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2015 Emmys: The Righteous Prick Reactions

Obviously you should have already listened to this week’s Righteous Prick Podcast thoroughly and hilariously making Emmy predictions, but if you have not now is the time to do it because the Emmy nominations are out and there are some successes (where they agreed with me) and some abject failures (where they disagreed).

The Good:

The usual suspects were nominated in drama, but good on AMC and the Emmys for getting Better Call Saul several significant nominations, including drama, actor and supporting actor.

In comedy, Unbreakable Kimmy Schmidt takes its rightful place among the nominees and Girls is nowhere to be found.

I am this excited about all the nominations for Unbreakable Kimmy Schmidt

In best TV movie, I was beyond pleasantly surprised to see Hello Ladies: The Movie, get nominated, as it gave a beautiful and hilarious 90 minute finale to the most underrated and under-appreciated show of the previous nominating cycle.

Wil Forte for best actor in a comedy in The Last Man on Earth (see my blog praising Wil Forte HERE). The show was overlooked unjustly, but not its star

The Bad:

Netflix – shame on you. You almost certainly played politics (pun intended) and the Emmy voters fell for it. Both House of Cards and Orange is the New Black got best drama nominations after bad seasons.  Meanwhile, Daredevil, which ranks up there with Guardians of the Galaxy and The Dark Knight as the most inventive and surprisingly excellent comic book adaptations of my life is completely ignored (and I am not a comic book nerd type who thinks everything that is remotely enjoyable from a comic book deserves to be in the Library of Congress). Netflix clearly sold out Daredevil and is content to use it like a hot slutty escort that turns heads at a club, while taking House of Cards and OITNB to classy wife functions with dignitaries.

Possibly the best drama of the year gets zero major nominations.

Louie and Transparent – Granted I am biased because Louis CK killed a character that may have been more than loosely based on me, but neither of these shows has been particularly funny.  I think some Emmy voters just recycle their ballots from year to year.  I quit Louie a season ago, so I must admit ignorance, but it never struck me as very funny.  And Transparent is absolutely not funny (here is a post I wrote about “the rise of unfunny comedies” that got some traffic).  I cannot remember a show or movie winning such undeserved praise solely for the political and social climate but get ready for the least funny nominee by a wide margin to somehow walk away with best comedy, so Hollywood can pat itself on the back (I am left of center on most things, but with awards I am all about merit).

Key from Key & Peele for best supporting actor in a comedy?  How can your name be the show and then you sneak in with a “supporting” actor nod?  At least Peele didn’t get nominated (my east favorite of the two) – that should be awkward at the next writers’ meeting.

Based on nominees (and the seasons eligible) here is who I would pick:

Drama – Better Call Saul (Mad Men will win probably, for a subpar season)

Comedy – Kimmy Schmidt (Transparent will win, proving the best way to defeat a 5 time champ – Modern Family – is to have a comedy with no laughs – BOLD!)

For more opinions, comedy and bridge burning check out the Righteous Prick Podcast on iTunes and/or STITCHER. New Every Tuesday so subscribe for free!

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Patrice, Glenn & Walter White: Big Weekend in D.C.

It was a quite eventful weekend for me in Washington, D.C.  I had the honor of emceeing shows for Patrice O’Neal.  Normally I would not be jazzed to be emcceeing, but a comedian of Patrice’s stature generally draws a good and big crowd and all five shows were sold out.  Now I have opened for many headliners of different levels, but Patrice was the like playing in the major leagues after a career in the minors, with all due respect to the people I have opened for.  It was an incredible experience.  The man is so funny, raw and honest with the crowd that it is both intimidating and inspiring.  He does things that I try to do at open mics, but he has the skill, experience and courage to do it in front of 300 paying customers every show.  It is cool when as a comic you can watch the headliner and be turned into a comedy fan instantly, laughing like you’ve never been exposed to comedy before.

We were also fortunate this weekend not to draw too many Glenn Beck fans to the club.  He was holding his white power rallies at the Lincoln Memorial this weekend and I know at least on the Friday late show there was a group of women (white, obviously) who were in town for the “Enhanced Rights For Dumb, White People” event on Saturday.  But I did not see them walk so perhaps they were not as offended as I thought they’d be (perhaps a black headliner is given a little more leeway from the Beck crowd because entertainment is an acceptable job for black men, as opposed to President). 

Restoring Honor To America, brought to you by Glenn Beck

Overall the weekend was a great success.  All shows were great, all my sets went well and I never had direct contact with any of the legion of Beck-and-Palin-loving old white men and white families on the red line (the only train line deemed safe enough for the out-of-towners by the Beck-ers) in.  And then I received a Tweet at 11 pm announcing that Mad Men had won its third straight Best Drama Emmy, beating Breaking Bad for the second consecutive year.

I think the only problem with America greater than its collective stupidity is when they heap awards on shows like Mad Men because it makes them feel smart and cultured.   The show is fu*king boring!  Does no one else recognize this?  I feel like I’m taking crazy pills!  Breaking Bad manages to do what Mad Men has generally failed to do – it creates realistic characters while building tension and interesting plots.  Mad Men’s cache as a glimpse into a bygone time is over – we get it – people were white, women were subservient and they smoked and dressed well.  But into its fourth season now all Mad Men is has pretentious people still boosting it because they are afraid to appear uncultured or stupid for not liking it.  It is The Emperor’s New Show. 

It really is not as good as you think. I give you my word - pretend like you've heard nothing about it, read no reviews and seen no awards shows and you will realize it is a well done bore.

Breaking Bad is the best show on television.  End of discussion.  The best shows on television have never won though.  Six Feet Under lost to The Sopranos and The West Wing, worthy opponents for sure, but the brilliance of SFU will outlast those other two shows.  The Wire was never even nominated, but lots of black people obviously scare Emmy voters.  Arrested Development did win best comedy once, but it should still be winning just for repeats it was so good.  But Modern Family has already taken home the award for Best Comedy Series.  It is a funny show, for sure, but it is also as if some television executive pitched it like this:

“Alright, remember that show Arrested Development?  What if we took away 60% of the subtlety, added some cop out heart felt moments and put it before Cougar Town?”

Despite that Modern Family is one of the best comedies on television right now so I cannot hate the player.  But Breaking Bad has been royally fu*ked over.  If you have not watched it you should. And if you watch Mad Men and think it is the best show on television stop fooling yourself.   People, including my mother have asked me if I own stock in Breaking Bad. No, but in the last 15 years, partly because of reality television forcing more talented writers onto fewer original shows (my theory), we have lived in a golden age of television.  But we still seem to settle for second best.  It is as if every year the Emmys give the Oscar to Dances With Wolves instead of Goodfellas or to Forrest Gump instead of The Shawshank Redemption.   You may think I have overreacted, but do yourself a favor and watch Breaking Bad – you’ll see that I am at least right.

Simply the best.
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What You Should Be Watching On Television

While spending a few hours on Facebook the other day I stumbled on to a discussion on my friend and comedian Nick Cobb’s page.  He was asking for a new show recommendation and friends of his were offering suggestions as to what they thought the best show of the last decade was and what the best show currently on is.  There were some sensible answers and some real awful answers.   Here are some examples and shows that did not make the cut:

THE LOSERS

House – who are you my parents? 

Lost – you are too stupid to appreciate the list I am putting together

Rome and Deadwood – these are the people that in a music discussion of the best band of all time would ignore the obvious rule that you MUST say Rolling Stones or Beatles (my favorite band is Guns N Roses, but my answer would be Rolling Stones).  Those who drop Rome and Deadwood – a good and a very good show, respectively – are the people who drop Nirvana in a “best band” discussion.  Shut your mouths and just accept that sometimes, like a broken clock, American culture gets it right.

John Adams – it’s a miniseries. read Nick Cobb’s question.

The Mentalist – seriously?  CBS is the network that produces dramas to make Jay Leno fans feel smart.

True Blood – a show that like Glee, seemed to realize that their main demographics were women and gays and decided – to hell with writing – we’ll just get everyone on this show in a gym, skimp on story and consistency and still draw ratings as long as we amp up the sex, gore and campiness.  Headed down a path of awfulness this season.  The real shame is that Alan Ball, who created a television masterpiece in Six Feet Under, is also listed as a creator of True Blood.  My guess is that after Six Feet Under he made a ton of money, found himself a trophy wife/husband (no idea what his sexuality is) and after season 1 of True Blood said – “Hey, you are shallow and pretty dumb – wanna write this show for me? Most of it is written in a book already – you will just have to add more breasts, blood and campiness?  What’s campiness?  Well you know when you think something is good? Right, like Paul Walker or Dexter – just write it with that same feeling.”

Dexter – I made it through one season.  Some of the worst acting I have ever seen.  Michael C Hall should die poor and be remembered for David Fisher than collect paychecks with that cast of nothings (though I hear John Lithgow was good in later seasons – too bad I give a show one full season to at least entice me.  It didn’t).

Special Note – Why I have no faith in Showtime – You may notice that Dexter is the only Showtime show even mentioned by me.  That is because Showtime is stupid.  Their shows are made with the following concept – can we write one character, line up one credible actor or actress and surround him or her with mediocre writing and acting?  Yes, well then we want to make your show!  Even USA at least says “CharacterS welcome.” Showtime’s phrase should be “Character welcome as long as long as character brings mediocre humor, drama and/or co-stars.”  I hate Showtime in all its forms – Lakers, Cable Television, etc.  If HBO, AMC, USA and Showtime all went to school together, HBO would be the Harvard bound quarterback, AMC would be the slightly arrogant and nerdy valedictorian, USA would be the guy who chicks inexplicably liked and Showtime would be a Goth kid.  No, it would be the girl that dates the goth kid, but is not goth herself.  Loser.

Treme – wake me up from my coma – have they cancelled it yet?

Mad Men– Mad Men to me is once again, like sushi – it is something that lots of people like, but also something that lots of people like to say they like because they want to be people who like things like sushi and jazz and other overrated things.  Mad Men is a well done show.  But like Treme, Mad Men sometimes feels like a documentary on early 1960s life, which can be somewhat boring.  I found Season 3 of Mad Men (until an admittedly great finale) to be an excruciatingly boring endeavor.  I often defend shows like The Wire by praising its authenticity, but it helps that there is actually some intriguing plot development to go with the realism. 

So here for all of you is the definitive list of what shows from the last 10 years you should watch.  It is objectively correct.

1) Six Feet Under – Funny, moving and the most realistic look at relationships and human fears of any show ever made, by far.  if the show feels “too gay” for you, rent Queer As Folk, watch it and then re-start Six Feet Under.  f the show is too troubling or upsetting for you then it is working.  And it is widely and justly considered to have the greatest finale in television history – take that MASH!

The Fisher Family will change your life.

2) The Wire– Would be number one, but Six Feet Under is just more personal.  If this show is too slow for you, then watch The Shield and consider yourself ignorant.  If the show is too black for you, watch Southland and consider yourself slightly racist.

3) Arrested Development – The best comedy I have ever seen.  Nothing is actually close, especially this decade.  So naturally it only made it three seasons on television.  I blame the South.

4) The West Wing– If this show is too political for you, then you are dumb.  As impressive as the dialogue, plot and acting is, the details of the show are incredible. To say nothing of the fact that they basically predicted the election of Barack Obama before he had even announced his candidacy.

5) The Sopranos – The first of the Big Three for HBO (Seriously in an 8 year period HBO dropped Six Feet Under, The Wire and The Sopranos on America – to me that will go down as the greatest accomplishment in original television programming).  Sopranos, unlike The Wire and Six Feet Under did not quite end in a way that met with its overall impact and quality.

6) Breaking Bad– the best show on television right now by a mile.  It is dark, filled with tension and excitement, well acted and yet feels incredibly plausible and realistic at the same time.  This is the first drama I have seen that clearly indicates that HBO has dropped the ball recently.  Mad Men gets mentioned as the one HBO let get away (especially because that might have meant naked Joan!), but Breaking Bad is so superior to Mad Men it’s a joke.  More entertaining without sacrificing anything in terms of writing or acting quality.  If the show can finish with way its first three seasons began then it may move towards the top of this list.

Here's an objective truth about a show about a scientist - Breaking Bad is the best show on television.

I feel I must mention Eastbound and Down (but only 1 six episode season to show so far) and I have not seen In Treatment – an HBO show that has been highly recommended to me.  Other than that those 6 shows above will entertain you and raise your expectations for what television can do.  Then when you are done with them you will look down on most other people’s television show opinions like only a condescending six-foot-seven comedian can.

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My Top HBO Characters of All Time

Being 2 discs away from finishing 6 Feet Under via Netflix I was thinking of how amazing the roster of HBO shows has been.  This also happened because I was watching Lost last night and thought, “Wow, this is supposed to be one of the best shows on Network television and it is basically a big budget mediocrity.”  Other than The West Wing and Arrested Development I don’t think I have seen anything on Network television to compare with HBO’s level of quality (all due respect to the CSI fans who adore that crappy franchise).  AMC is doing some good things (the slightly overrated Mad men and the very under-praised Breaking Bad), but HBO really is the cream of the crop (even though True Blood and Big Love, the two flagships shows at this point, are not close to the incredible things HBO produced last decade).  And I know that some people out there love Showtime, but having watched several episodes of Showtime shows they feel like a good junior varsity team to HBO’s state title winning varsity. 

So without any more explanations or caveats here are my top 13 HBO characters of all time (apologies in advance to the Crypt Keeper, the cast of Not Necessarily The News, everybody from Dream On (terrible) and The Larry Sanders Show (never saw it, but heard it was good stuff back in the day):

13) (tie) Dennis Hof – Cathouse and Lafayette – True Blood.  This is the only reality character on the list, but how can a guy who looks like Rush Limbaugh and acts like pre-wheelchair Larry Flynt not be on the list.  the Cathouse series, which follows a real life Nevada brothel features many women have sex, which is a relief because at least when you turn it on ou know what you are getting, as opposed to the HBO Real Sex series which could just as soon ambush you with a segment on nursing home gang bangs as they could with attractive women.  Dennis is the supreme scumbag that makes the show go with his array of women from the daddy issue-riddled, to the tranny looking one to the midget.  One thing is obvious – he has had sex with all of them.

Don't be fooled by her smile - he's definitely fu-king her.

Speaking to HBO’s diversity, Lafayette, the drug dealing, sassy gay black short-order cook/male prostitute on True Blood is only the first of two gay black men on this short list.

Hooker please.

12) Murray – Flight of the Conchords – The show’s first season was very good.  The second season was incredibly mediocre.  With all due respect to Jemaine – Murray was the extremely poor man’s Ari Gold on this show, literally.  Sadly, the actor that plays Murray is intent on beating the dead horse in a series of new commercials for some product where he is basically playing the same character, but with far fewer laughs.

Murray? Present.

11) Ralphie – The Sopranos. Sadly Ralphie only got two seasons on The Sopranos (3 & 4), but he won an Emmy for the second one and created a character hated above all in his first season and then, once accepted, became the funniest character on the show.  For me, his signature line will be after being confronted by Tony Soprano after beating to death a stripper carrying his child he simply yelled, “First of all she was a whoooour!”

Bad temper, good sense of humor - it's me!

10) Samantha – Sex and the City.  It would be hard, even for a misogynist, to leave off all characters from HBO’s third most popular show of all time. So I picked Samantha, who turned man-like sexual cravings into “empowerment” for women ages 17-60.  My favorite scene of hers may have been when she was dating Smith, a model who would be more likely to visit Samantha in the course of volunteer work at a nursing home than to actually bed her, and she runs into her ex-boyfriend Richard at a party. In front of Smith she goes upstairs with Richard and gets railed from behind and then comes down crying to Smith, saying “I don’t know what’s wrong with me.”  Message? Empowerment.

That's the number of sexual partners Sam Jones established as meaning "empowered."

9) Lester Freamon – The Wire. The first of three characters from The Wire.  Quiet, unassuming and the best detective on the show.  My favorite moment, after coming up with evidence off of a soda can to potentially catch a cop shooter he is asked what unit he’s from. He replies with a straight face: “pawn shop.”  You have to watch the show to get that, but it was great.

The smart side of police work.

8) Tony Soprano – The Sopranos.  Nothing much needs to be said, except for the fact that he is only the second best character on the show (and no, the Bada Bing club is not #1).

Mommy issues.

7) Kenny Powers – Eastbound and Down.  Racist, stupid and angry. If he had not been a baseball player, he might have been leading a Tea Party movement.  Who knows if the shows subsequent season(s) will match the perfection of the first, but it takes a special character to make the line “I love you April, and not just in a make me come kind of way,” mean something, especially when said at an 8th grade dance.

Author of "I'm fu-king in and you're fu-king out!"

6) Al Swearengen – Deadwood. In a word? Cu*t.

Tony Soprano, if Tony did not have so much respect for women.

5) Ari Gold – Entourage.  This show is like watching the Cleveland Cavaliers play basketball a few years ago. It was LeBron James doing amazing things and four guys around him barely keeping up.  I thought after the first season they should have spun the show off and made it about Ari. They didn’t and now it’s a mediocre show with one dominating star.  But he still makes the show worth tuning in to each week that it’s on.

90% of all positive things on Entourage are a result of Ari Gold.

4) Omar – The Wire.  People reading this may have expected Omar at #1, but that would be too easy. I figured I’d sneak up on you like Kenard and… well, I don’t want to give away anything to the people who are just getting over their fear of Negros and Negro-filled shows, but Omar was the most entertaining character on the best show ever for sure, but he’s only my #2 from it.  Indeed.

If you thought he'd be #1 you were wrong.

3) Nate Fisher – Six Feet Under.  I don’t think any character on any HBO show (or any show for that matter – though Walter White on Breaking Bad is doing a nice job) has taken as varied an emotional journey as Nate Fisher.  At times he is both the most identifiable and the most polarizing figure on this unbelievable great show (Seriously, the fact that at one point HBO had The Sopranos, 6 Feet Under, The Wire all at the same time is like an NBA team having LeBron, Kobe and Kevin Durant at the same time – I think The West Wing would be Dwayane Wade for this analogy). 

Women would learn more by watching him than by watching Sex and the City (caveat - you may or may not like what you learn).

2) Tony Soprano’s Mom – Perhaps you forgot about her because she only made it on to the first two seasons of the show, but it says something that the show went from an A+ to an A without her.  The idea that a woman could be evil or just experiencing dementia, or possibly both was brilliant and gave Tony the best conflict on the show until he and his wife hit the skids in season 4.  Tony’s Mom was an absolutely brilliant character and played brilliantly.  Menacing and funny all at once. 

It's been a while, but don't forget how great/terrible Tony's Mom was.

1) Stringer Bell – The Wire.  I had a friend once tell me that she was going to see the movie Obsessed with that handsome black guy and Beyonce.  I replied that’s Stringer Bell from the Wire. She replied, i don’t even remember him from the Wire.  There are only two possibilities here and I will just propose the second – she missed the first 3 seasons of the Wire.  Omar got all the hype, McNulty got all the posters, but I found the intelligent criminal Cain to Avon Barksdale’s Abel the best HBO character of all time.  Watching Stringer try, but fail, to bring the Barksdale drug business into the legitimate world of Real Estate showed that the “legit” world is just as corrupt as the drug trade (as my brother told me – what is so different than the operation of Starbucks and the corner boys in The Wire – you give money and order to one person, then walk around to another area to pick up the product – he was kidding.  The difference is obvious – if coffee were made illegal a lot more white people would be killing each other than black folks on The Wire). 

On a side note, I was told a couple of years ago that the actor that played Stringer was a doorman at Caroline’s at night while he auditioned during the day.  More evidence that everyone in the comedy business except comics can make money. Congratulations Stringer Bell – you are #1.

Former doorman at Caroline's makes good.
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Thankful List

This site is usually saved for gripes, but today is a today for being thankful so after some reflection (family, health, etc. obviously) here are the things I am thankful for in no particular order:

1) My Obama impression.  It is not my favorite bit or part of my stand up, but I like Jimmy Chitwood in Hoosiers I do feel like my Obama impression is what could hit the metaphorical winning shot for me in my comedy career.  Of course even if it makes it big, my comedy career will still be the equivalent of a hick in Indiana.  But like money to an ugly man or big breasts and loose morals to a woman I think Obama will get my stand up going places faster than if I was without it.

Me economic recovery is based solely on how long he stays in office.
Me economic recovery is based solely on how long he stays in office.

2) The New York Knicks.  As readers of this blog know I am one of a handful of Utah Jazz fans (22 years and counting) outside of the state of Utah or the Mormon faith.  The Jazz have been a disappointment this year, but the New York Knicks have been nothing short of a disgrace and thanks to ramifications of the trade for Stephon Marbury 6 years ago the Knicks’ first round pick (most likely a top 5 pick) will go to the Jazz.

Dear NY Knicks, Thanks.  Love, Utah Jazz
Dear NY Knicks, Thanks. Love, Utah Jazz

3) My girlfriend.  If only for buying me Adam Lambert’s new CD (and apparently a point on the Kinsey scale) and saving me from one of the more emasculating purchases I could make.  I made no secret of my enjoyment of his American Idol performances and although the album is way too much Lady Gaga-light and not enough Steven Tyler/Freddie Mercury/David Bowie as it should be, no gift has ranked higher on the “it’s the thought that counts” scale, except for her purchase of a Paul Millsap game jersey for me last Christmas.   And a bonus to her is that if in some alternative universe I pull a Sal from Mad Men, she can say, “Dammit, I should have known when he was singing along to that Adam Lambert song.”

Yes, that Adam Lambert is quite the singer.  Wait, you're firing me Don?  What for? A straight man can't like Adam Lambert?
Yes, that Adam Lambert is quite the singer. Wait, you're firing me Don? What for? A straight man can't like Adam Lambert?

Note – this was all conceived before Lambert dragged men on leashes, face-fu-ked and tongue raped other men on the American Music Awards.  While I appreciate his stance that there is a double standard by the heterosexual world concerning lesbians and gay men making out, it was a bit much.  And it detracts from his considerable talent.  Add another Kinsey point. Fu-k.

4) The people running shi*ty open mics, the people who are not taking advantage of struggling, new, or desperate comics and the people who run decent shows for free in the city.   Like a house of worship, the communal strength of the good people trying to do good things in and with comedy in NYC (and elsewhere) make it easier to keep following a tough dream.  So thanks to all you people as well.  To those who are manipulating or taking advantage of even one comic, go fu-k yourselves.

For all my complaints about the establishment in comedy, there are a lot of funny and hard working people making it tolerable.
For all my complaints about the establishment in comedy, there are a lot of funny and hard working people making it tolerable.
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Mad Man

Today I depart for Boston for the semi-finals of the Boston Comedy Festival.  Last night I had my own show that I produce and I was excited both for the great lineup we had, as well as the fact that I would be able to do a nice practice run of my set for tonight.  Unfortunately, that would not happen.  What would happen is that Medgar Evers College would finally be bumped down to #2 on the list of worst gigs I’ve ever performed.

Last night the bar was largely occupied by young members of an ad agency (think Mad Men, but all stupid, unable to handle their alcohol and unattractive) who had been there drinking and playing Wii since early afternoon, since they had a half day.  Even in my glass half empty approach to life I thought, hey maybe we could make fans of this group since they work nearby.   Instead what we got was a bunch of drunk as-holes.

Don Draper's expression says it all, but ad men are on the wrong side of this fight.
Don Draper's expression says it all, but ad men are on the wrong side of this fight.

I managed to get through about 4 minutes of material until I had to deal with the idiots (and they had already ruined 4 people’s sets).  There were two main offenders.  One was a drunk kid who looked like he was about 19.  He managed to make a spectacle during everyone’s set.  The other was a slightly older d-bag who would shout random things he thought was funny.  For example when I said the word Obama, he shouted “Obama your mama hahahahahaha.”  Even when they appreciated the jokes, they would then discuss and argue loudly why the joke was or was not funny.

I felt terrible and embarrassed for the great comics I had come to perform, but fortunately all of them know experiences like this.  I was very close to actually pulling the Chazz Palminteri scene from A Bronx Tale, which I ironically just filmed a spoof of, where he locks the bar door and tells them that they can’t leave the bar. 

Adding insult to injury, I was talking after the show outside with Nick Cobb when the 19 year old spectacle came outside and started talking to us.  So I said to him, “You just ruined our show, but now you are interrupting my life and a private conversation.”  Then when I was talking to Nick one of the worker’s from the ad agency, we will call him Token after the South Park character,  decided to flex his muscle by saying the following, “Don’t you hate comedians who aren’t funny and make fun of the audience.”  At this point he might as well have come into my apartment and taken a sh*t on my bed.  Despite actually trembling with rage (my only fear was that I might hospitalize the jerk – I am no fighter, but I am big and like most comics have very little to live for) I managed to utter out the most sensible thing I said all night – “you and your friends ruined the show in there, but now you’ve come outside and disrespected us out here.”  Hearing that, and probably seeing the crazed look in my eyes that only occurs during Utah Jazz losses and listening to Sean Hannity, he apologized. 

Token and his ad agency buddies made me very angry last night.
Token and his ad agency buddies made me very angry last night.

But there it is.  Bad audience, but not as bad as Medgar Evers College.  But the fact that it happened at my show and nearly resulted in misdemeanor assault charges makes it the worst.   All in all, since Monday, this has been the worst string of shows I’ve done (3 “eh” shows on Tuesday, an awful open mic on Wednesday, and a crime against humanity on Thursday).  Let’s hope Boston brings me back some good vibes.

There is a happy ending to the Always Be Funny show story though.  My friend who part owns the bar where my show takes place left me a voice mail last night.  He told me that the drunk 19 year old had torn down one of the bar’s signs in drunken stupidity and thrown it in the bushes outside, so my friend threw him in the bushes, at which point he began crying.  The only thing that would have made me happier is if Token had somehow had his jaw broken during this exchange, but even so, maybe it was a sign that my luck was changing at the right moment.

Hopefully his tears mean good things for my comedy fortunes.
Hopefully his tears mean good things for my comedy fortunes.

We’ll see – Boston Comedy Festival Semi-Finals tonight at 9 pm – Hard Rock Cafe.