional connection has a heartbreaking message.  99 out of 100 I don’t buy it, but just know that if Bryan Cranston meets an untimely death, my tears will be real.

6) We were friends post – You met the celebrity twice, but you refer to them as your friend, your spirit, your buddy, your dear friend or any other such nonsense.

7) Fake Moral Outrage post – These are the folk who either take a celebrity’s death as a time to remind us about the troops or breast cancer or any other important thing, but they only do it on that day.  There were no posts about honor or important causes the day before.  They are like the Westboro Baptist Church – they show up to a social media mourning and then try to shame you with stuff they don’t care about most days, but become morally indignant just to fu*k with your appreciation.  Or they point out that the death was not a surprise or that they deserved it.  Hey – if the celebrity did not harm to others and they were talented it is OK to reflect on their skills and gifts without being told about the causes you rarely discuss during non celebrity mourning social media time.

For more opinions, comedy and bridge burning check out the Righteous Prick Podcast on Podomatic or iTunes. New Every Tuesday!

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Why Lebron Will Never Please You

The question of who is the greatest basketball player of all time is not historically settled, by the very nature of History – people are always making it and adapting from and surpassing the past.  It is of little debate that at the present moment, by almost any standard one can apply that Michael Jordan is the greatest basketball player of all time.  He has the stats, championships, individual and team accolades and perhaps most importantly, a series indelible marks left upon the imaginations of millions of Americans.  Jerry West may be the logo of the NBA, but Michael Jordan is its most shining symbol of glory.  Others who have tried to lay claim to the throne have fallen short, most notably Kobe Bryant, the closest approximation to Jordan in style (if not in success) to the point that if Kobe could have killed Jordan on a boat, assumed his identity (along with press conference cadence, fadeaway jumper and gum chewing) and called himself The Talented Mr. Jordan, he might have.  But the danger in replicating a great is that no matter how great you are, unless you surpass the original in every way you can never be considered greater.  And this goes beyond stats and number of titles, but also the spirit of the legend.  Which is why I have found Lebron James so damn intriguing.

Lebron James, I have always said, is the only modern player with a chance to surpass Jordan (read the words haters – a chance – not a declared certainty or a present-day fact) because he is a different model.  Kobe challenged Jordan on Jordan’s turf. Lebron’s eventual legacy will challenge Jordan from a new template – a point guard mind- power forward body phenom.  He will never score as much as Kobe or MJ, but he impacts the game in a way I have never seen.  He is a defensive force and only Scottie Pippen has been as versatile a defender in my life.  What other player in NBA history goes chest-to-chest with Tim Duncan and rejects his post shot and then resumes guarding Tony Parker out on the perimeter?  Defensive player of the year Marc “Hodor” Gasol?

To watch the San Antonio defense you would think no one on the court exists except Lebron  They guard him with multiple players, a layered scheme and are only willing to concede the worst shot statistically in basketball – the 17-19 foot range jumper.  He is a gifted passer, a savant of the game and a physical freak, but he has only shown glimpses of an assassin’s mentality on the court and because Jordan set the framework and Kobe followed it, the fact that Lebron does not adhere to that model means in the hater/hoops-simpletons’ minds that he can never be as good or better than those who operate with that mindset.

And yet, Lebron is one game from winning his 2nd NBA title a year before Michael Jordan won his 2nd NBA title.  He has collected 3 triple doubles in his last 7 NBA Finals games.  He has thrived offensively in a league that, although not as physically dirty than the one Jordan played in and that Kobe began in, is much more sophisticated defensively and the statistics bear that out.  Better athletes, more zone defense and more complex stats and schemes make scoring a bigger chore in today’s NBA (not necessarily individually, but the game is a lot slower than in the 80s).  Am I in any way suggesting the MJ would not thrive in today’s NBA?  Of course not.  I think he would excel.  But this is more to defend Lebron.

Lebron is playing under a microscope that no other NBA player has ever played under.  Jordan felt the glare, but that was the glare of an adoring spotlight for most of  his career.  He was a Madison Avenue darling very early on and became the toast of the league for the second decade of his career.  Once MJ broke through, he was never questioned again, at least not pejoratively.  This has not been the case since Lebron won.  Lebron has had the spotlight, but much of it has come from the ever present 24 hour news cycle and the 200 foot troll of a magnifying glass known as social media.  Every game Lebron plays is not specific enough evidence of greatness or failure – he has every play dissected.  After willing the Heat back from the brink of destruction all 4th quarter in Game 6 last night, the instant reaction from haters was that Ray Allen had “bailed Lebron out” with his incredible three pointer.  What is Lebron Moses?  He gets to lead his team to the Promised Land, but not get to experience any of it?

The problem for Lebron is not that he is not talented or clutch or great.  He is all of those things.  The real problem for Lebron is that he is the greatest athletic specimen we have on the planet, other than perhaps Usain Bolt, and that shames a lot of the public.  See, we live in a society now where everyone’s opinions, thoughts, pictures and mundane activities are on display making us all feel like important celebrities in our individual, mundane circles.  Mediocrity has never been more famous and self-important and Lebron has been reminding us for the last three years that he is better than us.

We were OK when he was a nice kid from Ohio, toiling away, earnestly failing to achieve his profession’s highest goals.  But then he made THE DECISION.  I did not like it, but I got over it, mainly because I enjoy watching him play so much.  But what Lebron said is “watch me America – I am important and you will watch me.” And we did watch and then we hated him for showing us how much we cared and how shallow we all felt (THE DECISION was a huge ratings success).  We became champions of Cleveland’s dignity, even though many people watching were just hoping their team would be the one to break Cleveland’s heart (Hello Knicks and Bulls fans). Rather than apologize for our own hypocrisy we turned Lebron into a massive villain.

But don’t forget he was arrogant at a free pep rally fgor Heat fans!

And then he lost in the Finals to Dallas and it proved that he was being punished for his hubris and we could all feel good.  It was a text book case of schadenfreude.  We determined he deserved a comeuppance,  he got it and we delighted! Good riddance King James! Except rather than fade away into the Tracy McGrady and Vince Carter wing just outside of the NBA Hall of Fame for underachieving athletic freaks he bounced back and destroyed his rivals en route to his title in 2012.  Yes he played with Chris Bosh and Dwyane Wade, but only a truly delusional hatred could ignore that Lebron was the Sun that the other Heat players revolved around.  And he never had that iconic moment in the NBA Finals last year because he destroyed the OKC Thunder so thoroughly.  So other than Boston Game 6 (and Indiana Game 3 if you paid attention), his 2012 playoffs did not give us Jordan over Ehlo or Jordan (shoving) shooting over Russel.  Another strike against Lebron!

So we arrived at 2013. The Heat win 66 games, 27 in a row and Lebron puts together the most or oneof the most efficient seasons in NBA History.  And then the playoffs happen and it appears that by the Pacers’ series Lebron is no longer part of a big three.  He is the Big One and is alternating between dragging his teammates and creating for them.  He single handedly vanquished a very tough and balanced Pacers team that specifically were strong where the Heat were weak.

And now the Finals.  Standing in Lebron’s way are a 4 time champion player and coach, a team with size and a team with a devastatingly good point guard – all weak spots for the Heat. And with some help, finally, Lebron is one game away from defeating the team that swept him when, like a Mozart of basketball, he took a terrible Cavs team to the Finals in 2007 with only his individual natural brilliance.  But now Lebron has mastered basketball.  Does that mean he is perfect? No.  Did Jordan shoot below 33% in the final game of the 1996 Finals?  Did Kobe go 6-24 in Game 7 of the 2010 Finals?  Yes and yes.  Does that diminish their legacies? No.  Yet Lebron for that he has accomplished before the age of 30 and the brilliance with which he plays is still having every dribble examined with heightened scrutiny.  So if he were to score 40 and go 15-15 from the field on Thursday, but Tony Parker hits a buzzer beater to win Game 7, this will somehow render Lebron’s admission to the upper elite of the sport null and void.  He cannot please these people because they want him to fail.  They need him to fail.

Lebron James has shown us that he is great. Greater at what he does than we will ever be at what we do.  He has also shown us that he knows he is great and better than us.  Not in a brash Terrell Owens sort of way where it feels cartoonish. Rather, Lebron was blessed by God, fate or nature with incredible potential for greatness.  He was not born Peter Parker or even Bruce Wayne – he was BORN as Spider Man and Batman. And what is worse is that he is fullfilling that great potential and enjoying it in beautiful Miami.  Lebron is better than us, knows it, but what really stings is that we could never be him.  No matter how hard we work and dedicate ourselves he was always going to be better. Kobe and MJ gritted their teeth, yelled at and in MJ’s case, punched, teammates – they had the gifts, but they also exhibited the grit that made us feel better about them being better.  Lebron is just enjoying a game he has mastered and fullfilling his promise, but with something closer to a child’s enjoyment than a mob boss’ ruthlessness.  And in an age where we all think we are so important and special he has shown us that we are not.  But that he is.

Good luck in Game 7 Lebron.  And get ready to hear “but MJ and Kobe threepeated” or “now Tracy mcGrady has as many titles as you” right after.   And then have a hearty laugh.

For more opinions, comedy and bridge burning check out the Righteous Prick Podcast on Podomatic or iTunes. New Every Tuesday!

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Video of the month – Paranormal Activity 5 starring…

June’s video is a movie parody written by me, starring me as one of my impressions.  Although people are saying I look more Vin Diesel than Dwayne Johnson, hopefully you enjoy the impression as well as the high quality film work.  And please like the YouTube video and share it!

And don’t forget…

For more opinions, comedy and bridge burning check out the Righteous Prick Podcast on Podomatic or iTunes. New Every Tuesday!

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Dear Nerds, The New Superman Movie Cannot Hurt You…

I have a ticket to see Man of Steel tomorrow and it has been the movie I have anticipated most this Summer.  Reviews have been much more unsteady than I expected, but after seeing Christopher Nolan’s name attached as a producer and an all star cast I am still optimistic.  And the Rotten Tomatoes aggregate reviewing system has failed me a few times this Summer already – most notably with After Earth, a movie I liked and predicted would be around 58% on Rotten Tomatoes, which garnered only a 12% – a complete hater fest against Will Smith, his son and M Night.  However there are reasons to be concerned with Man of Steel.  First off the director is Zach Snyder so don’t be fooled that Christopher Nolan is directing.  I enjoyed 300, but I generally find Snyder’s movies to be weak (300 and Sucker Punch – both CGI fests that could not keep my attention).  Second, like the film Jesus of Nazareth, the only relative no-name in the cast is the guy playing the Messiah. Henry Cavill is an English actor (for a second I thought he was Australian and I thought “seriously, can these guys stop taking our jobs – who cares about 1 million Mexican migrant workers when we have like 30 Aussies taking multi-million dollar pay days from hardworking American waiters?” But I was wrong.) whose biggest role to date was in the underwhelming, overly CGI’d Immortals.  But I have the good fortune of not being a nerd or someone who found the will to live as a child or a teen based on picture books.  I read real books, I played sports and I made people laugh with me, not at me. Now this may explain why my career in stand up comedy is so stalled, but it also explains why if Man of Steel is good I will be happy and why if Man of Steel is terrible I will not curse the Heavens (I will save that for the San Antonio Spurs if they beat Lebron James in the NBA Finals).

See, I don’t care if any of these directors or writers stay true to the source material, or the spirit of the original.  I am going to watch a movie. If the movie is good, mission accomplished.  Oh no Superman is not wearing red underwear outside his suit!  Oh no – he is struggling with his identity in this one!  If it makes for a better movie then great.  If changes and approaches make for a worse movie then that is where it ends for me.  Too many freaks and geeks have too much of their adult identity in Hollywood somehow validating their sad and pathetic youth.  Is it not enough that Hollywood and pop culture have turned being a “nerd” into a cool thing?  That bullies are an endangered species?  That everything you ever liked as a kid is being made into a big spectacle for you to enjoy as an adult.  Shut the fu*k up already.  You cannot go back in time and make friends or kiss a girl or any other things you wish had happened when you were younger and a new Superman will not fill that void – nor should the movie’s failure to live up to your hopes be reason to feel that you are being stuffed into a locker again.

So I hope Man of Steel is good.  But if it is not at least the silver lining is a whole lot of tools will lose their minds.  Now if you don’t mind I have much more adult things to do – like worry about if Lebron James can beat the San Antonio Spurs.  Probably almost as immature and lame as comic book fans except at least the guy I am rooting for actually exists.

For more opinions, comedy and bridge burning check out the Righteous Prick Podcast on Podomatic or iTunes. New Every Tuesday!

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The Role of Mark Teixera Will Be Played by…

Monday’s blog was such a comprehensive diatribe on the pitfalls and borderline corruption permeating stand up comedy that today I am happy to take a break from long-windedness.  In today’s post I am sharing a video that my buddy, sometimes road companion and baseball fan Joe Pontillo made. I play Mark Teixera, who I don’t really resemble, but the keys to the part were that the person be equal parts apathetic and mean.  When my agent got the call for the role I asked how much it paid and after some very tense negotiations I agreed to a one-way train ticket to Valley Stream on the Long Island RR.  Not to brag about my acting ability, but in the sketch (which is for comedy fans who like baseball) I am actually wearing a Robinson Cano jersey, but because of my Meisner technique I was able to channel the spirit of Mark Teixera and make the audience forget I was in a Cano jersey.  Also, one last note, realizing that Teixera has a horse’s mouth I borrowed a comedy technique Jim Carrey utilized to play Vera De Milo on In Living Color in the 1990s, known as the “horse laugh.”  I hope you enjoy the sketch and the finely honed instrument that is my acting craft.

For more opinions, comedy and bridge burning check out the Righteous Prick Podcast on Podomatic or iTunes. New Every Tuesday!

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Stand Up Comedy – The Quintessential American Business

No other business in my opinion represents America like stand up comedy. I do not know where or how it exactly originated, but it is clear that America has the lion’s share of the top tier talent.  Comedy has been at the forefront of the 1st Amendment in entertainment.  It has produced cultural icons.  It has opened doors, pushed boundaries and offered Americans of all varieties windows into the worlds of people different than them in ways that social interaction may not have always allowed.  And like the American Dream – comedy was an art form where if you had a dream, a spark of talent and motivation you could become successful, albeit, moderately in many cases, if you just stuck with it and worked hard. People could make careers in stand-up comedy.

But just like the American Dream, which has basically died except for hard core Americans who believe more in the sanctity of platitudes than the reality of life, comedy has undergone a profound shift in recent history.  Just like an America where the rich have rigged the rules so that if you start ahead, you will most likely finish further ahead (while simultaneously lecturing the have-nots on the virtue of hard work and fair play), the comedy business has become an increasingly rigged business where the haves continue to grow in wealth and opportunity while instructing the have-nots (at least those rich in talent, lacking in most other things) of all the new ways they must work hard and build their brand – because their effort and skills are the only things holding them back.

THE RICH GET RICHER AND THE POOR CANNOT FORM A UNION

The truth is America is rigged and you need to be an exception to make it by with hard work – the social contract of work hard, contribute to society and stay out of trouble is no longer enough for many people to have a successful life.  We are not all equal and we will not all live equally, but somehow a notion that permeated our country and thrived for decades, the idea that if you “work hard and play by the rules,” to quote Bill Clinton, is now not virtuous anymore.  You are either some wealthy kick ass person worthy of our admiration or someone who has fu*ked up or is not working hard enough – a janitor may not be a glamorous job, but if a guy puts in 40 hours a week cleaning toilets shouldn’t he be OK at least?  Now comedy is an art and by no means as important as basic life necessities.  And talent is necessary (and subjective).  But hard work, talent and staying out of trouble are no longer enough in comedy.  Because the game is increasingly rigged.

The “rich” in comedy have consolidated power by creating a near monopolistic control of the A comedy clubs in America, making it easier for their headlining clients to earn commissions for them.  So if you manage the talent and manage the venues that book the talent to perform, it seems fairly obvious who will perform there.  Now this monopolistic, incestuous booking/management/ownership practice may doom the comedy club business in the long run, but this apocalyptic future is of little consolation to comedians who have spent 10-20 years building a career only to see the equivalent of their factory close down or outsource or downsize in the last couple of years.

Now in many professions, a union used to be the way to even the score between undervalued workers and powerful owners and employers, but many decades removed from some of the worst worker abuses that made unions necessary in the first place, we now live in a society where more and more people belittle and denigrate the purpose of unions.  And a comedy union, which was tried a decade or so ago, has even less likely a chance of coming to fruition today than it did before.  Here is a comment I wrote about comedy unions on Facebook last week:

 It won’t work because only a small minority of comedians would actually benefit from a union. Assuming things like standard rates for showcase sets, emcee, feature and headlining gigs would be what a union would seek it would not work because headliners and stars would have little incentive to join, rising stars (MTV 2 and Comedy Central stables) would not want to harm their ascent, and local comedians around the country would not like it because they might and probably would suffer if more top flight features were sought out and guaranteed room and a decent week’s pay (since clubs abiding by union regulations would be paying more for talent they would be incentivized to guarantee customer satisfaction with the show). So the only people who would benefit would be the top tier feature level talent who would be able to stay afloat to possibly reach headline status and would have more opportunities if clubs no longer had a financial incentive to get emcees and features on the cheap.

In other words, just like in America – the rich workers have no incentive to support unions, employers have incentives NOT to support unions and the poorest and least skilled have little to benefit from joining them (local comedians in many cases being almost the equivalent of government assistance recipients) so the people who get squeezed and lose out on the would-be benefits of a comedy union are the middle class of comedy – hard working people who have the skills, but are no longer offered social mobility in the business.

THE MEDIA CARES MOST ABOUT THE MEDIA

Also, like in America, where the media has become a slave to the whims of the public and web traffic statistics instead of being solely concerned with valuable information (Lindsey Lohan “news” coverage ring a bell), the most popular sites for comedy news appear to be those dedicated to promoting the established stars and rare do-it-yourself tales of people making it from outside the industry – the kind of stories that are not as likely to enlighten or add weight to comedy criticism or information, but will boost Google Analytics for the provider of the story.  Stories of Bo Burnham are well known, as are Louis CK’s bucking the industry.  But these are exceptions – a kid becoming a star from his bedroom or a performer who spent decades within the industry finally accruing enough power to then buck the system.  However, just like reality television, which provides us with dozens of shows about “real Americans” to make us believe industry and working class people are still thriving and full of entertaining life, these comedic anecdotes are like opiates – making comedians believe that the business is more accessible than ever and not more rigged than ever.  The notion being f you just work hard and come up with something creative you will be rewarded. It was always a tough business, but every time you read a story of do-it-yourself successes in comedy, there are two more clubs being swallowed up into a monopoly that will not hire you unless you have made yourself a star already.  Then they will want your piece of your slice of the pie that you earned.  And the comedy sites will then be there to tell your story.

OVER-SATURATION LEADS TO APATHY

The brilliance of this new comedy business model is that comedy has never been as accessible and widespread as it is today.  Just as the general public is flooded with more information than ever before, breeding a level of apathy and cynicism in the general public (stories get bigger faster and become irrelevant faster from news fatigue), so too are people inundated with comedy all over their computers, phones and social media.  So it has never been easier to reach an audience, but simultaneously an audience has never had less monetary value.  As soon as YouTube fully grasped the success of YouTube they began promoting certain people and creating their own original content.  Comedy Clubs of the established variety are the last sort of seal of industry approval that audiences recognize.  But they are becoming more and more closed off to a lot of comedians.  And I am not just speaking of people in my position – there are a lot of experienced people beyond me who are feeling this pinch.

I wish I had a solution for this.  And maybe ten or twenty years from now the model will have exploded and things will reverse or get back to a little less Gilded Age approach to the comedy business.  But that won’t help people now – being historical footnotes during a Comedy Club oligarchy as the powers that be decided which headliners would survive and which up and coming acts they would try to make stars out of.

Instead of insuring the life blood of comedy, the powers that be seem like they want to suck it dry so it no longer exists when they leave.  That might explain why there is now Laughstub which is a Ticketmaster for comedy.  Because everyone loves Ticketmaster, right?  Just a few years ago, this did not exist at most clubs, but now people looking for a moderately priced evening of entertainment can tack on service charges that go to who – the employees of the clubs? I doubt it.

But the message sent to comedians – the working class soldiers in the comedy business?  Work harder – that is what is holding you back.  So while the haves keep increasing their share of the pie and inventing new slices to carve up, the blame is placed at the feet of the comedians just trying to work and earn a buck. The stand up comedy business is now so American that Ken Burns should make a documentary about it and Paul Krugman should write a column about how corrosive it is.

For more opinions, comedy and bridge burning check out the Righteous Prick Podcast on Podomatic or iTunes. New Every Tuesday!