Last night I watched the Emmys and immediately felt accomplished because I had seen almost all the shows referenced in the opening dance number by homeless-man’s Adam Sandler, Andy Samberg.  Ten seconds later I felt shame realizing that my studio apartment really is a binge watching bunker.  Samberg went through his monologue, which although full of bombs, did have the gem, that based on new classifications in the nominating categories “Orange is the New Black is now a drama, and Louie is now considered jazz.”  I laughed out loud when I heard that.  But then it was time for the awards.  I gave a detailed preview score sheet on Facebook that proved mostly correct, except for a few pleasant surprises and a bunch of losses to something called Olive Kitteridge.  So here is my Emmy recap and a quick preview of what I think will win Best Drama at the 2018 Emmys.

Veep scores the most important win of the night. Veep is a great comedy that scored its finest season this year (the addition of Hugh Laurie aka House was tremendous – like if the Golden State Warriors had added Lamarcus Aldridge this off season). I believe Veep was the 2nd best comedy of the year (after Unbreakable Kimmy Schmidt), but more important than who won, was who lost, namely Transparent.  I had a genuine fear that the hip, politically timely, offensively hipster led (look up director/creator Jill Soloway at last night’s ceremony – all that was missing was a bonnet made out of kale), and incredibly unfunny (though Jeffrey Tambour is an excellent actor and gave a good, mostly dramatic performance in the show) show would score a victory for politics over actual humor.  With Veep crushing it in most comedy categories, the Emmy voters (which were recently expanded from its usually high brow “blue ribbon panel” voters) send a resounding message that comedy actually matters more than political winds in the comedy category.

Game of Thrones and Peter Dinklage get rewarded for Season 4 by winning for Season 5.  Game of Thrones is a masterpiece of film making on TV screens and Peter Dinklage is tremendous.  I believe that Better Call Saul and Jonathan Banks should have won these awards, but Game of Thrones and Dinklage were both my 2nd place choices in their respective categories.  However, I really think Game of Thrones and Dinklage hit their high water marks in season 4, so this may have been a make-up call for when Breaking Bad is not eligible (Hi also to Jon Hamm – the Hakeem Olajuwon of the Emmys – winning his titles in the absence of the GOAT – i.e. Bryan Cranston)

Olive Kitteridge.  Fine HBO – I will watch it. Thanks for keeping it On Demand.

Inside Amy Schumer  hit its peak at the right time. SNL has been in a low not seen since the Goat Boy era and IAS is both qualitatively good (though the last couple of episodes ran out of steam in season 3), as well as politically well suited to spearhead the “women in comedy” cacophony/movement.  Cool to see someone I did bringer shows with a decade ago get an Emmy.

Kimmy Schmidt Gets Nothing.  I was stunned that Titus Burgess did not win for Unbreakable Kimmy Schmidt.  Legitimately shocked (though Tony Hale is great on Veep, and he gave a shout out to the creator of Arrested Development in his acceptance speech, which always gets my respect).  Also Jane Krakowski continues to go home empty handed.  Then it dawned on me that the lead actress was not even nominated.  I hope the show gets more respect for its second season next year.  On a tangential note – I do not believe shock and tears from winners who already won a year ago for the same exact role – I am talking to you Uzo from Orange is the New Black.

Viola Davis gave a great speech and inspired the next great American show.  Inspired by the Emmys, the speeches and the winners I began feverishly writing the pilot for my new series that will be a diverse tapestry of all things gritty and progressive.  It is about a member of the Bloods gang in LA who is a ruthless killer and has 5 kids by 4 different women, but is really acting like the world’s worst inner city nightmare because he is transgendered and is merely overcompensating for his crippling fear,  The show will be called Blood Transfusion and I expect it to get a 2 season pick-up from Netflix or Amazon.

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