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Cleveland Journal Pt 1: A Weird TV Offer &…

I am currently in Cleveland in week one of my two week “My schedule does not constitute a tour, so unlike other comedians I will not refer to my slate of gigs as a tour” Tour and already it is shaping up to be a tremendous trip.  Like any of my comedy adventures it starts with mediocre travel arrangements.  In an effort to constantly win the battle of life vs. crushing economics of feature work I took a 530 am Amtrak to BWI (using points) and flew from BWI to Cleveland (saved me almost half the airfare, but none of my dignity).  The flight started annoyingly because during the emergency exit symposium with the flight attendant (I got the exit row because I had A 21 as my Southwest ticket, which allowed me to enter the plane early – if you don’t understand the Southwest seating system I won’t explain it; I will just congratulate you on having the money to fly real airlines) a guy sitting on the other side of the aisle asked if the door was one that pulled in or pushed out.  Really Captain America?  Because you have so much experience saving lives on commercial airplanes you just want to make sure you use the proper technique during our plane crash?  What a douche.

So, being tired from my early wake up I started to doze off during the short flight to Cleveland.  Now one of the things I do before any flight is scan the NY Times weather map.  And on the Amtrak to BWI I noticed nothing but lightening bolts (not a good symbol in case you were wondering) from Chicago to NYC.  So I momentarily forgot that we were heading into the beginning of a potentially horrific storm (which apparently hit NYC last night) and dozed off, something I almost never do on airplanes.  Well, I was jolted to consciousness about 20 minutes outside of Cleveland by the worst jolt of turbulence I have ever encountered. The first jolt woke me up and then the plan turned to the side (if 90 degrees would be us on our side we definitely wobbled at least 30 degrees)  The bumps and turns only last about 15 seconds and I realized I sort of prefer that to the 30 minutes of nothing but chop.  Then I discovered something that I am sure most psych students know – fear is the best warm up for jokes.  Because the humorous comments I made for the next 5 minutes after the turbulence had my terrified row mate laughing hard.  And then I had an epiphany:

Instead of alcohol, comedy clubs should scare the shit out of customers before the show.  Think of how much we laugh nervously after leaving a haunted house or getting a jolt from a scary moment in a horror movie.  Why not apply this to comedy clubs?  (This feels like an idea for Nathan For You).  You just get big scary dudes (black a bonus at most American comedy clubs) to threaten patrons in the lobby of the club, and blocking the entrance so the show room is the only escape. Or a guy with fake dynamite to his chest runs into the club screaming “Allahu Akbar!”  Or a barrage of killer clowns.  Or maybe girls walking up to couples on dates claiming to be secretly having sex with the men in the couples – basically just an assortment of things to create nervousness and fear and then they walk into the club and laugh harder than they ever have.  Sure you will have to pay lots of actors/comedians for their work inciting fear, but you save on your liquor license and insurance.  Added bonus this might provide me another alley into working comedy clubs.  “J-L we are all booked up for stage time, but there is a bachelorette party coming in that we would like you to strike fear into.  CONFIRMED!”

Well I arrived in Cleveland around noon I took the city’s “we are really trying hard” 2 car subway from the airport to the city center.  Getting to the comedy condo I saw that the club has continued to improve the condo (I have been coming to the club since 2010 and the condo has improved every year – but do not worry, even back in 2010 it was 10 times better than the Saw basement level accommodations at the River Center Comedy Club in San Antonio (seriously comedians – shame on any of you for working that club – not worth the money). Condo is now very clean, has two mounted flat screens, fast WiFi and the toilet paper is even folded with a triangle like at the fancy hotels like Days Inn.  And then after dropping my bags I received a Facebook message from a non-FB friend:

“J-L”

That was it. So I replied:

“yeah?”

And the reply to that was:

“Would you like to be on COMICS UNLEASHED?” (caps included in message)

 

Now the person sending the message was not a friend of mine and I was not sure if it was a prank or a goof, considering the accompanying lack of any pleasantries or introduction.  I checked the person’s profile and they do work in entertainment so I replied:

“Sure. Sorry for the delay. I’m travelling.”

That was 20 hours ago at the writing of this blog.  I have not heard anything back. Perhaps it was just a poll to see if comedians would agree to appear on the show, but I am still somewhat confused by whether I have been offered or submitted for anything.  Maybe it’s just like Ghostbusters, “When someone asks if you want to do a TV show you say YES!”  Anyway, show went well last night and I am sleeping in the quasi-famous windowless bedroom of the Cleveland Improv comedy condo.  Sounds creepy, but is fantastic for sleep.  No light of day or hope to interfere with me and my slumber.  Check back Monday for the Cleveland recap and Chicago preview as my Tour continues.

For more opinions, comedy and bridge burning check out the Righteous Prick Podcast on iTunes and/or STITCHER. New Every Tuesday so subscribe for free!

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Weekend Comedy Recap: Chappelle, Danbury and Twitter Credit

This weekend presented a diverse array of comedy exposure.  I featured at a country and western bar in Danbury, Connecticut on Saturday night, but the undercard for the weekend was going to see Dave Chappelle at Radio City Music Hall on Thursday.  I have not been to Radio City Music Hall since I was a child and I forgot how big and beautiful that place is.  It really looked too big for a good comedy show.  But being a huge star that the crowd has been missing for a decade has a way of taming an intimidating room.  The DJ started the show with a tremendous slate of hacky jokes, but he’s not a comedian and the crowd enjoyed them so as usual… I’m the asshole.  The show started late, which led to numerous people standing in front of us (what happened to places like Broadway and Radio City? It used to be if you were late enough you didn’t get to sit and especially a comedy show with an intermission there is no reason to allow late people to disturb the experience of people who paid substantial money for tickets (they were a gift to me for my birthday but I am never above acting indignant).

So the show started with an immediate J-L Cauvin connection.  Tony Woods, a well known DC comic, was the opener.  The difference between DC comedy and NYC comedy is at some point NYC comedians decide they are above open mics and some bar shows, whereas in DC Tony Woods, who was already an established headliner, showed up all the time to any decent bar show or shitty open mic to work on his stuff.  And he always killed.  And I remember the first time I saw Dave Chappelle and Greer Barnes at the DC Improv, after seeing Tony Woods enough times, and it didn’t seem hard to guess who one of their inspirations was.  Whether that is true or not I do not know, but when you see two younger comics with a similar style to an older, funny comic your brain cannot help but make connections.

Woods did very well and then after an intermission Donnell Rawlings had a set that had me laughing at a few moments harder than anything I would see that night (this is only meant as a compliment, not as an insult to any other performers).  Then it was Chappelle time.  I enjoyed his set and I also enjoyed the fact that he was wearing a suit and  not a sleeveless shirt.  One of the few areas where black people are given a pass that white people are not is fashion (#blackprivilege?).  This is why Dwyane Wade and Russell Westbrook feel so comfortable walking around like morons after games wearing clothes that the Emperor would not be caught in.  And this is also why when Chappelle wears sleeveless shirts on stage to show off his new muscles people marvel at his guns.  White comic with muscles does it today I guarantee other comedians are chanting douche-bag at him (the way we all did at Dane Cook – unless we were the chick he was banging that night – and he didn’t even have muscles to show off).

The set was fun, fairly light and enjoyable.  I was more impressed with the ability to control a room that large with standard stand-up.  Obviously his fame and devoted fans buy a longer attention span, but he also delivered.  If I had to grade it I would say it was a B+/A-, but I am sure that is “hating” to most people.  Oh well.  It was a relief to me though, because he washed away the memory of when I saw him in DC a decade ago, for top club dollar, and he delivered what amounted to “Hey man, I’m Dave Chappelle and I’m famous, rich and just me talking about anything is worth the price of admission.”    I left with a much better impression on Thursday.

But this was all prelude to my soon-to-be legendary performance at Coyote Maverick Bar in Danbury, CT on Saturday night.  I was featuring, but still brought 10 CDs because you never really know if you are going to sell zero or all of your CDs on gigs like this.  When I arrived at the location about 20 minutes before showtime I saw that the room was pretty small (roughly 100 capacity).  That is a good thing, unless you consider that 20 minutes before showtime and there are still approximately 98 seats left to fill.  I was informed from the smiling manager that the advertisement for the show (which was jam packed the week before) was placed in the wrong paper in a different city.  So now I had to deal with the fact that people in Bridgeport, CT were intentionally ignoring my show, instead of the good people of Danbury intentionally ignoring my show.  Now they just had to indifferently miss my show.

When the show started the crowd was about 25 strong.  I worked my ass off and felt good about my set, but pretty bad about my life.  They were a solid crowd (though with the average age being Crypt Keeper I had to dump a bit of my 40 and under material) and I did some of my best crowd work ever so at least that skill set got some exercise.  However, the biggest laugh of my set came with “I am selling CDs after the show…. oh who the fu*k am I kidding…”  But the gig was fun, the bar is cool and the check cleared despite having my last name spelled incorrectly.    So great job Dave Chappelle opening for me for the weekend. You really set the comedy table nicely.

But like any weekend of comedy it ended on a down note because after the world cup USA game yesterday, which was great and with an objectively incredible ending, I tweeted “That was some George RR Martin shit!  #WorldCup””  It got 5 retweets and 7 favorites from my 1700 followers.  20 minutes later I saw a retweet, from someone I follow, of a tweet by some tech geek with 11K followers who tweeted 1 minute after me (he doesn’t follow me so I doubt he saw mine) that said “George RR Martin wrote that game” and it had over 3200 retweets.  And I shut off twitter and felt a renewed sense of hate for all things comedic.  Sorry Chappelle and Danbury, but hate is stronger than any joy you can provide, but thanks for trying. #Blessed

For more opinions, comedy and bridge burning check out the Righteous Prick Podcast on iTunes and/or STITCHER. New Every Tuesday so subscribe for free!

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Lebron, Nipples and Shows: LA Comedy Journal

This week I have been in Los Angeles, with the main purpose of my visit being my second appearance on The Adam Carolla Show, which you can listen to here.  The recording went great and I think ensured me a third appearance (at which point I will refer to myself as a show “regular,” which although a stretch, will certainly be more true than the 1.5 million people walking around LA with either “activist” and/or “producer” on their business cards.  Among the perks of the show were the new vending machine that is completely free sitting in the studio.  Leaving the studio I did the classy thing and only took one bag of Famous Amos Cookies, instead of taking 9 bags of cookies, 14 bags of various candies and some gum, like I wanted to.  But there has been so much more to this LA trip than just crushing another appearance on the Carolla Show (#grinding #blessed #thankful).  So here are some of the highlights:

Los Angeles’ Confused Relationship with Lebron James

On Sunday evening I watch Game 2 of the NBA Finals at a sports bar.  My friend Nick and I were rooting for Lebron, which earned us numerous scornful stares, which I found odd given the fact that half of this town are people who left their hometowns behind to pursue the noble professions of acting and fellatio.  But fast forward to Tuesday night for Game 3 at a different sports bar that was dominated by Miami Heat fans (they even had jerseys to prove that they have been die hard fans for at least 4 years) and the reaction was completely different.  Being that this town feels like it is full of front running ass-kissers (imagine if the NYC comedy community ran an entire city) this felt more appropriate than the hostile reaction Lebron support got on Sunday.  Of course I eventually felt uncomfortable supporting the Heat when with 4 minutes left and the Heat  down 18, Rashard Lewis hit a 3 pointer, cutting the Spurs insurmountable lead to 15 points.  And then I saw a 13 year old Latin kid (I would guess Puerto Rican) ,who did not weigh on the triple digit side of 100 pounds pump his fist, mean mug a table of chubby Mexican dudes who were rooting respectfully for the Spurs, and say “what the fu*k you gotta say now you fu*king fa*gots!?”  Now they did not hear him, but I did… and so did this kid’s proud family members.  The response?  Nothing.  Obviously there was an undertone of Latin-on-Latin hate (Puerto Ricans rank 2nd on the Latino on Latino rankings, trailing only Cubans, but far outranking Mexicans), but I thought to myself “What would have happened if I called a group of strangers “fu*king fa*gots” at 13 in front of my family.  My guess is my parents would have stabbed me to death in shame before the table of Mexicans could do it.  But I wish this young man in his future as a low ranking member of the Latin Kings or as a high ranking member of a fast food management team in a decade.

Epidemic of Male Nipples at LA Gyms

So after a few days of eating terribly (the unlimited chips and cookies on a six hour flight are a gateway drug) I went to the gym today, a nearby 24 Hour Fitness.  And boy did it deliver.  Over 50% of the people had tattoos, including several guys that look like Harry Potter.  A majority of the women had ink, but the thing I noticed most of all, besides the worst pec size-to leg size ration I have seen in a good while, was the proliferation of male nipples.  Now I am not one of these tools that thinks women should be allowed to walk around topless (my apologies to Bruce Willis’ oddly big-breasted son who has been campaigning hard for this), but it makes me think that maybe men should do some covering up.  I would actually find it less weird for a dude to be working out shirtless than with a tank top that only seems to be beating the gym rule of “must wear shirt” on a technicality. Congrats sirs, 4 millimeters of each shoulder and your lowest 2 abs are covered by your “shirt.”  Other than seeing two women walking around with gallon jugs of water (is this a new cause? to prove that women can be as douchey as men in a gym?), the proliferation of male nipple was the weirdest trend I saw in the LA gym.

Fun Shows ad Reunions with NYC Comedians

It is amazing the mental change that can occur when doing unpaid bar shows 3,000 miles from home.  Other than been paid in a substance that I have no desire to use my four shows this week are all unpaid (#Grateful #blessed #Grinding #thankful).  Normally I would just watch TV or hang out with buddies in town, but being in a different city in front of different people, has a natural rejuvenating effect that motivates one to get on stage and, at least in my case, work on newer material.  I have also seen enough familiar faces to add a touch of comfort to the experience.  So I guess what I am saying  is when I get back to NYC… I will return to my normal level of unmotivated.  #Grinding

For more opinions, comedy and bridge burning check out the Righteous Prick Podcast on iTunes and/or STITCHER. New Every Tuesday so subscribe for free!

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Height Shaming: One Man’s Personal Struggle In America’s Next…

Our society continues to make progress on various forms of discrimination, but the more minorities, women and gays make progress towards full equality in our society the more we expose the real core of America’s discrimination: shaming.    Whether it’s using new slurs like “tranny” or “midget” or shaming sluts or bullying people we are seeing the real problem with America.  Sure gays are still being deprived civil rights in a majority of the country, women  on college campuses are being sexually assaulted in alarming numbers and the voting and civil rights of minorities are under attack and it is good we are working towards fixing these things, but these are just the tip of the iceberg.   How can we worry about rape of young women when we live in a rape culture where filth like Maleficent can be made in Hollywood??!!   Well after discussing with my family and doing some soul searching I have decided to go public with my experiences dealing with the scourge of height shaming.

Being asked on a daily basis by strangers “How tall are you?” and “Do you play basketball”  has made me afraid to go in public, to say nothing of the disappointed and hostile looks I receive when I reveal to these same strangers that I am not a professional basketball player.  It is as if I have been tattooed with a scarlet N (for Not a basketball player).  Shows like Curb Your Enthusiasm have made me feel ashamed to feel comfortable on the taller handicapped toilets.  Extra space on public transit seats labeled “handicapped” have provided me with needed comfort, but also a shameful feeling when I refuse to give up the seat to a person in a “wheelchair.”  I am now so not handicapped that I am closer to the handicapped community than the “regular” community as they call themselves.  And this is to say nothing of the shameful display I saw at the Guinness’Book of World Records Museum in San Antonio that I had to endure in Summer of 2013.  Greeting visitors at the entrance of the museum is a mechanical representation of the Rosa Parks of the anti-height shaming struggle, Robert Waldlow, the tallest man ever to live.  He grew to 8’11 1/2″ (he died at 24 due to a pituitary condition, denying the heighted community of its first 9 foot leader since Goliath).  And do we honor this man’s struggle and fight? No we have tourists take pictures with his likeness.  This is like if the Washington Redskins not only kept their name, but had fans take pictures with dead Native Americans during the game.

I have been soldiering on in this height-shaming society (remember when we used to brag about how tall people made more money and how the tallest candidate always won the presidency?  Now we choose to ignore the height community’s contributions to society and talk instead about how other people make less and how we need a short woman to be president, not to mention the harsh criticism our society has given Lebron James ever since he said he was taking his height to South Beach), but yesterday it became clear that shutting our collective mouth is not working.  In order to fit on to my Jet Blue flight to Los Angeles yesterday I had to purchase their “even more leg room” seats, which might as well be labeled “Freak Assigned Seating.”  It was an additional $80!!!  Now it did allow me to skip a large part of the security line and board the plane first, but everyone knew this was just a way for all the “regulars” to more easily target us.

Now if I was fat(ter) I might have to buy two seats because my girth would be a personal choice and the media would rally behind me with a series of posts about how I was being fat-shamed.  But no one is speaking up for my legs, whose length is solely based on genetics, needing to buy extra space just to feel normal like everyone else’s legs.  How many times can I limp off planes for being cramped in a “regular” seat or endure dirty looks from people sitting in front of me feeling my knees digging into their back?  So, perhaps as payback for our earning power over comparable “regulars” we are now being forced to pay additional fees just to feel normal.

Today I ask that you join me in stopping this.  The height community deserves to use handicapped seats and bathrooms without stigma and we deserve to get extra leg room at no extra cost.   Most importantly we should be allowed to live in peace without being asked our height and career with scornful looks by complete strangers on a daily basis.  They are coming for the tall and if we do nothing well then you know how that slippery slope goes. So please help change happen by tweeting #WeStandWithTheTall

For more opinions, comedy and bridge burning check out the Righteous Prick Podcast on Podomatic, iTunes and NOW on STITCHER. New Every Tuesday so subscribe on one or more platforms today – all for free!

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Reactions to the Most Disturbing Thing Ever on Television

On Sunday, Game of Thrones (SPOILERS COMING), the show with brilliant acting, what feels like a dozen plot lines and incredible jaw-dropping, stomach churning scenes topped itself and also set a new low in television at the same time.  The final scene of last night’s episode was devastating from a plot point (I’d rank it with Ned Stark’s Season 1 death) and managed to smash (literally and figuratively) the carnage and devastation of the Red Wedding episode.  It was simply the worst thing I have ever seen on television.  The fact that for almost 20 hours I have not been able to remove the scene from my mind speaks to the power of the show’s creators, but also to the unspeakable horror that the scene presented.   A man took an ax to the skull earlier in the episode and I could not even recall that until this morning.  Two great comedies following Game of Thrones got nary a laugh from me until I re-watched them this morning.

Some people may think, “Dude, settle down it is just a show and fiction,” but let me pose this to those people – if there was a simulated child rape on the show, with CGI penetration would people be disturbed to the core or just say “Oh well Game of Thrones does it again!”  Seeing (DOUBLE SPOILER – LAST CHANCE) a man have his eyes gouged out and skull crushed and splattered at the bare hands of another man should trouble you, fiction, simulated or real.  It is a horrific image that I cannot yet scrub from my conscious thought.  The sounds, the sight (on top of feeling devastated at losing one, and possibly two engaging and popular characters) and the screams and looks of horror from two characters have made this too gruesome to me to fully compliment the artistry of it and the acting of those involved.

But since I am a comedian, I decided to sublimate my anxiety and horror into a short comedy video. So here it is! Enjoy:

For more opinions, comedy and bridge burning check out the Righteous Prick Podcast on Podomatic, iTunes and NOW on STITCHER. New Every Tuesday so subscribe on one or more platforms today – all for free!

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Are Comedians the Most Insecure of All Contest Show…

Last Comic Standing is back after a 4 year break and it only took about ninety minutes of airtime before shock waves rippled through the comedy community.  Ben Kronberg, a comedian I know and like personally and as a comedian (he is “alternative” if I were to categorize him, but he has the calves of a top tier athlete – at least the last time I saw them in Summer 2013 – so I think that always made me less prick-ish about his alternative stylings).  Well the first episode of LCS was going smoothly until Ben got on stage and began his set with, depending on your perspective, a tired-stock joke or a somewhat modified industry standard (Ben fiddled around on stage, getting himself settled while not addressing the audience and then after about twenty seconds looked at the crowd and said (paraphrasing) “Oh like you start right away at your job.”  The set was then edited and there was a seemingly heated exchange between judge Roseanne Barr leading to Roseanne saying “Go fu*k yourself” to Ben.  This led to a viral hashtag on the Internet and the rest is history, depending on how important you feel stand up comedy is.

Now I interviewed Ben a couple of days ago on my podcast as part of my running commentary/analysis of the show this Summer. He was gracious and I tried to ask some serious and some funny questions about his experience with LCS this year (you can listen to the podcast episode here).  However, I was disappointed in myself for failing to ask Ben’s opinion on one other thing regarding this incident: do you think, despite being a beneficiary of some nice community vibes, that other comedians took Roseanne’s words too personally or defensively?

The response directed at the incident and some of the vitriol aimed at Roseanne would have seemed acceptable if this was just a show at a comedy club, but it is reality television.  From America’s Got Talent to American Idol (not to mention the glee our society, and many in the comedy world, take in watching the train wrecks that occupy the non-contest reality shows) it is clear that these shows are partly about talent promotion and all about ratings.  Simon Cowell is a mega rich television personality, in part, because he tore people new assholes on live television.

Now I know comedians are mostly sensitive types (despite whatever confidence or swagger they display on stage) who only manage to speak up with hashtags or when Carlos Mencia steals a joke.  But for people who get on stage and try to entertain strangers, the defensive posture to rally around one of their own seems a bit weak.  I mean, what do people expect from reality television?  Ben, in our chat seemed to know that anything was fair game and was disappointed how it was portrayed, but not startled and certainly not of the “Never Forget” mindset that some of the comments on social media would seem to indicate.   Maybe other reality show contestants are just as sensitive to their fellow artists, but I am not friends with many emo musicians “just trying to share their gift with the world,” though every time I see an Upworthy article in my Facebook news feed I feel like I am that much closer to being immersed in a world of annoying sensitivity training supervisors.

My only real thought on this is comedians – you cannot have it both ways. You cannot be the tough guys (and gals) of the First Amendment – getting a pass for everything you say about anyone or anything, but then, when someone gets sh*t on on a reality show (as rigged, as GOTCHA and as edited an entertainment format as there is) start calling out how uncouth it was. WELL I NEVER!

So good luck to Ben, who seems to be getting some nice traction from the hashtag (Can we get a #YesAllWomenTellBenToGoFu*kHimself tag going?) and will be more than fine (as he said in our talk – it may not do as much for him as being a finalist, but he already is being talked about a lot more than any of the other people eliminated), but to the portion of the comedy world who found Roseanne beyond the pale and jumped to Ben’s defense – lighten up. If comedians cannot accept the harshness of entertainment and television gimmicks, why should regular folks be so open to your next edgy joke about (insert edgy thing).

For more opinions, comedy and bridge burning check out the Righteous Prick Podcast on Podomatic, iTunes and NOW on STITCHER. New Every Tuesday so subscribe on one or more platforms today – all for free!

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Hosting (but not competing in) a Comedy Contest: Still…

This weekend I hosted a few shows as part of the Laughing Devil Festival in New York City.  I gave up a few years ago on entering comedy contests/festivals because a) I never won and b) no matter how often I said to myself, “Hey, just meet other comedians, have good shows and don’t worry about the contest component,” I would inevitably advance a round or two, which would kick in the competitive juices, just setting up disappointment and “but how did he/she advance based on that set?” sort of attitudes.  I have enough to be hostile, bitter or angry about with comedy without volunteering for more punishment.  But that said, I will gladly get paid to host shows at comedy contests, which is what I did Wednesday, Thursday and Saturday.  And yet I still found myself angry, but for other comedians who did not advance.

Wednesday and Thursday shows were quarterfinal rounds of the contest at Broadway Comedy Club. The crowds were full and the sets were mostly excellent (everyone was doing five minutes sets so they should be excellent or close to).  In Wednesday’s lineup there was a comic from San Francisco who had a terrific set (Kevin Whittinghill), probably my favorite of the show, but he was discussing being divorced and as I heard my laughter getting louder and louder I realized I had given this comic the kiss of death.  If I am enjoying a comedian too much it can mean that the performer has a perspective and tone that may appeal to people with life experience and/or people over the age of 26 who did not arrive in NYC with fanny packs and I Love NY shirts (stop saying “I heart” assholes).  But wishing partial handicaps on the future child of your ex wife who is marrying the man with whom she cheated on you is funny, dark and not something you hear every day from the stage.  Another line I enjoyed (as the comedian mocked modern positivity) was “YOLO, right?  You know what YOLO is? It is from a Drake song and it means you only live once so you might as well write a terrible song.”  I knew the comedian would not advance though. I just had a feeling and I was right.  Not taking anything away from the other comedians, but five advanced and I was really disappointed Whittinghill not deemed top five.  I don’t know if he has any great material after the five minutes I saw and after conversations with him he has not been doing comedy for that long, but seeing a comedian get semi-screwed in a contest started to bring up feelings of my own comedy contest trauma.

Sidebar – I am so tired of the catering the industry is doing to “millennials.” When I was a teen and a young adult I did not need someone who looked like me to tell me jokes, or someone with the same empty thoughts to spout them back at me – I wanted Carlin, Rock, Girlado, etc to tell me their world view, to share their perspective because it was funnier and more interesting than what my friends and I were joking about.  But now in the age of “You’re the best” marketing and people walking into you while texting and tweeting on crowded streets because of their inflated sense of Sun-Revolves-Around-Me syndrome, people want to just give people what they want and what makes them think about themselves. Hence why Comedy Central is always asking “How do bros feel about this comedian?”

The next night I was hosting again and the lineup was even stronger overall than the Wednesday show.  Several people got huge laughs, but the comedian I thought had the best set of the night (Matt Ruby) did not advance.  I have known Ruby for a long time and I was familiar with most of his material, but his set was the best overall – crisp, funny, consistent throughout – like a very strong late night television set.  So for the second night in a row I ended up leaving the contest disappointed that my favorite set each night did not even advance.  I felt like a Vegas cooler – as soon as I endorsed or rallied around a comedian their chances immediately tanked.

The Semi-Finals on Saturday, which I hosted, took place not at Broadway Comedy Club, but at LOL Comedy Club, which takes place in a 5th floor room of a building on 43rd Street and appears to be the place where they will film Saw 8.  The competition was great, but for the 3rd straight show I left frustrated.  The two best sets of the night were rewarded with 1st and 2nd so that was all good (and I believe the person who won the semi-final round I hosted, Drew Michael, went on to win the whole contest and that certainly seemed like a worthy outcome), but two sets I thought were more than deserving of appearances in the finals (Mike Trainor and Jacob Williams) did not move on (this is not to disparage those that advanced or didn’t, but without a horse in the race I was surprised to see a comedian I had ranked 11th out of 12 based on that night’s sets advance to the finals).

So I must say the level of frustration was slightly diminished by not competing and seeing that the winner had delivered strong sets, but this week also showed that I can still get frustrated at seeing other people get semi-screwed over.  I don’t know if this means I am more empathetic than people give me credit for or if I am just angrier at comedy than even I realize.  Or maybe it is both.

For more opinions, comedy and bridge burning check out the Righteous Prick Podcast on Podomatic, iTunes and NOW on STITCHER. New Every Tuesday so subscribe on one or more platforms today – all for free!

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President Me by Adam Carolla

This past weekend I finished an advance copy (it’s out now anyway) of Adam Carolla’s new book President Me (this not a brag that I somehow receive advance access to popular media – I got it from someone who had access to advance copies of books and I will leave it at that).  It is no secret that I am a fan of Carolla.  I thought his first book, In Fifty Years We’ll All Be Chicks, was non-stop hilarity.  His follow-up, Not Taco Bell Material, had moments of excellence but was not as much of a laugh riot as Chicks.  Well, President Me gets Carolla back to the Chicks approach: less memoir, more observations of the world around him. The result is just about as excellent as Chicks.

Now when it comes to my differences with Carolla, they grow the bigger the issue – i.e. the more macro an issue – taxes, government policy, race relations I tend to deviate from him.  However, when it comes to everyday things, which are the funnier of his observations and the overwhelming majority of the book, I rarely disagree with him.

The difference is in President Me is when I disagree with Carolla there was more of an attempt on his part to address the arguments against his viewpoint (before steamrolling ahead with his view anyway). The best example of this is his support of voter ID laws.  He readily acknowledges the subversive motives of the Republican Party, but then says he just thinks we should have them anyway.  Of course his near-endorsement of a poll tax (requiring everyone to bring a pay stub to the ballot) is a step way too far (but done half for comedic value), but I sort of appreciated that unlike folks from places like Fox News, at least he can say that he thinks something makes sense, even if he acknowledges that the people endorsing it are far from infallible heroes.

The main parts of the book are just laugh out loud funny.  I think his few pages on the proliferation of exposed feet in our society are the funniest things I have read in a while.  I think the main reason I like Carolla so much, despite our political differences, is that his view is “can we have an expansion of rights for everyone, but not a destruction of decorum and decency?” “Can’t things stay old school if old school had it right” sort of approach.  I have said it on a recent album that I feel in many ways I have more in common with my parents’ generation than I do with people in their early 20s.  Carolla may oversimplify some of the big things in our society and government, but on the specifics of every day life he is pretty spot on. And hilarious.

For more opinions, comedy and bridge burning check out the Righteous Prick Podcast on Podomatic, iTunes and NOW on STITCHER. New Every Tuesday so subscribe on one or more platforms today – all for free!

Blog

Road Comedy Recap: Blood, Dogs and Laughs in North…

This weekend I was in Raleigh, North Carolina performing at Goodnight’s Comedy Club.  It was the typical J-L road comedy adventure (long, cheap travel, awkward accommodations, long walks along highways to stores and of course the usual mix of hugely entertained and awkwardly hostile audience members).  But let’s begin from the beginning.  The shows began at 8pm Thursday and since a flight to Raleigh would vanquish any semblance of profits for me it was time to call in back-up from my mighty stockpile of Amtrak travel points.  I booked the 7 am “Carolinian” which is a manageable 10.5 hours.  Now one of the downsides of the trip is that after that long on a train headed south of Washington, DC you end up smelling like the feet of old black women (which a friend said on Facebook sounds like a Civil Rights Era documentary).  And with a Southern staff manning the train the service was chatty, friendly and of course had us arrive 2 hours late to Raleigh.

With my 3 hour pre-show time cut to one hour I had to race to my deluxe accommodations at the Days Inn (when I arrived I realized there was a problem – I was paying 2 star hotel prices, but getting 1 star accommodations – the answer?  Duke University graduation. So not only did that school cost me money in 2010’s tournament, but they were now costing me money by raising the price of my hotel, which looked like it was usually inhabited by Waingro from Heat right before he murdered prostitutes , to civilized society prices).

I was opening for Iliza Schlesinger (but wait, I thought all the top female comics were at the Women in Comedy Money Grab – er – I mean Festival in Boston????) and when I got to the green room I was greeted by her and her emotional support dog.  It was a small dog and as you can imagine I was highly disturbed by this in theory.  The emcee and I were instructed that the dog could not be alone, so one of us would have to be in the green room keeping it company throughout her sets.   As it turned out though, the dog was very sweet and well behaved (except when Iliza would do her closing bit at which point, like clockwork, the dog would start to whimper and look to the door of the green room anticipating her return.  I am obviously still vehemently opposed to the concept of emotional support  dogs for anyone besides autistic children, but I will give the dog, Blanche, her due – she was a pleasant green room companion.

As for the shows I did solid work.  One of the new bits I am integrating into my set is about the devaluation of the word “empowering” through the story of Belle Knox, the Duke porn dabbler.  And I thought, what better place than 15 miles from Duke to start to make it part of my set.  And on Friday’s late show I stuck the bit, got great crowd response and when I got back to my camera saw that it was recording the wall to the right of the stage.  Someone had bumped the camera and not said anything or made an attempt to fix it.  What’s worse is that when I reviewed this comedy Zapruder film, the bump occurred literally 10 seconds before the bit began (which was 15 minutes into my set).  Obviously I suspect Belle Knox – the timing was too perfect to be coincidence.

Of course this was a J-L Cauvin comedy road trip so it could not be all good news.  For the second time in under a year I stayed in a room where blood was found on the fresh bed sheets (the La Quinta Inn in New Haven looked more like a Kardashian was having a heavy flow day, whereas at the Days Inn it looked more like someone had merely squeezed a zit in a corner of the sheet – so a real upgrade in class for me).  And I had to do document review work for half the train ride down and all day Friday before the Friday shows.   On top of all that the comedy club is located right next to a prison.  I only mention it because next time I might commit a few small misdemeanors in town so I can get an upgrade from the Days Inn (yes, I am a former prosecutor and I know that I would not spend a night in a prison as a result of an arrest).

Among the real highlights of the trip was getting a visit from The Black Guy Who Tips, his wife and a few of their friends to the Friday late show, continuing my new tradition of making friends on-line through comedy and podcasting and then meeting them in person a year later (talking to you Rob and Joe show).  The other good feeling was that the emcee and an audience member knew my YouTube work (the tweet Saturday night of “Just put it together that I saw Alt Wolf/Louis CK tonight” was something so cool I almost smiled).  And for any comics travelling to Raleigh the brownie sundae at the club Is hands down the best dessert I’ve ever had at a comedy club.

So as I head back to day job world today (after a ride north on Amtrak yesterday next to two meth heads from Boston and their meth princess describing different beatings they have given people) I would like to leave you with my favorite exchange from the weekend (other than when Iliza told me and the emcee, who was also 6’7”, that she felt safe… and skinny around us – I fought the urge to punt her dog like Jack Black punted Baxter in Anchorman). So here is the chat I had with some folks after the late show Saturday:

Nice guy: You aren’t really taking Amtrak home right. You have your plane ticket I’m sure.

Me: (pulls Amtrak ticket out of wallet and shows to him)

NG: Oh, I thought you just made that up!

Me: Nope

NG: But you must make some good money doing this – got to be like $500 a show, right?

Me: (Laughing/Crying maniacally)

NG: But you are chasing your dream. That must feel great.

Me: Laughing/Crying on the floor like Walter White in the episode of Breaking Bad when all his money is gone and he thinks Gus Fring is going to kill him.

I feel like every exchange I have with potential fans just turns into the Jake Taylor scene from Major League:

 

Woman: I’ve heard ball players make a lot of money.

Jake Taylor: Depends on how good you are.

Woman: Well how good are you?

Jake Taylor: I make the league minimum.

Catch me hosting shows for the Laughing Devil Festival in NYC this week (or reviewing documents in Midtown Manhattan).  Thanks for a fun weekend Raleigh.

For more opinions, comedy and bridge burning check out the Righteous Prick Podcast on Podomatic, iTunes and NOW on STITCHER. New Every Tuesday so subscribe on one or more platforms today – all for free!

Stand Up Comedy

Comedy Career Advice: Keep Your Day Job. Seriously.

I am sitting on an Amtrak train, on my way to Raleigh, NC, as I write this.  I will be featuring at Goodnight’s Comedy Club for the next three nights, and all that stands in my way is 9 more hours on an Amtrak train.  The club is relatively close to Duke University, but Belle Knox and the Duke Lacrosse team have yet to respond to my Facebook invite to the show.  And as a Utah Jazz fan I plan on having lunch with Jabari Parker and selling him on the virtue of playing for the Utah Jazz, where, despite being very talented and Mormon he will still play second fiddle to Gordon Hayward in the hearts of Jazz fans (to quote Clayton Bigsby… “WHITE POWER!”).  But I am burying the lead right now.  Because for the 7 hours after I complete this blog I will be reviewing legal documents for a thing called (this may be an unfamiliar term to most mid-level comedians) money.  After a half a decade of living off of savings, comedy work and NYC subway break dancing I have gone back to using my law degree for money.  It’s like the exact opposite of Hustle and Flow with Terrence Howard – I am using legitimate money to help fund a career that makes me feel like a prostitute in the back of a Cadillac in Memphis.

 

There is a silver lining to this that I did not understand for a while.  Needing money is an incredibly stressful feeling (huge revelation here, I know).  I rank it somewhere between having a gun pointed at your face and getting a false positive on an HIV test.  It makes you more irritable,  more tense and more uncomfortable with just about everything.  During my first stint as an attorney I worked for the government, but lived at home to pay off my student loans, so it was like I was making double what I was making because I had such little overhead.  Then I went into private practice and was literally able to buy whatever I wanted/needed (I have fairly modest tastes) and was still saving money.   I never even thought about money for those years.

So once I was laid off in 2009, along with lots of lawyers and other people in that time frame, I had so much money saved and a fire in my belly to be a full time comedian that I made the decision not to pursue any more legal work.  So after changing my occupation on Facebook (though it is customary to call yourself a comedian on Facebook after your 8th open mic, I opted until it was my main source of income), I went about booking as many gigs as I could and auditioning at as many clubs as I could.  I started to get a decent amount of road work and from 2009 to 2012 I got more bookings each year than the year before.  In late 2011 I started doing some part time work just to provide some steady income, but the trajectory seemed to validate my choice to go full time: I was getting more work and more money each year from comedy.

And then in 2012, I had a steep decline in work.  Perhaps it was because I was no longer a fresh face or any number of other criteria, but I had at least 1/3 fewer gigs than the year before.  Coming off of a tough 2012 I made a commitment in 2013 to double down on comedy, to invest what I had into my comedy and to go balls out.  That started with blogs I had been writing, but went to the next level with many of the YouTube videos I made in 2013 up to the present.  They gained me more fans (and infamy) than even my performance on The Late Late Show had, but led to no increase in income.   So after feeling like I had doubled down on my comedy career at least 4 or 5 times I talked to a few lawyer friends of mine and decided to start doing document review work.

To put it in perspective readers of this blog can understand, going back to working a day job in the law is like living Breaking Bad in reverse. Sure comedy is killing me, but the autonomy and thrill of creating and being your own boss is powerful.  Going back to the day job world in earnest feels the same as watching Walter White if he had gone back to teaching high school chemistry in the finale.

 

Now I understand this cannot be unique to me, as there are aspiring writers, actors, etc that do this kind of legal work.  But as I try to do a good job there is little time to write during the day (hence why the blog has dwindled to one a week and the movie reviews have ceased to exist) and little energy to go to mics at night.  That is because when I had an every day day job I was conditioned and had the energy (and desire) to hit mics at the end of the day.  Now, all I want to do is go home, eat dinner and sleep before waking up at 530 to go to the gym before work.

Now before you start thinking this is another depressing diatribe there is a big positive – money.  And not just for bill paying.  There is a satisfying feeling each week getting money. even if the work ranges from mildly interesting to mind numbing.  It is a weekly reminder that something you did had some value.  Working in comedy at my level feels like a lot of moral victories (and as I once said on stage a long time ago – you know what another word for a  moral victory is? A loss) and a lot of doing comedy “for the love of” comedy.  At least in the regular business world, your boss speaks with money. When you get paid that is your thank you. In comedy, it is the same way – if a club pays you, they consider you worth something. If they don’t pay you – they don’t.  But because comedy clubs traffic in the hopes and dreams of a lot of its talent, there is a grey area where the talent feels good about what they are doing so not getting paid is not as hurtful.  If I did 50 hours of legal work in a week and only got a Facebook like for it I would go postal.  But because getting laughs at a show is a good consolation prize  for unpaid work (or having your videos or blogs shared on popular sites) a lot of hostility is avoided.

The point of all this is for comedians with some heat or an itch to give it all you’ve got to your comedy career: don’t. Not yet anyway.  There is only one time you should leave your day job (because comedians often overlook or become numb to the benefits of a day job – forced socialization, a routine outside of your own head, steady income and therefor steady reinforcement that you have contributed something tangible to the world) – when you have to.  When opportunities are coming in that cannot be missed  and that a job is actually in the way of, then you should quit.  I would not even put a dollar amount on savings you should have. I had an amount that I was certain would carry me until I “made it.”  And it did not.  But the other key thing to not leaving a regular job is that your are conditioning yourself well.  If you can keep a day job, write on your lunch hour and hit at least one mic a night then you are doing something more difficult than full time comedy.   Because as I am learning, it is tougher to adjust your comedy career when you need to go back to a day job after a long hiatus (especially when the relief of making solid money feels equal to or better than the relief of getting to perform on stage after a long day of work).  I am not unique to this I am sure, but had I just kept myself in the legal world for the last five years I am sure not much would have changed in my comedy career.  I would have had fewer road gigs (which are great for the ego, but not particularly useful in advancing your comedy career in a macro way in today’s comedy world), but nothing else would have changed for the worse.  On the plus side, money would not have been an issue which would have a positive effect.  I have always had a competitive streak in me, so I don’t want to act like seeing some people succeed in comedy with questionable talent would not irk me, but when you are also trying to sustain yourself off of comedy money, slights start to feel personal and not just professional (even if that is just subjective).  As an example – look at what happened to Ice Cube once he became rich – he talked about hating cops and killing people and two decades later he is making family movies and being a buffoon in beer commercials.  Now imagine the opposite and you have my comedy career.

My apologies if this was long winded, but if I am going to give advice to new or up and coming comedians, ignore the people you see on Facebook having huge success. Congratulate them, even admire them, but do not model yourself on them. They are lottery ticket winners on some level, either talent, hard work, look, connections, etc.  Maybe it’s just one, but probably a combination of several factors that got them where they are and chances are you do not have the combination that they have.   The longer you can put off making a career of comedy, the better off you will be.  Keep it as your creative and emotional outlet.  Work and hope that you get to a place where comedy clubs want or need you. Because when you are at a point where you need the comedy work you very well might be on the wrong path.  I do not know if this sounds overly cautious to people, but comedy is a perfect microcosm for the American economy (maybe I will just write this into book or script form). There are lots of opportunities for low income workers (bar shows, local emcees, guest spots) and lots of wealth for the elite (national headliners) – but the people in the middle are working harder for less.  If you want to roll the dice and try to be one of the elites, be my guest. but the smart move, even for the talented people out there who have not “made it,” is to try to be as comfortable in the middle as you can be, lest you become one of the people on the bottom.

Of course, for me, the idea that I will not need comedy for money  may just be more freeing to me artistically (if that is possible at this point).  A year ago I decided that the comedy business was not giving me what I felt I deserved and I had my best year on several metrics (web traffic, YouTube hits, podcast downloads and yes… comedy income). So if being annoyed in 2013 gave me a good year, perhaps not giving a sh*t at all will yield a great year in 2014.  Either way my bills will be paid.  Time to review these documents.

For more opinions, comedy and bridge burning check out the Righteous Prick Podcast on Podomatic, iTunes and NOW on STITCHER. New Every Tuesday so subscribe on one or more platforms today – all for free!