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Tea Party Comedy Show

This weekend I was featuring at Magooby’s Joke House in the greater Baltimore area.  I emphasize “greater” and “area” because if you are thinking an urban crowd (a/k/a Omar, Bodie and the rest of the cast of The Wire) would show up you would be mistaken.  There were four shows.  The two shows Saturday were my kind of crowd and I was very happy with my sets.  But Friday offered many lessons in comedy and life, which is why I will share those with you now.

Friday April 9, 2010 – 830 pm Show

First show demographics  2.5 people of color, including myself (.5), 160 white people.  50% of the crowd was over the age of 48.  This would not damn me because I have been pleasantly surprised by crowds with not so different stats before, but this crowd would be an animal that I have never had before.  If the show were a children’s book it would be called “Where’s Negro?”

My second bit of the night was this:

So Sandra Bullock’s husband cheated on her.  Let’s just be honest – if you marry a tattooed man-whore and he goes out and sleeps with a bunch of whores that have tattoos, can you really claim to be surprised?  (Laughter) And come one Sandra – 46, no tits and expects to keep a man in Hollywood? (Silence with start of murmuring)  How arrogant Sandra!  You obviously made a deal with the Devil to win an Oscar of Meryl Streep and now it’s time to pay the price. (Silence broken by a couple of boos).

My girlfriend had warned me about making any jokes that got near the star of The Blind Side, which is treated by white people in Maryland with the same reverence that Hoosiers is treated with by rural basketball players in Indiana.  But one of the decisions I made with these shows this weekend was that I was going to do my best to not compromise a lot on the road.  I have the material to do NYC rooms and road rooms, but who I am as a comic is closer to the NYC material and I need to make crowds meet me a little bit more so at least my reputation will start to be based on who I really am as a comic and not just on an ability to be Jay Leno-ish one night and then more personal and edgy when I feel safer doing so.  But this crowd obviously loved Sandra Bullock because she saved a big black dude from eternal damnation, etc.

They probably would hate my short film, The Blind Side 2:

http://www.youtube.com/watch?v=G_oK6EPc6QA

My 5th bit of the night:

I took Megabus here tonight… I can’t take Greyhound anymore because it is like travelling with Hollywood celebrities – Hey there’s Precious (HUGE LAUGHTER), there’s a creature from Avatar and there’s that dude from that old movie Mask (laughter almost completely dies).

My comedy can sometimes be conservative, but it does not necessarily mean I want the support of fringe conservatives.  Another parallel is when I watch Jim Norton perform comedy.  I think the guys is absolutely brilliant, but he is also dirty, which draws a lot of fans to him that I don’t like.  He may tell a joke involving the words “pussy” and “cock,” but it is also brilliant comedy in there.  Some of his fans get it and some of his fans I think just get off on the usage of the words “pussy” and “cock.”  I feel the same way about some of my jokes that maybe take more conservative angles on abortion or entertainment or religion.  I want comedy fans to appreciate the comedy and thought in the joke, not necessarily to take it as an endorsement or a statement for a certain group.  Sometimes it is and sometimes it isn’t, so the real point is to not bring all your agendas to the show and just laugh if it is funny.

However, when I heard the all white crowd almost cackle at the Precious reference what I heard was, “Yeah, that fat black bitch is gross.” Which of course, she is but that is not the point.  This crowd was so sensitive to a millionaire white lady who helped an exaggeratedly helpless black man, but not to an impoverished obese black teenager.  You laugh at both or you laugh at neither in my book.

My final exchange of the evening:

I know you may not like this, but I’m not being political when I say I like Obama-

BOOOOOOOOOOOOOO

Hey – great I just turned the show into a Tea Party rally –

a few laughs and some claps

Your closing act – Sarah Palin (joking)

Applause Break

I eventually got to my Obama bit and it went over well enough, but I was startled to be what amounted to a Tea Party rally.  I genuinely don’t understand people who are Sarah Palin fans.  I understand (diminishing every day), but disagree with many Republicans, but Tea Party people are from another planet to me.  Booing Obama, but an applause break for Sarah Palin, who is that magical combination of stupid and increasingly smug/arrogant the more money that gets thrown in her face for “speaking” engagements.  But that also explained why my comedy went over so poorly at that first show.  I was performing for a Tea Party.  Because I like the owner of Magoobys and enjoy playing there I will not connect the dots, but if you have read my blog I think you know what other “R’s” I associate with Tea Partiers besides Republican.

Oddly enough on the 1030 pm show that same night – the Precious joke got near silence because about half the crowd was black.  That did not anger me as much, but it still angered me a lot because the joke is funny and the same way the Tea Party crowd let their cruel humor run rampant on Precious, the second crowd decided, as if they were a liberal arts college in the northeast, that they would let me know how attuned to the plight of poor and sad people they are and would not laugh.  The second crowd was overall 100 times better than the first crowd, so one annoyance did not break an otherwise good show and good crowd, but I still thought I should mention it lest a Tea Party Comedy member read the blog and comment, “See he’s letting all the African-American Nig-ers get off without any complaint.”

Overall it was a fun weekend at Magoobys (3 out of 4 shows a success – previous lessons of shaking off bad shows quickly came in handy), but just another reason for me to hate the Tea Party.  Before it was just business, but now… it’s personal.

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Blind Sided By The Oscars & Some Early Predictions

When I looked at the Oscar nominations only a couple of things startled me. One was Cloudy With A Chance of Meatballs not being nominated for Best Animated Feature.  Another was seeing Christopher Plummer getting nominated for Best Supporting Actor for The Last Station.  I have not seen the movie (one of the very few among nominees that I can say that about), but it just brings up angry thoughts of 10 years ago when he was snubbed for a nomination for his portrayal of Mike Wallace in The Insider.  And there was good news – District 9 was nominated for Best Picture.  However, besides the excruciatingly mundane An Education getting nominated, there is an egregious error among the best picture nominees.  The Blind Side.

The Blind Side is an average movie. It has some good moments for sure, but it abounds in awful old and new Hollywood cliches.  It has the sassy southern white woman, which is now the female Oscar equivalent of a man playing a mentally handicapped person – automatic Oscar nomination.  She has a reticent daughter, but a spunky and fun son who says such cute and witty things for a little kid!  And most importantly it has a poor black person in dire need of white people’s help.  Now I know this is based on a true story, but even the subject of the film, Baltimore Ravens lineman Michael Oher said in a NYT article, “I wish they hadn’t made me look so dumb.”  His coaches also remarked on how bright he is and h did make the Dean’s List at Ole Miss.  But perhaps if Michael had been portrayed smarter at first it might have looked more like… gulp.. affirmative action – and that is not as feel good for America.

I have seen almost every best picture nominee in the last 30 years and unequivocally The Blind Side is the worst by a lot.  I am not saying it’s terrible.  Most movie critics already did that.  I am saying it is like seeing a C+ student make the Honor Roll.  I have received some comments about how opening up the Best Picture category to 10 nominees led to this.  I disagree.  Although I think they should have stayed at 5, there were better movies than The Blind Side.  That is like saying if there had been ten nominations a few years ago then Coach Carter would have been nominated (that was a trick- of course it would not have been.  not only was it a mediocre film, but that was a black man – Samuel L Jackson helping minority kids – not a white woman!).

Perhaps this was the Academy’s concession for nominating Precious, a gritty, depressing book at the plight of inner city African Americans.  They watched Precious and were like, “Wow that was good, but sort of sad – quick nominate a feel-good, whites-helping-Negros-movie before we feel compelled to actually do something constructive.  Quick do we have anything?  The Blind Side? FINE!”

Predictions:

Mo’Nique and Christopher Waltz in the supporting actor categories.  No one else should even show up.

Best Actor – Jeff Bridges.   I would vote for Clooney if I had a vote (I thought his performance was finally the one that Hollywood has pretended for the last ten years that he has delivered.  In Up In The Air he actually delivered it – funny, subtle and awesome).  But Jeff Bridges has all the momentum and has had a quality and varied career.

Best Actress – I’d take Meryl Streep, Precious (she was really good) or even Helen Mirren because she’s very good looking for an old lady, but Sandra Bullock seems to be a lock. Yikes.  I think I’d pick Precious.

Adapted Screenplay – District 9 was the most original film of the year (barring technical originality of Avatar), but I will accept all (included In The Loop which is hysterical) except for An Education – what a fu-king bore, except when it seemed to inject bizarre out of place humor.

Original Screenplay – I think I’d go with The Hurt Locker or Inglorious Basterds, but I will guess that Basterds takes it.

Best Director – James Cameron or Quentin Tarantino – I think Cameron just for the scope and technical achievement of Avatar.

Best Picture – I’d pick District 9, but would be ok with Inglorious Basterds or Up In The Air.  However I feel that it will be between The Hurt Locker or Avatar.  Avatar in a close one.

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The Top Ten Movies of 2009 (and the decade)

I thought this year was a really good year for movies, despite the garbage that was listed on this site yesterday.  Before getting to the top 10 movies of 2009 (and the decade) here are some special (mostly positive) awards for movies in 2009.

SPECIAL AWARDS

Most Surprisingly Good Movies (in no particular order)

1) This Is it– Thoroughly enjoyed the concert (rehearsal) documentary about Michael Jackson.  Great music and a worthy tribute to the fallen icon and aficionado of play dates with tweens.

2) Taken– The Liam Neeson film is a perfect example of how a movie that has no ambition, only one star and a simple plot can still deliver if it just tries to do the simple things well.  And the scene where he shoots his friend’s wife to show that he means business was one of the best this year.

3) Crank 2– Either the most ingenious quasi-spoof of action movies ever or just a ridiculously entertaining goof.  Either way I had no idea that I would enjoy this movie as much as I did.  It now validates Jason Statham’s work visa to me, though his films have only grossed slightly more than my YouTube videos.

4) Drag Me To Hell – This Movie almost made the top 10.  Funny, creepy, gross, and all on purpose.  A good, but not great movie.  However, there were very few movies I enjoyed more than this one.

Take My Wife, please.
Take My Wife, please.

The Any Given Sunday Award For Most Disappointing Movie Based On Awesome Trailer

Watchmen.  Blue genitals and a waste of time is all I remember from this movie.  The trailer, however, was perfection.

The Two Towers Award For Great Trailer That Delivered Great Movie

Nothing.  But The Men Who Stare At Goats was my favorite trailer of the year and the movie was solid, but still did not meet expectations.

2009 Honorable Mention (A/K/A The Unpaid Guestspot of Movie Awards)

Avatar, The Hurt Locker, Two Lovers, Food Inc., State of Play

2009 Top Ten Movies

10) (tie) Sugar, The Messenger

Sugar is the story of a Dominican immigrant seeking to become a baseball star.  Came out early this year to rave reviews, but has long been forgotten.  Anyone who is a baseball fan or interested in the immigrant experience should see this.  Or just hang out by Yankee Stadium.

The Messenger is the best war movie this year.  It is about two soldiers who report to next of kin of the loss of loved ones.  The things people do for work in this economy.  Really strong and simple movie.

9)Capitalism: A Love Story.

This movie is a reminder that America used to be a place where a middle class person could thrive (middle class meaning one blue collar job with could salary and benefits, not $5 million dollars or less like John McCain seemed to think).  Now thanks to a selfish, never too rich mindset the wealth is more concentrated at the top than ever before.  Sadly for working Americans and Michael Moore, America is one big casino and the house always wins.

8) 500 Days of Summer

The fact that Music and Lyrics was my favorite romantic comedy before this movie came out (yes I have seen Love Actually, but have not seen When Harry Met Sally yet – gasp!) may diminish my credibility in this genre,  but I am probably not the only person telling you how great this movie is.  Funny, heartfelt and thoroughly enjoyable.  And the lesson of the film couldn’t be more optimistic: if you find yourself in a relationship with a cu-t, don’t worry because eventually you may go out with Derek Jeter’s girlfriend.

7) Bruno

The selection most likely to anger people.  First, yes I thought it was funnier than Borat.  Second, the best opening of any film since The Dark Knight.  As the techno music began blaring and the words “black guys” and “taint” flashed on screen I could not stop laughing.  For many the film was too crude.  Other complaints I heard was that Borat had a point in showing some ignorance in funny ways, whereas this just went for cheap laughs.  Probably true.  Perhaps it was easier to embrace a character who was exposing racism and sexism and, most flagrantly, anti-Semitism in Borat and feel good about laughing than in Bruno, where you are just laughing at the absurdity of a gay character’s libido on steroids.  My advice to the self-righteous – take the champagne bottle out of your ass and watch Bruno pour some champagne out of his boyfriend’s.

6) Precious Based On The Novel Push By Sapphire

Fat, pregnant by her father (again – fool me once shame on him, fool you twice… shame on him again in this rare exception to that saying), illiterate and Mariah Carey as your social worker.  And I thought being a comedian was tough.  This movie is a powerhouse and Mo’nique’s performance is one of my three favorite this year (Christopher Waltz in Inglorious Basterds and Paul Rudd in I Love You Man being the other two).  And I would like this movie to win Best Adapted Screenplay so that Sapphire, who probably negotiated the self-indulgent title has to hear the dumbest phrase ever uttered at an awards show: The winner is Precious Based on The Novel Push By Sapphire Based On The Novel Push By Sapphire.

5) Up

The opening to this movie may be the most touching sequence in movies this year.  It is just another great movie from Pixar.  Normally stories of old men hanging out with young fat kids is awkward (think Herbert the Pervert and Chris Griffin from Family Guy as one such pairing), but this movie is nothing of the sort.  Plus it has a talking golden retriever, which will always get support from me.

4) Inglorious Basterds

Christopher Waltz was amazing, but surprising to me was how good Brad Pitt was.  A funny, intense, enjoyable movie about Nazis and the Jews that hunted them.  It was also a welcome relief from the usual parade of mediocre, maudlin films about the Holocaust that are raised to critical praise because of the subject matter.  After Schindler’s List I think Hollywood could have just waited for this one .  After all slavery has had what, Roots and Amistad?  I think 6 Holocaust movies come out last year alone.  But I digress.  Basterds is awesome (and my favorite Tarantino film – that is what I think, but I am also writing it because I want to anger those who worship at the altar of Pulp Fiction).

3) Cloudy With A Chance of Meatballs

Even more than Bruno, this choice is likely to bring on some WTFs.  I did not even want to see this movie, but then reviews kept talking about how much fun it was.  The biggest shock of the year for me was this movie.  It was hysterical from start to finish.  It was like the humor of Family Guy, but not as crude or easy.  I flirted with putting this #1, but the last two choices, upon reflection, were the two best movies of the year.

2) Up In The Air

 I am tired of the “this is the movie that defines our times” type quotes, but besides that this is a great movie.  George Clooney’s best (unlike his win for Syriana, no complaints if he gets Best Actor) and a movie that is so good that I cannot exactly explain why it is so good.  Perhaps it is because it is a movie that defines our times… oops.

1) District 9

The most original movie I have seen in a long time.  The biggest crime of the Oscars could be if Avatar gets a best picture nomination and this does not (if they only feel like honoring once sci-fi-ish film).  Since it is #1 I don’t think it needs any explaining, other than the fact that it comes out on DVD today so you should rent it if you have not seen it.

TOP TEN MOVIES OF THE DECADE

10) School Of Rock – Along with The Wrestler, no movie has matched an actor better this decade than Jack Black and SOR.

9) The Departed – I hate the Boston accent, but that was the only thing I hated about this movie.

8) Eastern Promises– Russian mob in London and the best fight scene in any movie ever.  Sorry Bourne Ultimatum.  You were second.

7) Million Dollar Baby – The only movie that made me cry this decade (joining E.T., Glory and Dead Poets’ Society on the career list).  Clint Eastwood, Morgan Freeman and Hilary Swank all at their best.

6) Traffic – A decade later the violence in Mexico is worse and the liberal pot smokers who abhor the violence of war or the treatment of chickens that are not free-range, but still help fund the cartels that propagate massive bloodshed in and around the border.  This movie would go under the category of wake up calls unheeded.  Great movie.

5) Finding Nemo– My favorite movie from the most consistently great movie studio.

4) 4 Months, 3 Weeks, 2 Days – I am not a big foreign film guy, but this was so intense and so good I regretted not speaking (Romanian if my recollection is correct) the language because even checking the subtitles was too much attention away from the acting.

3) The Dark Knight – I have never seen a movie in the theaters more than this one.  And it’s not even close.  Die Hard, The Matrix and The Dark Knight are the three films that changed and elevated action movies higher than any others in the last 20 years.  To me, it was even more impressive to take action, the way Christopher Nolan and Heath Ledger did, and turn it into art.

2) The Lord Of The Rings – Because of The Godfather III’s mediocrity this is the greatest trilogy of all time.  Shut up Star Wars people. (and if I had to pick just one – The Two Towers).

1) United 93 – I have only seen two perfect movies in my lifetime.  One was Amadeus, my favorite movie of all time.  The other was United 93.  I am not saying it is my favorite movie of all time; it would be hard to make that claim about a film focused on 9/11.  But the realism, the intensity, the respectful rendering of an incredibly sensitive subject and the overall product was second to none this decade for me.  In a sad way I guess it is fitting that the decade’s defining event yielded the decade’s best movie. Besides, a movie about our collective self-indulgence and self absorption called Twitter v. 3.05 would not be nearly as riveting.

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The Good, The Bad and the Mo’Nique of the…

The Golden Globe Nominations (voted by the Hollywood Foreign Press) were announced today, which displayed some good judgment in parts and in others displayed why Jerry Lewis and David Hasselhoff were such international superstars.  As a movie addict who has seen or will see all or nearly all of the films nominated (I’m already close) here’s my recap of the good and bad of today’s nominations.  Contrary to my usual I will start with the good:

The Good

1) Meryl Streep is a beast.  2 more nominations bringing her total up to 1,895 career nominations.  She proves that in Hollywood if you are talented, dignified and your name is Meryl Streep you will not be forgotten as an actress after 38 years old.

2) Matt Damon getting nominated for Best Comedy Actor in The Informant.  He was incredibly funny in this movie without being a goofy caricature.  Between the Bourne series, The Informant, The Departed and his cameo on Entourage he has completely erased my annoyance with him from the late 90s as a Masshole in Good Will Hunting (great movie, but I blame the Red Sox and Williams college for my aversion to that accent).

3) Woody Harrelson for best supporting actor.  He was a beast in The Messenger.  But he should lose to Christopher Waltz from Inglorious Basterds.  That dude’s performance was the Heath Ledger of 2009.  Minus the Olsen twins fu-king and overdose.

4) Jeff Bridges nominated for best actor in a drama.  I have not seen Crazy Heart yet, but it looks like The Wrestler, but instead of wrestling, he plays country music.  Sort of like in 30 years when I star in a movie called The Comedian.  Jeff Bridges is a really underrated and versatile actor and although I think he will finally win for playing some racist grandfather when he is 80 years old (think “Driving Mr. Daisy”) it is nice to see him nominated.

5) 500 Days of Summer and Up In The Air getting lots of nominations.  2 of my top 10 movies of the year.  The best Clooney movie ever (finally all the love struck geeks in Hollywood have a legit reason to praise him instead of “loving” his dramatic (boring) movies of the last few years – Good Night and Good Luck, Syriana, Michael Clayton – all good, all overrated).  500 days of Summer is the best romantic comedy/drama I’ve seen.

6) Animated movies.  Really strong category.  2 of my top ten of the year are in this category – Up and Cloudy With a Chance of Meatballs.

Really really great stuff in the animated category – and how long til a porn spoof title: Slutty with a Chance of Tiger’s Balls?

The Bad

1) Eastbound and Down shutout.  I shouldn’t be surprised that the foreign press didn’t nominate it if the American Emmys didn’t, but to see shows like Entourage and Glee (that show has been on a steady decline – with the exceptions of Matthew Morrison and Jane Lynch – from the first episode.  However it has found it’s niche market – gays and girls – sort of like Britney Spears, so it plays to them, but to an annoyingly goofy level that its first few episodes did not have).

2) Two nominations for Sandra Bullock is  two too many.   One for The Proposal – one of the worst films of the year and one for the Blind Side where she combines two of Hollywood’s favorite shallow things – Julia Roberts (an impression of her from Erin Brockovitch) and the benevolence of whites helping blacks be their best.  Admittedly I did not see this movie, but that is because I could not stop puking during the preview.

3) The Messenger is not nominated for best picture.  I thought it was the better of the two war dramas (The Hurt Locker was very good, but I thought the Messenger was better).  Brothers is melodramatic and simple and uses musical score the way one would if they were walking a child through what emotions should be felt during different situations.  Not in the discussion.  But Tobey McGuire’s over-the-top bug eyed performance got an undeserved nomination (speaking of which, why didn’t Bill Paxton get nominated for his hilariously paranoid performance in Aliens back in 1986?)

4) Hung.  Thomas Jane got nominated for best actor in a comedy, making it the first time anyone could consider Hung a comedy.  This was the most disappointing show of 2009 and generated approximately .4 laughs per episode.

5) No nomination for Paul Rudd.  Since the Golden Globes have a specific category for musical/comedy it is extra disappointing that his hilarious, seemingly effortless and incredibly realistic performance in I Love You Man was not recognized.

The Ugly

1) Mo’nique – I don’t like her very much and I can see her being a real diva (just look at the unnecessary apostrophe in her name for starters) once she wins an Oscar, but her performance in Precious on a scale of 1-10 was a 12, to quote one of Tiger Woods’ skanks.

2) Television Actress Nominee Anna Paquin – she’s just not that pretty and I want you to know that I know that.  For God’s sake when Michael Strahan watches True Blood and even he goes, “Damn she needs to fix those teeth.”