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Movie of the Week Part I: Super 8

JJ Abrams is best known as the creator and intellectual cock tease behind one of television’s most overrated shows of all time -Lost, which also described the writing style of the show after the first season.  Lost was basically a ponzi scheme for the brain.  Instead of delivering on many of the secrets and teases in each episode it merely kept doubling down, promising more and more to deflect from the fact that it could not possibly have satsifying answers and returns on the investment people had made in the show.  That’s right, JJ Abrams was the Bernie Madoff of television.

But movies for JJ Abrams have actually been more satisfying.  I enjoyed Cloverfield and was pleasantly surprised by the Star Trek reboot.  Mission Impossible 3 was not good, but as Meat Loaf said, two out of three ain’t bad.  So with Super 8 coming out I felt confident that it would be more Cloverfield and less mystery island.  Well, it is both.

The movie, which follows a group of kids who are making a film on their Super 8 camera, who then witness a devastating train wreck (the standard for great train wreck scenes is The Fugitive – this one is loud and overbearing – it feels like the train had about 200 cars all which exploded in CGI glory.  All I was struck by watching the first hour of the movie, which was entertaining, thought the humor only felt one grade above Michael Bay-level shtick, was how JJ Abrams was making an homage to Spielberg movies, largely ET with a touch of Close Encounters of the Third Kind.  But it sort of feels like going one step beyond homage.  It feels like someone who is mildly obsessed – like instead of Single White Female, JJ Abrams could star in Married Jewish Filmmaker.

The movie goes along revealing little details about the mysterious creature/government secret/alien/etc. that appears to be wreaking havoc on the small town that is being policed by Coach Eric Taylor of Friday Night Lights.  But as the movie reaches its conclusion all the things I hoped for came crashing down in a Lost-like ending.  The last ten minutes of the movie are incredibly disappointing.   Like Lost, the movie gets you excited because it is making promises, that although difficult to deliver, will be outstanding IF delivered.  But then, like Lost, the movie produces a highly mediocre and tidy ending to wrap up the film under two hours.  It is like JJ Abrams is Hollywood’s version of LeBron James in these NBA Finals – he awes you with all the promise and flash of talent and then when it is time to finish the job he sort of vacates and looks for a quick and unsatisfying conclusion.

Maybe JJ Abrams should review his Spielberg movies again, because he knew how to start and finish a movie.

Grade – C+

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Could Madea Make A Successful Middle East Movie?

I was disappointed to see Matt Damon and Paul Greengrass’ new movie, “Green Zone” make a relatively low amount of money this weekend. Not because I have any ownership in the film, but because it is sort of disappointing that Americans don’t want to engage the Wars in the Middle East on any level, even fictional.

It is sort of a Catch 22 that films like Green Zone, which is somewhat political (if you consider the truth, albeit fictionalized, “liberal”) and 2009’s Best Picture, The Hurt Locker, completely apolitical, are unsuccessful because of American society’s war fatigue.  If we had such aversion and fatigue over war, where was it in 2003 when troops marched off to war in Iraq?  In other words, if people were as tired of war and wanted to hide their eyes from it as much in 2003 and they do in 2010 then films like Green Zone and The Hurt Locker would never have been made.

Sometimes I have friends who say, I just want to go the movies for a diversion, something mindless, not for some high minded message movie.  But how much mindlessness can we actually tolerate – Facebook, Twitter, reality television, Internet, video games, porn – and that is just my day before noon!  At some point don’t people want something thought-provoking that isn’t a 90 second clip on The Daily Show?

But I was actually very surprised to see a Matt Damon movie with such a good director fail, no matter what the topic. It raises a question in my mind: is there anyone who could actually sell a Middle East War movie successfully to our half apathetic/half-indignant society?  Here are some ideas I am pitching:

1) Scorsese directs DiCaprio in “The Enlisted”.  DiCaprio plays Tommy Coughlin, a Boston tough who joins the Army and is sent to Iraq as an alternative to going to prison.  There is a ton of Rolling Stones music, a lot of quick shots and of course, DiCaprio gets to speak with a Boston accent all while shooting a lot of brown people.

2) Will Smith & Tom Hanks in “I Am Soldier” directed by Steven Spielberg – probably the best bet for a successful Middle East War Movie.  Tom Hanks plays General Michael White who is asking Captain John Black (Smith) to go on a dangerous one man mission.  When it seems like Capt Black will fail, Sandra Bullock shows up as a sassy southern enlisted woman who is lost and helps him complete his mission. (Captain Black and General White could be role reversed, at which point instead of Sandra Bullock, Tom Hanks companion in the desert would be a volleyball).

3) “I Can Do War Torture By Myself “or “Why Did I Enlist” by Tyler Perry – the wild card here – this film will be about a man whose marriage to Janet Jackson is on the rocks because he is not living a Christian lifestyle.  After receiving advice from his 6’6″ transgendered grandmother  the man decides to enlist in the war to prove that he, like Jesus Christ, is willing to sacrifice his life for a greater cause.

4) “Sandstorm” – starring Robert Pattinson and Taylor Lautner.  Pattinson plays an English enlisted man fighting in Iraq, but he can only fight at night because of his deep brooding nature and a secret he has (he’s a vampire).  Lautner plays an American fighting alongside, but harboring an even deeper secret (he’s a gay werewolf and if either of those things is found out he will be kicked out of the armed forces).

5) “Memorial Day” – starring the cast of Valentine’s Day.  The concept of this movie is simple – every cast member of this film actually volunteers for active duty in Iraq as part of a documentary with an option for a reality television spin off.

Let me know which you think has the best chance.