As much of a movie addict as I am this weekend presented a rarity, especially for the Summer – there is nothing I want to see in theaters. I saw two movies last weekend (Rise of the Planet of the Apes and Crazy Stupid Love – both fantastic so if you have not seen them you have your assignment) and it has left me with nothing this week. Here are a couple of the options that I am rejecting:
The Change Up – between horrible reviews, horrible box office results, Jason Bateman’s tongue-in-cheek endorsement of the movie last week on The Daily Show and the fact that Ryan Reynolds is movie poison I cannot subject myself to it.
30 Minutes Or Less – I will not see this movie for one major reason: I am tired of Danny McBride diluting the Kenny Powers brand. For those of you that don’t know one of my favorite shows on television is Eastbound and Down, which is Danny McBride’s comedic vehicle about a racist, arrogant down-on-his luck baseball pitcher. He is great on it and the show is great (season 2 was an A-, but season 1 was an A+). However, Danny McBride is starring and co-starring in a lot of mediocre movies as basically a derivation of Kenny Powers, which is annoying because as new people gravitate to the show they may be inclined to say “Oh, he is just doing his shtick from (insert title of 8 different movies).” So I cannot support Mr. McBride’s movie career as long as it can potentially harm the Kenny Powers brand.
The Help – Never had an interest in this one (part 80 in Hollywood’s series of one singular, great white person helping black people do good things) even though the reviews seem to have been pretty good. If you want my fuller take on this please check out my video below from a little while back – a trailer for The Blind Side 2:
This weekend I was featuring at Magooby’s Joke House in the greater Baltimore area. I emphasize “greater” and “area” because if you are thinking an urban crowd (a/k/a Omar, Bodie and the rest of the cast of The Wire) would show up you would be mistaken. There were four shows. The two shows Saturday were my kind of crowd and I was very happy with my sets. But Friday offered many lessons in comedy and life, which is why I will share those with you now.
Friday April 9, 2010 – 830 pm Show
First show demographics 2.5 people of color, including myself (.5), 160 white people. 50% of the crowd was over the age of 48. This would not damn me because I have been pleasantly surprised by crowds with not so different stats before, but this crowd would be an animal that I have never had before. If the show were a children’s book it would be called “Where’s Negro?”
My second bit of the night was this:
So Sandra Bullock’s husband cheated on her. Let’s just be honest – if you marry a tattooed man-whore and he goes out and sleeps with a bunch of whores that have tattoos, can you really claim to be surprised? (Laughter) And come one Sandra – 46, no tits and expects to keep a man in Hollywood? (Silence with start of murmuring) How arrogant Sandra! You obviously made a deal with the Devil to win an Oscar of Meryl Streep and now it’s time to pay the price. (Silence broken by a couple of boos).
My girlfriend had warned me about making any jokes that got near the star of The Blind Side, which is treated by white people in Maryland with the same reverence that Hoosiers is treated with by rural basketball players in Indiana. But one of the decisions I made with these shows this weekend was that I was going to do my best to not compromise a lot on the road. I have the material to do NYC rooms and road rooms, but who I am as a comic is closer to the NYC material and I need to make crowds meet me a little bit more so at least my reputation will start to be based on who I really am as a comic and not just on an ability to be Jay Leno-ish one night and then more personal and edgy when I feel safer doing so. But this crowd obviously loved Sandra Bullock because she saved a big black dude from eternal damnation, etc.
They probably would hate my short film, The Blind Side 2:
I took Megabus here tonight… I can’t take Greyhound anymore because it is like travelling with Hollywood celebrities – Hey there’s Precious (HUGE LAUGHTER), there’s a creature from Avatar and there’s that dude from that old movie Mask (laughter almost completely dies).
My comedy can sometimes be conservative, but it does not necessarily mean I want the support of fringe conservatives. Another parallel is when I watch Jim Norton perform comedy. I think the guys is absolutely brilliant, but he is also dirty, which draws a lot of fans to him that I don’t like. He may tell a joke involving the words “pussy” and “cock,” but it is also brilliant comedy in there. Some of his fans get it and some of his fans I think just get off on the usage of the words “pussy” and “cock.” I feel the same way about some of my jokes that maybe take more conservative angles on abortion or entertainment or religion. I want comedy fans to appreciate the comedy and thought in the joke, not necessarily to take it as an endorsement or a statement for a certain group. Sometimes it is and sometimes it isn’t, so the real point is to not bring all your agendas to the show and just laugh if it is funny.
However, when I heard the all white crowd almost cackle at the Precious reference what I heard was, “Yeah, that fat black bitch is gross.” Which of course, she is but that is not the point. This crowd was so sensitive to a millionaire white lady who helped an exaggeratedly helpless black man, but not to an impoverished obese black teenager. You laugh at both or you laugh at neither in my book.
My final exchange of the evening:
I know you may not like this, but I’m not being political when I say I like Obama-
Hey – great I just turned the show into a Tea Party rally –
a few laughs and some claps
Your closing act – Sarah Palin (joking)
I eventually got to my Obama bit and it went over well enough, but I was startled to be what amounted to a Tea Party rally. I genuinely don’t understand people who are Sarah Palin fans. I understand (diminishing every day), but disagree with many Republicans, but Tea Party people are from another planet to me. Booing Obama, but an applause break for Sarah Palin, who is that magical combination of stupid and increasingly smug/arrogant the more money that gets thrown in her face for “speaking” engagements. But that also explained why my comedy went over so poorly at that first show. I was performing for a Tea Party. Because I like the owner of Magoobys and enjoy playing there I will not connect the dots, but if you have read my blog I think you know what other “R’s” I associate with Tea Partiers besides Republican.
Oddly enough on the 1030 pm show that same night – the Precious joke got near silence because about half the crowd was black. That did not anger me as much, but it still angered me a lot because the joke is funny and the same way the Tea Party crowd let their cruel humor run rampant on Precious, the second crowd decided, as if they were a liberal arts college in the northeast, that they would let me know how attuned to the plight of poor and sad people they are and would not laugh. The second crowd was overall 100 times better than the first crowd, so one annoyance did not break an otherwise good show and good crowd, but I still thought I should mention it lest a Tea Party Comedy member read the blog and comment, “See he’s letting all the African-American Nig-ers get off without any complaint.”
Overall it was a fun weekend at Magoobys (3 out of 4 shows a success – previous lessons of shaking off bad shows quickly came in handy), but just another reason for me to hate the Tea Party. Before it was just business, but now… it’s personal.
If you read this blog regularly you should know that the first thing I hope (and certainly expect) from the 2010 Oscars is a prominent role for the Black Eyed Peas’ “I Gotta Feeling ” in the pre-show hype fueled montage.
My biggest hope is that during the Oscars someone comes out and says, “By the way, The Blind Side is actually not nominated for Best Picture. That was a big joke. And also, An Education was extremely boring and we apologize for nominating that so congratulations 500 Days of Summer and The Messenger – you are actually nominated for Best Picture.” Not going to happen, but here are my predictions for the major awards and what should occur (within the realm of possibility):
I would be OK withany of the following winning in descending order of preference: District 9, Up In The Air, Inglourious Basterds, Up, Precious, Avatar, The Hurt Locker.
I think Inglorious Basterds is going to win in what I will call the “Norah Jones Strategy.” In 2002, the Best Album Grammy went to Norah Jones despite The Rising by Bruce Springsteen and The Eminem Show being nominated. I think voters split on Eminem and Sprinsgteen leaving a plurality to Norah Jones.
The Hurt Locker has a lot of momentum and Avatar is the most financially successful film of all time. But I think people who put The Hurt locker first would not have Avatar second and I do not think people that vote Avatar first would have The Hurt Locker second. But those voters who put either of those first could very well put Basterds as their second choice. And since Quentin Tarantino is a Hollywood favorite and an original I think he could pick up some small percentage that think it is time he won a big prize so I am putting my money on Inglorious Basterds to edge out Avatar and The Hurt Locker.
Jeff Bridges is going to win the Oscar that Mickey Rourke should have won last year. Jeff Bridges is a really good actor and it will be nice for him to win.
I would vote for Clooney for Up In The Air. It was his best acting job yet and finally fulfilled all the love that Hollywood had bestowed prematurely on his high brow films (which were generally sort of boring -Michael Clayton, Good Night and Good Luck and Syriana were all overrated, relatively boring movies, but Hollywood loves the high school quarterback who also hangs out with the geeks and that has been Clooney for the past decade). And the look that Clooney gives his lady friend when he meets her at her house was one of my favorite acting moments of the year.
This is a two horse race. Meryl Streep was great in Julie and Julia and this is her 134th nomination. She has won twice, but I think it is time she get another win. She is like the Michael Jordan of actresses – she should win the MVP every year, but doesn’t because some obscure actress did something obscure and artsy or some pretty actress got fat, or naked, or sassy. And with that let’s discuss the other best actress front runner – Sandra Bullock.
Sandra Bullock was a B+ in The Blind Side, which was good because the movie was a C/C-. But other than a benign racism that is sweeping the country (“Hey, we voted for a black guy, we like movies where white people save black people – damn we are awesome white folk!”) I do not understand why Meryl Streep is not guaranteed a third Oscar. If you need ant other reasons not to root for Sandra Bullock and/or The Blind Side please watch this:
So I am going to go with what is right and say Meryl Streep over Bullock.
Best Supporting Actor
Christopher Waltz from Inglourious Basterds might be an even bigger favorite than Heath Ledger last year. What a great performance – he is the front runner and deserves to be. He was so good that the Academy is considering granting him a Polanski (“a pass for a rape of a minor based on high quality work”). I enjoyed Woody Harrelson in The Messenger and must admit I did not see The Last Station yet, but am glad to see Christopher Plummer nominated (in my mind his lack of a nomination for The Insider is still the biggest snub I can remember).
Best Supporting Actress
Mo’Nique in Precious. Also a no-brainer. The most raw performance I think I have ever seen. Her motivation may have come from the fact that Mo’Nique’s husband has a hairy leg fetish, which probably means he is on the down low. That would make most women pretty angry, but Mo’Nique took it to another level. The only thing that may detract from this for Academy voters is that the film is very black in both mood and casting. It is sort of the Anti-Blind Side.
Without ten nominees to thin the voting, this will be between James Cameron (Avatar) and Kathryn Bigelow (The Hurt Locker). I enjoy the fact that they were married and that I think James Cameron bounced. That will make it even more painful if she has to lose to him, which I think she will. The breadth and technological advancements and sheer volume of time spent on Avatar should give it to Cameron.
I might go for Tarantino or Reitman (Up In The Air) with my vote. Which I don’t have. But Avatar is pretty hard to deny.
Best Animated Feature
The only thing that would make me madder than a Blind Side victory in any category would be Fantastic Mr. Fox winning here. I think Wes Anderson films are incredibly irritating, though Mr. Fox was relatively enjoyable. But Up’s first 15 minutes alone crush the competition.
A moment of silence for Cloudy With A Chance of Meatballs, which was ignored and not even nominated.
Best Adapted Screenplay
I think Precious should and will win here because form what I have heard the original text is written in the first person and might pose a challenge to make into a quality film, which they did. However, the hilarious and extremely clever In The Loop, as well as the most original film of the year, District 9 would make me happy as well. Fu-k An Education.
Best Original Screenplay
Inglourious Basters should win and almost definitely will win. Part of me is rooting for Up though. It is about time Pixar got recognized for being the most consistently original and great film studio.
I genuinely can’t remember any of the scores, so here is my list of my favorite scores of all time (shut up Star Wars fans):
1) The Last of The Mohicans
2) Brokeback Mountain (the score literally could have been called “sad and lonely cowboy”)
3) Chariots of Fire
Alright – there it is a comprehensive list of the categories you care about. If you want incessant humorous commentary by me during the Oscars – check out www.twitter.com/JLCauvin
This Saturday, while filming The Blind Side 2 trailer, comedian Nick Cobb paid me a rather odd compliment: “When are you going to update your blog? I have been checking every day and no update. Your blog gives me comfort, knowing that no matter how angry I am about comedy, there’s always at least one person who is angrier.”
It’s true I sort of slacked off on the blog posts in February, primarily because I try to write only when I have either a funny idea or something I want to express and February just did not inspire much. Another reason was I was playing far too much God of War. Well, March should be quite different.
First off I will be competing in Comix’ March Comedy Madness, which gives me a 63/64 chance of being disappointed. This tournament used to be held at Caroline’s, but Caroline’s decided to host a different tournament called “Final Four,” which I think will be a similar format. I opted to do only the Comix tournament for two reasons. One is that I did not have to audition since I made the Final Four last year. And second, the last time I showed up for an open call at Caroline’s I waited 5 hours, was then told I did not have to audition and then was never given a spot I was told I was getting (that’s known as the worst of all worlds). And I still have not gotten an email response to a politely worded email requesting an explanation. So in other words, Comix was the default winner for not having treated me like a part time Wal-Mart employee (like battered spouses, comedians set very low thresholds for appreciation by comedy clubs).
It will be an uphill battle at Comix (starting March 10th) mainly because it is almost impossible for me to get people to come see a show of min anymore (crowd determines winner) and because lacking a beard, a disheveled wardrobe, jokes thick with non sequiturs and inside references, as well as an accent or universal circle-jerk approval from sycophantic comedy websites and Time Out NY, I realize that I may not have the success I have had in previous years.
March will also provide an opportunity for me to audition for Last Comic Standing. Sadly, this one I actually have more hope for simply because the potential reward is too big to ignore (it’s like the lotto). So I will audition for that and most likely write a recap on the website. All in all March promises to give me more than enough vitriol to provide you with a good read.