Blog

Comedy Feel Good Story (sarcasm alert): The Successful Failure…

If you do not listen to my podcast then the beginning of this blog will seem new, but if you do listen, then endure this paragraph before getting to the good stuff.  This year, feeling a sense of creative and economic depression (I have raised my debt ceiling for the last five years and I hate myself – I am like Obama and Ted Cruz in the same body – dear closeted gay Tea Partiers this is NOT a sexual image for you to flog yourself to), I embarked on a plan to raise my profile and when my name recognition was at its highest (at least relative to my own career) release my best album and hope for the best.  So the plan started off with a bang with “Louis CK Tells The Classics” the viral video of my Louis CK impression.  I then made subsequent videos (Alt Wolf, Scared Straight) that got spread all around and promoted within the comedy world.  I then had an album recording that went well, but not as well as I wanted (plus three critical bits were forgotten) so I recorded another set a month and half later and killed it to the point that instead of integrating the missing bits into the original recording I ended up integrating two bits from the original recording into the later show for the album.  I then got a PR person to book me on some podcasts, get the album reviewed (to some glowing reviews), was on Sirius XM as their Intergalactic Premiere album of the week, was 24-7’s guest comedian of the weekend said a couple of prayers.  I even got a retweet for my album from Amy Schumer (her half a million followers indicates a slightly larger reach than my 1200).  In other words, in a world without a manager or an agent or fame I sort of did all that could be done to produce and promote a good album and my name.

Also giving me hope was the fact that my previous album was downloaded 1000 times (granted it was a free download) and received 70+ ratings/reviews on iTunes. So the only barrier to reaching that level (if not beyond) was the price tag on iTunes of $9.99 (or $8.99 on Amazon).  I figured that might create a dip from 1000, but at the same time I thought it might not be as big a dip because I am more well known in October 2013 than I was in February 2012 when Too Big To Fail was released.

Well the results are in (at least on iTunes) and downloads dipped a whopping 90% for Keep My Enemies Closer compared to Too Big To Fail.

Huh?

I have been wondering how this happened.  Obviously people like free stuff, but at least for me I would not download a free album from someone whose comedy I did not care about and by the same token I would absolutely purchase the album of a comedian whose work I like.   So the question is how does someone go from 1000 downloads and then produce a better album, with an upgrade in publicity and name recognition and then dip 90%?

The album did its best work on day one when it peaked at #12 on iTunes, but because it is not attached to any label or manager it failed to get into the new and noteworthy category.  So now it just hangs out on iTunes telling my other albums that it peaked at 12 as they go “bulllsh*t – you are just another J-L anonymous album – you are not better than us so shut the fu*k up.”

Now I know this blog can sometimes read like a comedy career suicide note, but this is really an open question (feel free to leave comments in the blog’s comment section) – is there something in the comedy world (the deluge of free content, the ever increasing importance of managers and power brokers in comedy to raise the profile of comics to the larger public, etc.) to explain this?  This is not me wondering why KMEC is not above Eminem and Pearl Jam on the iTunes chart, but rather how a better product (even if you think I suck at comedy (i.e. idiots), this album sucks least of anything I have produced) with better name recognition and better promotion can fare so much worse all for adding an $8.99/$9.99 price tag?  This year has sort of been an experiment by me – if I offer quality products (blogs, videos, podcast appearances, podcasts, etc.) for free and then ask for people to pay for one comedy thing (the album), then all the free stuff and the effort would pay off with one nice pay day.  But it did not really pan out. 

So what I am asking or saying is that like the American Dream is sort of a myth that very rich and fortunate people tell the masses (the increasing poor and the decreasing middle class) so that they continue to grind away in the myth machinery, is the do-it-yourself concept the same for entertainment?  Then you become a vilified as lazy or unworthy if you are not making ends meet.  The story America tells you is that hard work is the respected value, but in reality success, regardless of how attained, is the value of the day.  Plenty of wealthy people work hard for sure, but we now value results or “winning,” rather than how you play the game (but how many people would really work as hard if they knew the game was rigged?)  Similarly, I feel like the comedy industry loves telling people that it is a great time to be a comedian and that you can make your own success.  Then they point to the 1-2 examples in existence of people without connections who made it big on their own (and just like tax schemes and campaign finance law that help ensure that the rich shall continue to increase their share of power and influence – places like YouTube have changed over the last year or so to reduce the power of the random video at the expense of promoting preferred content providers) and therefore it is possible and all fault for lack of success lies with the comedian/content provider.

But using my own career over the last decade (but especially over the last 20 months) this is sort of debunked, isn’t it?  All things equal I have had 50,000 unique visitors to my website in 2013, had my podcast listener average increase from 200 to about 400+ people per week, gained over 310,000 YouTube views to name a few metrics, which were huge increases from 2012 and yet by charging $9.99 for an album instead of free, led to a massive drop off in downloads.  I know this sounds like complaining, but it is really more confusion than anything else.  I long ago gave up on getting rich from comedy, but this year has taught me that producing high quality content, building your circle of fans/viewers/listeners means little in increasing your bottom line, if you are truly a do-it-yourself artist.  I am a sample size of one so take it for what it is worth, but the very fact that all things were equal because it was me.  The only variables were I was a lot more well known in 2013 (a good thing), had a lot more PR (a good thing) but I charged $9.99 instead of free (death).  The question is then how can you make money off of your art if without fame or industry backing people will consume your free content, but not pay for even a small amount of it?

So if you have not, please check out Keep My Enemies Closer on iTunes or Amazon and join with me in being confused why it has been less successful than Too Big To Fail.   Have a nice week.

For more opinions, comedy and bridge burning check out the Righteous Prick Podcast on Podomatic, iTunes and NOW on STICHER. New Every Tuesday so subscribe on one or more platforms today – all for free!

Blog

Keep My Enemies Closer is OUT TODAY

Well folks, I was going to write a hilarious write up about my night at the Black Bear Casino in Carlton, MN.  But that will have to wait until a Monday Mega Minnesota (MMM) recap because TODAY MY NEW STAND UP ALBUM IS OUT!  Reviews should start to come in soon, but take my word for it – it is excellent.  Buy it here.

Blog

Keep My Enemies Closer Official Promo PLUS A Special…

As of today we are 36 days from the release of Keep My Enemies Closer, my new album that will either be a launching  pad for the next phase of my comedy career or the epitaph on my comedy career tombstone.  Either way it will be worth a buy and listen, preferably in that order.  As the final touches are done on artwork and production before I start promoting the holy hell out of it I offer you my August JLComedy video of the month.  I took this month off from impressions and skewering the comedy business to honor my favorite television show and character.  If you are a fan of Breaking Bad you will get this and enjoy it.  If not, just watch the fu*king thing as a show of support and mark your calendars to get on iTunes on September 24th.  Here’s the video:

Just to show you that I still have a stalker who is willing to fight a sad and lonely fight.  He has used a couple of false names on-line to draw attention away from the positive attention my work has been getting recently.  Sadly when you post 9 consecutive hateful comments filled with information stated by me on my podcasts people do not actually think you are stirring a debate, but just in need of mental health assistance.  So if you enjoyed the video and are looking forward to the album, thank you and here is an example of the kind of people who are REALLY excited about the album:

Oh yeah – on a positive note I have lost 11 pounds in my first 8 days on the Paleo diet so I hope “Claymaker” can one day by my friend!

For more opinions, comedy and bridge burning check out the Righteous Prick Podcast on Podomatic or iTunes. New Every Tuesday!

Blog

Keep My Enemies Closer

Sorry for the misleading title, but this is not going to be a list of all of the people in comedy and life that I want to wipe away like when Michael Corleone handled all family business.  No, in much more pleasant news Keep My Enemies Closer is the title of my new album coming out in late September.  I reviewed my set from the Triad in May this weekend, and for the first time I was extremely pleased with what I listened to.  Even my last two albums, which I am extremely proud of (my very first one I am just proud of), did not please me on first listen as this one did.  But that is  not to say it is perfect.  Yet.  There were two bits I forgot to do and three bits I want to tighten up so if you missed the Triad taping (or if you were there but want to support again, since there will be around 20 minutes of material that was not recorded at the first taping), then please mark your calendar for July 12th.  I am recording one more headlining set to complete the album at the Laughing Devil Comedy Club in Long Island City (one stop from Grand Central Station on the 7 train).  Please get tickets HERE and share with friends.  Opening for me are the hilarious Chris Lamberth and John Moses.  And as a treat I have put a couple of short clips from the set up on YouTube and if you have ten minutes to spare check the clips out and share your favorite.

Lena Dunham

NYPD Cheaters

Gay Guys vs. Lesbians

Equal Storytime

Hopefully you enjoyed these.  And if you like any of my previous albums I promise you this is the best one by far.  Hope you can be part of the taping on July 12th.

For more opinions, comedy and bridge burning check out the Righteous Prick Podcast on Podomatic or iTunes. New Every Tuesday!