A Jazz Fan Returns Home For the First Time

After almost 24 years as a lost Utah Jazz fan in New York City I will head to Salt Lake City on Tuesday to see my first game on the team’s home court.  I felt like this season could be a good one for the Jazz so I decided to finally make a trip out there.  Fortunately, since I am travelling alone, I was able to get a great seat (7 rows from the court, center court).  If this does not seem like a big deal to you, here are some reasons why it is:

1) From the age of 8-19, my main form of coat consisted of two different Utah Jazz jackets, one a subtle purple, the other, an offensively loud purple and gold.  Now the Jazz has switched to a much cooler sky and navy blue combo of colors that will allow younger kids to be proud Jazz fans without having to choose between supporting their team and speaking to girls.

2) I had to watch the Jazz lose twice in the Finals, in the home of a friend who was a Chicago Bulls fan, but who quickly jumped ship to the Nets, just in time to support Jason Kidd taking them to the finals twice, once the Bulls became terrible.  And let’s not even talk about the legion of Knick fan friends I have who have only opened their mouths to jeer the Jazz’s non-title years, while ignoring their 10 consecutive losing seasons.  I am already preparing to see their support roar back when the Knicks buy some free agents this Summer.

3) For one day I will not have to answer the question, “Utah Jazz? Why/How are you a Utah Jazz fan?”

4) The Utah Jazz are my favorite team in all of sports.  From Malone/Stockton to Williams-Boozer and everyone in between they have always played a great style of basketball that was both educational and entertaining to a hoops fan (ignorant basketball fans might call the Jazz style “boring,” at least before Deron Williams showed up).  They may not have won a championship yet, but they have always delivered a consistently good product.   And maybe it’s because my comedy career reminds me of my two favorite Jazz players of all time – Stockton and Malone: it’s half-white, half-black, has never won anything, but gets strong support from people with the last name Cauvin.

Looking forward to Utah – and the team gift shop.  Shockingly they don’t sell a lot of Utah Jazz merchandise in NYC, so I will be running through that place like the kids in Willy Wonka’s Chocolate Factory.  I’ll report back on Wednesday.

My Top HBO Characters of All Time

Being 2 discs away from finishing 6 Feet Under via Netflix I was thinking of how amazing the roster of HBO shows has been.  This also happened because I was watching Lost last night and thought, “Wow, this is supposed to be one of the best shows on Network television and it is basically a big budget mediocrity.”  Other than The West Wing and Arrested Development I don’t think I have seen anything on Network television to compare with HBO’s level of quality (all due respect to the CSI fans who adore that crappy franchise).  AMC is doing some good things (the slightly overrated Mad men and the very under-praised Breaking Bad), but HBO really is the cream of the crop (even though True Blood and Big Love, the two flagships shows at this point, are not close to the incredible things HBO produced last decade).  And I know that some people out there love Showtime, but having watched several episodes of Showtime shows they feel like a good junior varsity team to HBO’s state title winning varsity.

So without any more explanations or caveats here are my top 13 HBO characters of all time (apologies in advance to the Crypt Keeper, the cast of Not Necessarily The News, everybody from Dream On (terrible) and The Larry Sanders Show (never saw it, but heard it was good stuff back in the day):

13) (tie) Dennis Hof – Cathouse and Lafayette – True Blood.  This is the only reality character on the list, but how can a guy who looks like Rush Limbaugh and acts like pre-wheelchair Larry Flynt not be on the list.  the Cathouse series, which follows a real life Nevada brothel features many women have sex, which is a relief because at least when you turn it on ou know what you are getting, as opposed to the HBO Real Sex series which could just as soon ambush you with a segment on nursing home gang bangs as they could with attractive women.  Dennis is the supreme scumbag that makes the show go with his array of women from the daddy issue-riddled, to the tranny looking one to the midget.  One thing is obvious – he has had sex with all of them.

Speaking to HBO’s diversity, Lafayette, the drug dealing, sassy gay black short-order cook/male prostitute on True Blood is only the first of two gay black men on this short list.

12) Murray – Flight of the Conchords – The show’s first season was very good.  The second season was incredibly mediocre.  With all due respect to Jemaine – Murray was the extremely poor man’s Ari Gold on this show, literally.  Sadly, the actor that plays Murray is intent on beating the dead horse in a series of new commercials for some product where he is basically playing the same character, but with far fewer laughs.

11) Ralphie – The Sopranos. Sadly Ralphie only got two seasons on The Sopranos (3 & 4), but he won an Emmy for the second one and created a character hated above all in his first season and then, once accepted, became the funniest character on the show.  For me, his signature line will be after being confronted by Tony Soprano after beating to death a stripper carrying his child he simply yelled, “First of all she was a whoooour!”

10) Samantha – Sex and the City.  It would be hard, even for a misogynist, to leave off all characters from HBO’s third most popular show of all time. So I picked Samantha, who turned man-like sexual cravings into “empowerment” for women ages 17-60.  My favorite scene of hers may have been when she was dating Smith, a model who would be more likely to visit Samantha in the course of volunteer work at a nursing home than to actually bed her, and she runs into her ex-boyfriend Richard at a party. In front of Smith she goes upstairs with Richard and gets railed from behind and then comes down crying to Smith, saying “I don’t know what’s wrong with me.”  Message? Empowerment.

9) Lester Freamon – The Wire. The first of three characters from The Wire.  Quiet, unassuming and the best detective on the show.  My favorite moment, after coming up with evidence off of a soda can to potentially catch a cop shooter he is asked what unit he’s from. He replies with a straight face: “pawn shop.”  You have to watch the show to get that, but it was great.

8) Tony Soprano – The Sopranos.  Nothing much needs to be said, except for the fact that he is only the second best character on the show (and no, the Bada Bing club is not #1).

7) Kenny Powers – Eastbound and Down.  Racist, stupid and angry. If he had not been a baseball player, he might have been leading a Tea Party movement.  Who knows if the shows subsequent season(s) will match the perfection of the first, but it takes a special character to make the line “I love you April, and not just in a make me come kind of way,” mean something, especially when said at an 8th grade dance.

6) Al Swearengen – Deadwood. In a word? Cu*t.

5) Ari Gold – Entourage.  This show is like watching the Cleveland Cavaliers play basketball a few years ago. It was LeBron James doing amazing things and four guys around him barely keeping up.  I thought after the first season they should have spun the show off and made it about Ari. They didn’t and now it’s a mediocre show with one dominating star.  But he still makes the show worth tuning in to each week that it’s on.

4) Omar – The Wire.  People reading this may have expected Omar at #1, but that would be too easy. I figured I’d sneak up on you like Kenard and… well, I don’t want to give away anything to the people who are just getting over their fear of Negros and Negro-filled shows, but Omar was the most entertaining character on the best show ever for sure, but he’s only my #2 from it.  Indeed.

3) Nate Fisher – Six Feet Under.  I don’t think any character on any HBO show (or any show for that matter – though Walter White on Breaking Bad is doing a nice job) has taken as varied an emotional journey as Nate Fisher.  At times he is both the most identifiable and the most polarizing figure on this unbelievable great show (Seriously, the fact that at one point HBO had The Sopranos, 6 Feet Under, The Wire all at the same time is like an NBA team having LeBron, Kobe and Kevin Durant at the same time – I think The West Wing would be Dwayane Wade for this analogy).

2) Tony Soprano’s Mom – Perhaps you forgot about her because she only made it on to the first two seasons of the show, but it says something that the show went from an A+ to an A without her.  The idea that a woman could be evil or just experiencing dementia, or possibly both was brilliant and gave Tony the best conflict on the show until he and his wife hit the skids in season 4.  Tony’s Mom was an absolutely brilliant character and played brilliantly.  Menacing and funny all at once.

1) Stringer Bell – The Wire.  I had a friend once tell me that she was going to see the movie Obsessed with that handsome black guy and Beyonce.  I replied that’s Stringer Bell from the Wire. She replied, i don’t even remember him from the Wire.  There are only two possibilities here and I will just propose the second – she missed the first 3 seasons of the Wire.  Omar got all the hype, McNulty got all the posters, but I found the intelligent criminal Cain to Avon Barksdale’s Abel the best HBO character of all time.  Watching Stringer try, but fail, to bring the Barksdale drug business into the legitimate world of Real Estate showed that the “legit” world is just as corrupt as the drug trade (as my brother told me – what is so different than the operation of Starbucks and the corner boys in The Wire – you give money and order to one person, then walk around to another area to pick up the product – he was kidding.  The difference is obvious – if coffee were made illegal a lot more white people would be killing each other than black folks on The Wire).

On a side note, I was told a couple of years ago that the actor that played Stringer was a doorman at Caroline’s at night while he auditioned during the day.  More evidence that everyone in the comedy business except comics can make money. Congratulations Stringer Bell – you are #1.

Rich, Religious or Racist & Why Obama Needs The…

I did not want to hammer away on the health care reform aftermath, or the afterbirth known as the Tea Party movement, but I feel it is a little necessary.

I have always believed there to be three large constituent groups within the Republican Party: the Rich, the Religious and the Racist (and no, I do not want to turn this into some gimmicky, phrase-coining post like it’s a Thomas Friedman column, but here we go). Sometimes all three can be present in one Republican, but often many fit into one of the three groups, with desire for economic security and prosperity being the most common.

The Rich

First, the rich.  This means more than people of means, because there are plenty of wealthy Democrats and plenty of poor Republicans who believe (or say they believe) that lower taxes is important because it stimulates business and means less intrusion into their lives.  I genuinely believe this is phony.  Economic Republicans, whether poor or rich believe in one thing, holding on to their money or dreaming that when they get lots of money that they can keep all of it.  Perfectly entitled to that desire, but I hate when it’s discussed in macroeconomic terms by individuals concerned with their individual circumstances.

A great way to hide this is to call yourself libertarian, which allows the rich Republicans to say that marijuana should be legal or that they are pro-choice, which for these two issues I think amounts to, “I don’t really give a sh*t about those issues, but I can seem less of a frightening Republican if I concede those issues.”  If you were so pro-Choice or so pro-liberty than why would you vote for a Republican in this political climate, at least the ones offered nationally?  (And maybe you don’t/didn’t and then this does not apply to you and I say welcome to the Democratic party either now or down the road, even if you won’t admit it because you come from a family tradition of Republicans.)  One reason: lower taxes.

The Religious

The religious Republicans seem to scare my NYC friends the most, but I do not have a problem with some of them because I consider one of the defining issues of this group, being pro-life (or anti-choice if I must), a legitimate philosophical and moral belief.  Do I think some political people use it as a wedge issue? Absolutely.  But I found the bashing of Bart Stupak (a Democrat I know, but aligned with Republicans on one of this signature divisive issues) by a lot of liberals quite terrible.  Some would say the increasingly arbitrary line of viability (thanks ironically to scientific advancement) is more absurd than a bright line pro or anti abortion stance.  Other issues like prayer in school I understand Republicans views (at least the ones sincerely held), even if I agree with the current law.  But at the end of the day, many of the things that Republicans tell their religious base (we’ll ban gay marriage in The Constitution, we’ll end abortion, John Boehner is naturally tan and his name is pronounced Bay-nor) are just not possible in this country, politically or socially.  But they placate this segment of their base to keep them at fever pitch so that they can be relied on for votes.  And then in all fairness, not to give a large swath of this group a pass, many of them are fu-king crazy.  If you are an atheist you probably think everyone with religious beliefs are crazy, but you know what I mean.

The Racist

But then there is the third group of Republicans, who have nicely and loudly proclaimed themselves Tea Party Republicans – the Racists.  Are there Democrats who are racists? Sure.  Republicans love to bring up Robert Byrd, former member of the KKK as an example.  But who is more racist, or at least enabling to racists: Robert Byrd whose record is marred by insensitive votes, and racist associations early in his career, but later marked by transformation through time and as recently as the middle of the last decade a 100% vote approval by the NAACP, or House Minority Leader John Boehner, who condemned the usage of bricks and racial slurs, not to mention death threats, by people upset over “Health Care Reform” (I put it in quotes because “health care reform” and “socialist” had become mere proxies for “Nig*er until the Tea Party decided to stop being polite), but suggested that they sublimate their “anger” into things that are useful for the party.

This is incredible!  This is a party leader coming as close as anyone since Strom Thurmond to basically say, “we want your racism, your backwards thinking and your hostility in our party; just don’t embarrass us by acting upon it illegally. Vote Republican in 2010!”  A more meaningful and principled stand would be to say, “We don’t want you in the Republican party – we hope to be a party of ideas and solutions, and defiance if we have to be, but we don’t want you if this is how you act.  I remember former Wyoming Senator Alan Simpson (Republican) react almost violently when someone made a Republican-gay rights crack to him on a show concerning Matthew Sheppard.  He was so offended by the suggestion that those actions could be affiliated with his party or himself (he was actually a prominent spokesman for civil rights and gay rights).  The vitriol that Simpson responded with and the anger that Boehner showed towards the health care bill is the same broad-based anger Republican leaders should have responded with towards their Tea Party brethren (and let’s not forget that Nancy Pelosi has taken a lot of heat.  Like Hillary Clinton, Pelosi seems able to generate spontaneous hatred – a friend of mine who is Republican had proclaimed “hatred” for Clinton in high school, without any tangible reason, and the same for Pelosi).

On race the Republicans have always been decades late and even then, a token, insulting response.  Clarence Thomas (whose early personal history is quite remarkable and could make anyone an angry reactionary) was, nonetheless, the very unqualified Republican replacement for Thurgood Marshall.  The Republican response to Barack Obama was clown prince Michael Steele.  These seem like responses born out of the spirit of the Spike Lee film Bamboozled, not choices actually made from a more inclusive and sensitive political party.

And the issue of race, is also hidden beneath many of the economic arguments.  As Bill Maher said last week (I don’t always agree with him, but on this point I did), the health care reform reminds people of welfare.  And despite Chris Rock and Jerry Springer’s best efforts, many people in this country still view welfare as their hard earned dollars of whites going to a black mother with 9 black kids in a black neighborhood.

And saying liberals said hurtful and hateful things about George Bush is not a defense.  George Bush started two wars (botched a justified one and heartily engaged in an unjust one), helped facilitate the Great Recession, botched the response to Hurricane Katrina, sanctioned torture, put oil executives in charge of environmental policy, and ignored or at least was derelict in his attention to warnings of 9/11, to name a few things.  He was the Secretariat of bad presidents.  Obama gave 30 million more Americans health care.  Which angry reaction seemed more appropriate and which one seemed more like it should be condemned by the establishment of the respective party?

It reminds me of the climactic scene in A Time To Kill where Matthew McConaughey (alright alright) describes the crime to the jury, but flips it on them at the end.  Well to this third group I would say, “Close your eyes. Now, imagine more of your friends and neighbors could have affordable health care, or that relative of yours that died because of rejection from health insurance companies was allowed to keep his or her insurance.  Now imagine that this was done, in large part, because your President made a promise to a dying Senator, and because this President’s mother had died of Cancer and because he believed it could help lots of people. Now imagine that that President is white.”

First Comic Sitting

Well, today I had an audition for Last Comic Standing.  I did two minutes in front of three big time pros: Andy Kindler (very respected comedian), Natasha Leggero (who sort of reminded me of the lead singer of The Bangles – niiiiice) and one of my two favorite comedians, Greg Giraldo (Chris Rock the other).

From the title you can tell that I did not advance and sadly I completely agreed with the judges.  However, there is something profoundly crippling when one of your idols in your business tells you, as nicely as possible, that it wasn’t good enough.  Sort of like how Michael Jordan ruined Kwame Brown’s career by continually berating him and calling him a “faggot” in practice when he was an 18 year old rookie with the Wizards.  Kwame was never a good player after that, though he did his best to dispel the epithet by fathering a starting five and two subs with numerous women (at last check).  None of the judges were mean at all – they were quite nice and refreshingly constructive, but I hope that was not because I am almost the size of Kwame Brown and they are not Michael Jordan’s size.  I must admit though, that when Giraldo went to speak and I could see from his expression that it was going to be a very lukewarm appraisal it was one of the most painful moments of my career.

I guess I came prepared with a sort of a generic set that may have worked with producers in the past, but with real, genuine comedians of a high order judging, that was a big mistake.  It seems whenever I audition for something I play it safe, probably because auditions terrify me.

What is so bitter to take is that this season could be great and come with an extra stamp of legitimacy because of who is judging and selecting.  Of course there are funny people who will not make it, but if Greg Giraldo says you are a good comedian, it carries with it some real street cred that Bobby Baccala from The Sopranos (previous celebrity judge) just does not have.

On a plus, they thought my Obama impression was really good.  But Giraldo thought the premise surrounding the impression was too convoluted (which as soon as he said it I thought – “of course it is – FU-K!”).  As I left Gotham Comedy Club – my brain began to re-work jokes, but not to make a show, but because their advice, even on the two minutes of material, could actually make me a better comedian.  I guess if their feedback can help me make my material better then there is a silver lining.  It might have been helpful if one of them told me to give up also.  Time will tell on that one.

Good luck to Nick Cobb, David Cope, Luke Cunningham, Myq Kaplan and any other friends who have moved on.

My First Day As A Stuntman

A couple of days ago I was asked by College Humor in partnership with the NY-based sketch group Elephant Larry to be an extra in one of their on-line videos.  The video itself is basically a re-imagining of a generic action film if the DVD commentary were actual dialogue during the movie.  I knew I was an extra because my character’s title was “Thug.”  Despite only taking acting classes for 9 months it is good to see that I have already found my niche in the acting world: silent, intimidating, large background character.  The pay was only $50, but to take a couple of punches in the background of a scene and eat free snacks in the green room, it seemed like a no-brainer.  It seemed like that because I had not met Lucas, the professional stuntman who I would be sparring with.

When I got to the warm rooftop to shoot the scene I met Lucas – a man who wore all black and looked how I would imagine Vladimir Putin looked in his physical prime with the KGB.  Sort of like a light-middleweight Taekwondo  world champion.  The Elephant Larry guys asked us if we wanted to “work out our fight sequences.” This certainly seemed like a set up for something more complicated than “I will fake punch you and hit my chest at the same time so it sounds like I hit you,” which is the level of fight choreography technique that I was bringing to the table.

So for the next 15 minutes I worked out various punch and kick combos with Lucas, with me receiving all shots to the face and abdomen (this was as much a fight as Mike Tyson versus HurricanePeter McNeeley was).  I only got punched in the face once and kneed in the face once so I guess it was not too bad, but I knew we were off the reservation when the College Humor and Elephant Larry people started looking at Lucas and the damage he was inflicting the way Steve Buscemi looked at Peter Stormare in Fargo when it was revealed that Stormare’s character was actually a homicidal maniac.

So we acted out a few fight sequences, which I was told looked great (and all ended with me rolling around, thrown to the ground on a filthy, tar-splattered Brooklyn rooftop).  At one point I actually had the real feeling of being choked and caught a kick to the nose, but overall it was quite fun and convinced me that if I really need money I could always be an MMA sparring partner.  And for future casting, Lucas will definitely be played by Jean Claude Van Damme in a humorous cameo.

Afterwards, my right arm and neck have the appearance like I cheated on Elin Woods with a Hooters’ waitress, but College Humor ponied up an extra $100 for cleaning bills and emotional damage.  I actually though this would be a great idea for a hybrid show of Jackass and Punk’d – you tell someone that they’ve been picked for a sketch on a comedy website, only to find out they are actually going to be subjected to physical punishment.

Most importantly  the shoot had an incredibly therapeutic effect on my mood, proving that sometimes getting your ass kicked can make you feel a lot better about losing in a comedy contest.

The End Of Madness

Last night I was eliminated in the 2nd Round of March Comedy Madness at Comix.  Congrats to Alex Grubard who beat me.  And thanks to my girlfriend who listened to a tirade worthy of David Mamet last night on the phone afterwards.  I don’t actually mind comedy contests too much, despite how frustrating they can be, but they have this amazing effect on me, like a catalyst, setting off a violent emotional reaction that forces me to re-examine why I do comedy.  Last night, other than a bitter need to prove myself, an answer was very hard to come up with.

Good luck to the rest of the competitors.

Could Madea Make A Successful Middle East Movie?

I was disappointed to see Matt Damon and Paul Greengrass’ new movie, “Green Zone” make a relatively low amount of money this weekend. Not because I have any ownership in the film, but because it is sort of disappointing that Americans don’t want to engage the Wars in the Middle East on any level, even fictional.

It is sort of a Catch 22 that films like Green Zone, which is somewhat political (if you consider the truth, albeit fictionalized, “liberal”) and 2009’s Best Picture, The Hurt Locker, completely apolitical, are unsuccessful because of American society’s war fatigue.  If we had such aversion and fatigue over war, where was it in 2003 when troops marched off to war in Iraq?  In other words, if people were as tired of war and wanted to hide their eyes from it as much in 2003 and they do in 2010 then films like Green Zone and The Hurt Locker would never have been made.

Sometimes I have friends who say, I just want to go the movies for a diversion, something mindless, not for some high minded message movie.  But how much mindlessness can we actually tolerate – Facebook, Twitter, reality television, Internet, video games, porn – and that is just my day before noon!  At some point don’t people want something thought-provoking that isn’t a 90 second clip on The Daily Show?

But I was actually very surprised to see a Matt Damon movie with such a good director fail, no matter what the topic. It raises a question in my mind: is there anyone who could actually sell a Middle East War movie successfully to our half apathetic/half-indignant society?  Here are some ideas I am pitching:

1) Scorsese directs DiCaprio in “The Enlisted”.  DiCaprio plays Tommy Coughlin, a Boston tough who joins the Army and is sent to Iraq as an alternative to going to prison.  There is a ton of Rolling Stones music, a lot of quick shots and of course, DiCaprio gets to speak with a Boston accent all while shooting a lot of brown people.

2) Will Smith & Tom Hanks in “I Am Soldier” directed by Steven Spielberg – probably the best bet for a successful Middle East War Movie.  Tom Hanks plays General Michael White who is asking Captain John Black (Smith) to go on a dangerous one man mission.  When it seems like Capt Black will fail, Sandra Bullock shows up as a sassy southern enlisted woman who is lost and helps him complete his mission. (Captain Black and General White could be role reversed, at which point instead of Sandra Bullock, Tom Hanks companion in the desert would be a volleyball).

3) “I Can Do War Torture By Myself “or “Why Did I Enlist” by Tyler Perry – the wild card here – this film will be about a man whose marriage to Janet Jackson is on the rocks because he is not living a Christian lifestyle.  After receiving advice from his 6’6″ transgendered grandmother  the man decides to enlist in the war to prove that he, like Jesus Christ, is willing to sacrifice his life for a greater cause.

4) “Sandstorm” – starring Robert Pattinson and Taylor Lautner.  Pattinson plays an English enlisted man fighting in Iraq, but he can only fight at night because of his deep brooding nature and a secret he has (he’s a vampire).  Lautner plays an American fighting alongside, but harboring an even deeper secret (he’s a gay werewolf and if either of those things is found out he will be kicked out of the armed forces).

5) “Memorial Day” – starring the cast of Valentine’s Day.  The concept of this movie is simple – every cast member of this film actually volunteers for active duty in Iraq as part of a documentary with an option for a reality television spin off.

Let me know which you think has the best chance.

Doing The Same Thing And Expecting A Different Result:…

It is hard to believe it has been one year since I lost to Myq Kaplan at Caroline’s in the Final Four of March Comedy Madness 2009.  The road to the championship each year for its first three years has gone through me.  Year one, I lost to Julian McCullough in the Sweet 16, who went on to win the title.  One month later my brother named his second son Julian. Coincidence?

The next year I lost to Liz Miele, who is the girlfriend of Reese Waters, in the Elite 8. Liz did not win the whole thing, but Reese did, so close enough.

And last year I lost to Myq Kaplan, who won the whole thing, in the Final Four, and has since gone on to be on The Tonight Show.  So basically my comedy career has turned into the equivalent of Jennifer Aniston’s vagina: once you have been through me, greater success for you or those close to you is all but assured.

Last night I felt so tired on my way to Comix.  I had already resigned myself to not winning, but seeing someone beat me and attain new success.  I was also exhausted from a day of watching Six Feet Under (great show).  But when I got to Comix (the sight of March Comedy Madness this year) I felt the competitive juices and hope stirring again.  The crowd was buzzing and looking good, (the only comedy club in the meatpacking district, Comix audience members tend to be a hybrid of comedy club goers and women you’d fu-k if your father ran a hedge fund. At least that is what I usually see when I am slaving around in Ochi’s – Comix’s alternative venue in the basement, where I rant and rave, while feeling like my comedy career is Sloth from The Goonies).

Well when I got on stage my jokes all hit exactly as expected (but I had to go first, which meant when the audience votes, my competitor gets last licks, so they can measure how I do and try to do better).  My competitor got a nice reaction from the crowd, but when the voting occurred, something unexpected happened: a tie.  Then after another round of applause voting, another tie.

Now in every college basketball run to the title, there is always a clutch play that allows the eventual champion to continue playing.  Tyus Edney is still the one that comes to mind in 1995 for UCLA.  Well, due to the tie, we had to do a 30 second joke-off. And like Mariano Rivera out of the bullpen for the Yankees, I dropped my Obama impression for 30 seconds, which saved the day.

So now, after a year of recovery from the bitterness and rage that always consumes me after I lose or miss out on anything (I put a friend on two weeks video game suspension when he beat my In NBA Live and did not offer an immediate rematch) I am back and ready to make someone the next champion of March Comedy Madness.  Next Wednesday at 930 pm at Comix I square off against Alex Grubard.  Could he be headed for The Tonight Show, Comedy Central or a intimate relationship with the next winner?  You have to be there to see it.

And that brings us to the word… Karma

I will keep this simple.

Tonight I did a set at Karma Lounge on the Lower East Side.  The set was very inconsistent, which I was sort of prepared for emotionally because I had several general sports jokes and sports on the Lower East Side are about as relatable to that scene as talking about being popular high school. 

After the set two young women tried to trip me after my set (I won’t waste time explaining, but it was on purpose), apparently because they did not like my set.  This angered me for three reasons.

1) Who trips people on purpose after 7th grade?

2) The arrogance and confidence of these girls to trip me indicates not only a lack of respect for me, but also a hubris that they can actually physically interfere with another person without fear of repercussion.

3) They did not have boyfriends readily available for physical destruction.

To anyone who knows me – have a laugh at the thought that this was a top 5 angry moment in my career.  In the unlikely case of this reaching the two girls at the bar at Karma tonight who tried to trip me I hope your sense of privilege and arrogance continues until you meet the social deviant who will not stand for it.   Seriously – that would be karma, and that’s the word.

Oscar Breakdown & Predictions

If you read this blog regularly you should know that the first thing I hope (and certainly expect) from the 2010 Oscars is a prominent role for the Black Eyed Peas’ “I Gotta Feeling ” in the pre-show hype fueled montage.

My biggest hope is that during the Oscars someone comes out and says, “By the way, The Blind Side is actually not nominated for Best Picture.  That was a big joke.  And also, An Education was extremely boring and we apologize for nominating that so congratulations 500 Days of Summer and The Messenger – you are actually nominated for Best Picture.”  Not going to happen, but here are my predictions for the major awards and what should occur (within the realm of possibility):

BEST PICTURE

I would be OK withany of the following winning in descending order of preference: District 9, Up In The Air, Inglourious Basterds, Up, Precious, Avatar, The Hurt Locker.

I think Inglorious Basterds is going to win in what I will call the “Norah Jones Strategy.”  In 2002, the Best Album Grammy went to Norah Jones despite The Rising by Bruce Springsteen and The Eminem Show being nominated.  I think voters split on Eminem and Sprinsgteen leaving a plurality to Norah Jones.

The Hurt Locker has a lot of momentum and Avatar is the most financially successful film of all time.  But I think people who put The Hurt locker first would not have Avatar second and I do not think people that vote Avatar first would have The Hurt Locker second.  But those voters who put either of those first could very well put Basterds as their second choice.  And since Quentin Tarantino is a Hollywood favorite and an original I think he could pick up some small percentage that think it is time he won a big prize so I am putting my money on Inglorious Basterds to edge out Avatar and The Hurt Locker.

Best Actor

Jeff Bridges is going to win the Oscar that Mickey Rourke should have won last year.  Jeff Bridges is a really good actor and it will be nice for him to win.

I would vote for Clooney for Up In The Air.  It was his best acting job yet and finally fulfilled all the love that Hollywood had bestowed prematurely on his high brow films (which were generally sort of boring  -Michael Clayton, Good Night and Good Luck and Syriana were all overrated, relatively boring movies, but Hollywood loves the high school quarterback who also hangs out with the geeks and that has been Clooney for the past decade).  And the look that Clooney gives his lady friend when he meets her at her house was one of my favorite acting moments of the year.

Best Actress

This is a two horse race.  Meryl Streep was great in Julie and Julia and this is her 134th nomination. She has won twice, but I think it is time she get another win.  She is like the Michael Jordan of actresses – she should win the MVP every year, but doesn’t because some obscure actress did something obscure and artsy or some pretty actress got fat, or naked, or sassy. And with that let’s discuss the other best actress front runner – Sandra Bullock.

Sandra Bullock was a B+ in The Blind Side, which was good because the movie was a C/C-.  But other than a benign racism that is sweeping the country (“Hey, we voted for a black guy, we like movies where white people save black people – damn we are awesome white folk!”) I do not understand why Meryl Streep is not guaranteed a third Oscar.  If you need ant other reasons not to root for Sandra Bullock and/or The Blind Side please watch this:

http://www.youtube.com/watch?v=G_oK6EPc6QA

So I am going to go with what is right and say Meryl Streep over Bullock.

Best Supporting Actor

Christopher Waltz from Inglourious Basterds might be an even bigger favorite than Heath Ledger last year.  What a great performance – he is the front runner and deserves to be.  He was so good that the Academy is considering granting him a Polanski (“a pass for a rape of a minor based on high quality work”).  I enjoyed Woody Harrelson in The Messenger and must admit I did not see The Last Station yet, but am glad to see Christopher Plummer nominated (in my mind his lack of a nomination for The Insider is still the biggest snub I can remember).

Best Supporting Actress

Mo’Nique in Precious. Also a no-brainer.  The most raw performance I think I have ever seen.  Her motivation may have come from the fact that Mo’Nique’s husband has a hairy leg fetish, which probably means he is on the down low.  That would make most women pretty angry, but Mo’Nique took it to another level. The only thing that may detract from this for Academy voters is that the film is very black in both mood and casting.  It is sort of the Anti-Blind Side.

Best Director

Without ten nominees to thin the voting, this will be between James Cameron (Avatar) and Kathryn Bigelow (The Hurt Locker).  I enjoy the fact that they were married and that I think James Cameron bounced.  That will make it even more painful if she has to lose to him, which I think she will.  The breadth and technological advancements and sheer volume of time spent on Avatar should give it to Cameron.

I might go for Tarantino or Reitman (Up In The Air) with my vote. Which I don’t have.  But Avatar is pretty hard to deny.

Best Animated Feature

Up.

The only thing that would make me madder than a Blind Side victory in any category would be Fantastic Mr. Fox winning here.  I think Wes Anderson films are incredibly irritating, though Mr. Fox was relatively enjoyable.  But Up’s first 15 minutes alone crush the competition.

A moment of silence for Cloudy With A Chance of Meatballs, which was ignored and not even nominated.

Best Adapted Screenplay

I think Precious should and will win here because form what I have heard the original text is written in the first person and might pose a challenge to make into a quality film, which they did.  However, the hilarious and extremely clever In The Loop, as well as the most original film of the year, District 9 would make me happy as well.  Fu-k An Education.

Best Original Screenplay

Inglourious Basters should win and almost definitely will win.  Part of me is rooting for Up though. It is about time Pixar got recognized for being the most consistently original and great film studio.

Best Score

I genuinely can’t remember any of the scores, so here is my list of my favorite scores of all time (shut up Star Wars fans):

1) The Last of The Mohicans

2) Brokeback Mountain (the score literally could have been called “sad and lonely cowboy”)

3) Chariots of Fire

4) Hoosiers

5) Rudy

Alright – there it is a comprehensive list of the categories you care about.  If you want incessant humorous commentary by me during the Oscars – check out www.twitter.com/JLCauvin