If you read any publication in the last 2-3 years that covers stand up comedy you will inevitably come across terms like “golden age,” thirsty for content,” and “game changer” and often those terms will be proceeded for followed by a reference to Netflix. Netflix, of course, is the video streaming giant that has somehow escaped much of the criticism directed towards other entertainment and Internet behemoths like Facebook and Amazon. So allow me to offer one: Netflix is on the path to ruining stand up comedy. But first let’s look at Netflix and the other factors that have allowed this to happen.
Netflix: Oxycontin for your Eyeballs
In the movie Wall-E, one of the indelible images from that modern day classic is of all the obese people floating on lounges ordering all the entertainment and food they desire without ever moving. The people become lazy, fat and atrophied. I thought the same thing within the last year or two when “binge-watching” a show on Netflix and I noticed the next episode box, the screen pop up that tells you when the next episode will play, had changed from a 30 second window to a 5 second window. It was as if Netflix had realized the greatest danger to their business model could be giving its consumers any time to consider doing anything else. If I were to make any predictions about Netflix in the next 5 years it would be that they will purchase or create a food delivery service that works within your Netflix that allows you to order food in the middle of programming so that something like dinner, that might cause you to leave Netflix for an hour, will be a quaint relic of the past.
Much is made of sites like Facebook that are in the business of maintaining eyeballs. The longer people engage in and look at their Facebook timeline, the more opportunities for advertisers to be viewed. Netflix has a similar business model – keep people watching. In a sense Netflix represents the two most damaging trends in the modern business world: stock price being the sole driver of business decisions and doing whatever it takes to maintain the attention of consumers, regardless of what the costs are.
Before delving into stand up specifically it is worth noting that Netflix is producing a lot of mediocre content. They certainly have some excellent shows (Narcos is my favorite on the service), but multiple times a week it seems like there are half a dozen new shows and movies going up on the service that I will never see, never hear about and never remember. So there is a glut of content. It’s almost a venture capitalist approach to content creation: give 20 people their own show every month and hope that 1-2 stick. Then there is the addictive quality (partially demonstrated by the “next video plays in 5 seconds” pop up) that many Internet companies have exploited, most notably Facebook, to keep people coming back for more. Admittedly I am not a psychologist or a social scientist, but even looking back on my own experience with years of Netflix, there can be no doubt, starting with the “My queue” to today’s “My List” there is a sort of “to do list” quality to Netflix, that I can’t believe is an accident. For Facebook, it is the feeling of getting “likes,” while Netflix provides you with a truly meaningless sense of accomplishment. Given what we have learned about other tech giants, I don’t think it is farfetched to assume a multi billion dollar company like Netflix has studied psychology and manipulation to advance their goal: eyeballs and increased stock value. Basically entertainment Oxycontin.
Stand Up Opens the Door
Stand up comedy has opened the door wide for a company like Netflix, with little artistic integrity and incredibly deep pockets, to begin forming a monopoly of stand up comedy content. First off, it is a third rate art form (I say this as a 15 year stand up comic not disparage the talent in stand up, but its place in our culture). It will never rival movies, TV or music in America, but it is a valuable and important part of our social fabric for sure. But whereas Movies (which have been particularly resistant to recognizing the work of Netflix) and Television have huge infrastructures and many options with which to compete and defeat Netflix, stand up comedy only had a few champions and they have mostly lost their way or abdicated their responsibility.
Comedy Central, built on stand up, is quickly become for stand up comedy, what MTV became for music. There are a few specials each year (thus maintaining their “special”ness) and to CC’s credit, many of them have been very strong (Big Jay Oakerson, Mark Normand and especially Roy Wood Jr), but their Half Hour series, which used to be their signature comedy series, now feels more like an audition process for whatever scripted shows they want to produce. And there are no more Premium Blends or Live at Gothams which represented showcases for new comedians. So the biggest stand up comedy creator and validator seems to have left the building.
HBO has been fairly disappointing, though I did think Michelle Wolf’s last special for them was particularly strong. But this is a network that has the most history and had the most stand up prestige. George Carlin did his specials for HBO. Chris Rock’s first 4 specials (including the GOAT in my opinion Bring the Pain) were on HBO. They had Rodney Dangerfield’s showcases. They had the half hour specials (which came back in the early 2000s with a strong lineup of elite talent), but they too seem to have decided it is not worth their time or money to maintain that elite stamp of stand up.
Showtime, for me, though the bar is lower for them, has been the best at producing stand up specials. Sebastian Maniscalco, Gary Owen and most recently Erik Griffin, have put out the kind of “Oh you don’t know this guy, but you should” level specials. Now don’t get me wrong – any network that puts Nick Cannon’s special on television can never get a perfect score, but their overall level of specials has been fairly strong of late. But they have neither the tradition, nor the infrastructure to compete with what Netflix is trying to do – and that is create a monopoly.
Patners in Crime
I remember several years ago, at least 6, I was contacted by a management company that had briefly represented me in 2007-08. They were creating a side venture from their management business that would focus on albums, producing and stockpiling a library of content. Now the company had had no contact with me for at least 2 years and I had two albums out at the time, neither of which had sold well, so I found it curious that a company that did not want to manage me still wanted to make a deal for the rights to my albums. I thought it over and said no. Fortunately for me, maintaining the rights to all of my albums has been a financial windfall since the explosion of satellite radio in comedy. The company, which was an offshoot of New Wave Entertainment was called New Wave Dynamics when I was contacted. They have since developed, if I am not mistaken, into Comedy Dynamics, whose logo you will see after many, many specials (I think 3 Arts is the only company I see with close to equal frequency). And my hesitancy early on was justified – I believed they wanted my content, not for its individual value, but because in the aggregate they would be able to bill themselves as industry leaders and also reap the coming whirlwind of streaming royalties. I may not have the career I want, but I still have some decent royalty checks.
Netflix would not be able to do what they are doing without willing partners and these few companies that have built up enormous rosters of clients see that their is an ocean of money to be made when a whale like Netflix is in the room. So that incentivizes overproducing. Businesses never leave money on the table if they can help it, so with Netflix (and other places offering quixotic competition) needing to constantly feed its content machine stand up specials will be made at a rate that will diminish the meaning of the word special. Of course there are many talented comedians getting produced by these companies as well, but there are way more specials than great comedians and I do not remember that being the case when I was a kid or a teenager. A “special” connoted something, oh what’s the word… special? But now you have Netflix and production companies working hand in hand to diminish and devalue the art of stand up comedy. And who is going to say something? Netflix? The production companies? The comics getting paid exorbitant amounts? And that is why Netflix has a perfect business model and an atrocious artistic one. Stand up is not big enough for people to care about “the art” or the awful economic conditions for the rank and file within the business (a middle act at an A club is getting the same pay as a middle act at an A club 30 years ago) and stand up comedians are getting too rich at the top to stop it from within.
Netflix recently announced that they would be launching 47 comedy specials on the same day in 2019. Presumably this would be on top of their 1-2 specials they launch every week (not sarcasm – this is their model). They have also launched their own half hour series and just released a batch of 15 minute specials. In other words, if overproducing comedy and diminishing the word special were not enough; if replicating the mind fu*k tactics of Facebook were not enough, let’s just embrace YouTube and Twitter’s diminishment of people’s attention span and start producing lots of short “specials” as well. And it is not just the volume – it’s unwritten rules that are violated too. It used to be when you performed a joke on television, that joke was now retired, at least for future television appearances. I have seen comedians do the same joke on multiple platforms. Stand up comedy is easier when you don’t need new jokes for every appearance. Then you and your manager can reap the benefits of getting double or tripled paid for the same work. The expansion of stand up comedy to include one person shows has also been a hallmark of Netflix’s explosion. Stand up comedy is harder than spoken word because in stand up you are expected to make people laugh with a fair amount of frequency. In spoken word and one person shows humor is a pleasant surprise, not a feature.
From a business stand point, the real genius of Netflix has been in overpaying dozens of stars. The people with the most clout, the most fans and the most power are the first ones you need to buy up because then you will have both artistic cover (hey how can we be bad for stand up we have Chris Rock, Dave Chappelle, Amy Schumer and Bill Burr?!) and have secured the cooperation of the loudest voices in the art form. But if you diminish what a comedy special is, both in quality and quantity, there will be a trickle down effect – less incentive to go see comedy, less refinement in what the general audience perceives as good comedy, etc. This, of course is in the aggregate and impossible to prove now, but I have seen smaller and dumber audiences as my career has gone on (and since I am not the headliner it cannot be blamed on my anonymity).
Artistically, Netflix seems to be content being the McDonalds of comedy, which would be ok if they weren’t also putting the steak houses and seafood restaurants out of business. And there is really no critical check on stand up comedy. Some websites put out reviews, but is there a Rotten Tomatoes for stand up or a Roger Ebert for stand up? No – and the reasons are fairly simple. Stand up comics are more sensitive to criticism and the people that do cover comedy tend to be people who want access to comedy. And in a smaller world than Film or TV, trashing specials is a surefire way to see yourself on the outs. Most lists of best specials feel more like PR lists that were fed to websites than any real critical evaluation of the art. And Netflix, which used to have a 5 star rating system for viewers just switched to a thumbs up/thumbs down system. This was partly in response to a troll campaign to hammer Amy Schumer’s last special (though compared to her earlier work I did think it was weaker), but also what incentive does Netflix have to showcase lots of specials with bad ratings? None. So it makes sense to eliminate one of the few internal ways people might decide to skip your specials.
The Netflix business model will not fare as well in other mediums. Many of their movies suck and the movie business seems ready and able to resist a Netflix takeover. Television as well has a lot of talent and infrastructure to fight. When Netflix signed Ryan Murphy to a $300 million dollar deal and Shonda Rhimes to a $100 million dollar deal I laughed because both of those legendary creators have probably put out their best work already. No matter how big a genius, I doubt either of them has 4 or 5 great shows left in the tank, considering their strong bodies of work that have exhibited downward trends. But Netflix’s approach is to collect talent, no matter the cost, in the hopes of having a monopoly. The one area where that will work is stand up comedy. No one can really compete with the money they throw around and stand ups represent a completely disunified labor force. So Netflix definitely has the power to control all of stand up comedy in the next 5 years, but as they are slowly proving they also have the power to ruin it. And I don’t think there is a will or awareness to stop it.
There is a comedy boom going on. That is a great thing for some comedians, but with the numbers of comedians in American swelling to astronomical numbers, some comedians are going to extreme lengths to get a leg up in the business. And the clubs, Netflix and writers’ rooms are taking notice. Here is my special report from the 2018 Comedian Combine:
Sunday night I went to see U2 in concert at Madison Square Garden. The tickets were a birthday gift from my girlfriend. I pulled a podcast Trojan Horse (mentioned U2 as a bucket list band I would really like to see on a podcast episode, which she listened to and then purchased tickets for me – not quite a Patreon account, but basically the same result). In a stroke of cosmic bad luck turned good luck, my phone was broken (I have a special endorsement deal with Sprint where they don’t charge me a lot and in exchange for that I get terrible service and hardware #ComedyMogul) so I was forced to enjoy the concert with nothing but my eyes and ears (at events like this I am not a “take video and selfies all concert long” person, but I do like to keep a comedic commentary for my 17 fans nationwide. Instead I just told my girlfriend to take a photo any time something humorous occurred to me. Not having a cell phone at an event is a rather liberating thing and really draws attention to how much people use them at events.
First thing worth noting is that Anthony Bourdain is not dead and is playing bass for U2:
By way of introduction I am a big U2 fan. I own more U2 albums than any other band or artist (my own 6 albums are a distant second) and am a big fan of their recent work (the centerpieces of the tour “Innocence and Experience” are their 2013 album (the free one that everyone complained about. A great sign that Trump was heading our way was the outrage people felt from one of the great bands of all time giving away a good album for free on their iPhones and iPods) and their 2017 album, which is outstanding. The set piece for the show was a weird one which guaranteed great seats and awful seats for everyone in attendance at some point during the show. As far as the music, they played about 6 songs off of the new album, one off of the free album and at least a dozen hits from between 1982 and 2006 (nothing off of The Joshua Tree (probably because they did a 30th anniversary tour for that album last year) or No Line on the Horizon, the only blemish in the last 18 years of U2’s output in my opinion.
The surprise of the night for me was “The Blackout” (off of the new album). It was the 2nd song of the night and possibly the best performance of the whole show. I liked the song on the album, but it really rocked (thanks largely to Anthony Bourdain’s jacked up bass). On top of that they were performing it within the screen shown above, which created some cool visuals.
Another highlight, and the one time Bono’s political talk coincided with great art was when he played “Staring at the Sun” off of Pop (one of two albums between their greatest work, Achtung Baby, and their return to form in 2000 with All That You Can’t Leave Behind that I didn’t buy), set to a backdrop of alt right videos, which then transitioned into “Pride” and videos of MLK Jr and modern protests.
The band was outstanding and the encore was phenomenal (“One” off of Achtung and “Song for Someone” off of the new album). The Edge, Larry and Bourdain (Adam Clayton) were all outstanding, but Bono, who is always going to be the face of U2, has reached Mick Jagger levels. And by that I mean he can’t dance to his own music, but the music is so great that you don’t really care. Bono moves like the uncle who tries to tear up his niece’s wedding dance floor, but just looks goofy.
But if you are thinking, “But J-L, where are the complaints?” Well, just one, the annoying millennials in front of us, kept standing and blocking the view. No one said anything when one woman was dancing (I keep landing behind that one woman at concerts who dances, but not really for the music, but just so people can see her dance), but then they would just stand absent-mindedly, blocking our view. But otherwise – a phenomenal show.
It is Sunday morning in the Beaver Creek, Ohio Panera Bread as I write this. Because I will be on a 16 hour Greyhound bus ride tomorrow I will not have access to Internet (or personal space and drinkable water) all day tomorrow so the road recap goes up this morning. Besides, with most of Ohio presumably staying home tonight to watch the GOAT Lebron James, I assume tonight’s show will not warrant much consideration anyway. This was my first time to Dayton giving me all the Ohio comedy merit badges (Cleveland, Cincinnati, Toledo, Columbus were already completed) so this will be chock full as I recall the loss of my Dayton virginity. And like so many of these recaps it begins with a travel story full of pain.
Greyhound to Dayton
I do not like flying. I don’t have a crippling fear, but I do not like it. And I have not been on a small plane (smaller than a MD-88 and usually not smaller than a 737) since 2009 when I did a gig in Destin, Florida. We transferred in Atlanta for a 50 seater to go to Fort Walton Beach, FL. It was a beautiful, sunny day and it was one of the bumpiest flights of my life (raising the question – WHAT THE FU*K ARE THESE PLANES LIKE IN BAD WEATHER?). Additionally, the size of seats on those planes are slightly less roomy than overhead baggage space. So I just decided that when I can’t travel on a normal sized plane (737 or bigger) I would go via other means, which means my beloved Amtrak (I am known as “The Joe Biden of Amtrak riders you don’t give a shit about” in rail transit circles) or Greyhound. Well, at $120 round trip and 16 hours Greyhound beat Amtrak in both price and time so that is how I travelled.
My bus left Port Authority bus terminal at 9:15pm on Wednesday night. I was loaded up with healthy snacks, podcasts and a hazmat suit for the 15.5 hour journey. I probably slept a total of 90 minutes during the journey, but I had my own seat for most of the trip, which was the best case scenario. And I smelled only 2 farts throughout the journey. Neither were mine.
When I arrived at Dayton I ordered a Lyft. This is what transpired next:
My Lyft driver was a 67 year old black man that gave me his Motown cover band’s card when I told him I was a comedian. Turns out his group, Touch, finished 3rd on an NBC show hosted by Nick Lachey, so you know a trip is off to a bad start when your Lyft driver in Dayton, Ohio has more entertainment juice than you do. I arrived at the club around 1:45 and got walked over to the comedy condo.
In stand up comedy there is only one C word that offends comedians and that is “Condo.” If you, as the middle act, get a hotel you have won. There is usually a minimum standard of care delivered by even the crappiest of hotels, but a comedy condo can range from “Hey this is solid!” to “Hey, this comforter is solid frozen with other comedians’ semen!” Well, the new standard for comedy condo excellence has been set by the Dayton Funny Bone (suck on it Rivercenter Comedy Club in San Antonio – the awful condo since abandoned that resembled the bug room in Temple of Doom – and the subject of a blog that got me banned from there). The apartment, which is located in a new building in the mall where the club is (literally a stone’s throw from the club) is basically a slick 1 bedroom loft type apartment with a full cable package (all the HBOs, etc). It is pretty much a better set up than 95% of hotels, so good job Dayton FB! It allows me to creepily spy on patrons of the club:
For dinner I went to The Cheesecake Factory, located a dangerous 400 feet from the condo (it is the preferred restaurant for NBA players and NBA-sized middle acts) and then I went to the club. Thursday’s show went well, sold a few albums, watched the first half of Game 1 of the NBA FInals (I could not stay up for the JR Smith debacle because even my love for Lebron must succumb to 90 minutes of Greyhound sleep.
Friday: One Good Crowd
Friday I went to LA Fitness and got swole AF. I also went to the Cheesecake Factory again (I went with a sensible dessert of Vanilla Bean Cheesecake, which is one of the lower calorie cheesecakes they offer at only 13,880 calories per slice). I watched the outstanding season finale of The Americans (thanks for not spoiling (*watching) it Black Twitter!) in Panera Bread and then, just like that, it was time for two shows at the Funny Bone.
The first audience was so so. I know that because when I was selling albums after the first show (right outside the bathrooms like some African bathroom attendant offering you CDs instead of cologne and breath mints) two young guys came up to me, bought the albums and said “We want to be comedians and I don’t know what was wrong with that crowd. You were awesome.” This proves that I perform to the back of the room, even if they are just in comedian fetus form. The second audience was awesome – they were a smaller crowd, but they bought a lot of my albums, which after 15 years (June 2nd was 15 years since I picked up a mic at the Takoma Station Tavern in D.C.) is the cynical way I judged the quality of a crowd – you can boo me, but if you buy my albums you are a good crowd.
The only blemish after the first audience was a black who came up to me and said “That ain’t your race. (proceeded to touch my hair) Nah – show me your stomach hair. Niggas got nappy stomach hair.” Now, as I have said, if I wanted to use the N word (which I don’t – there goes my shot at a Trump cabinet position) I could make a legal case in N Word Court (my new show I am pitching) presenting DNA evidence, a picture of my father and my Sprint Mobile bill as compelling proof of my half-blackness. However, I have lived my life as an HGH infused Adam Sandler with a tan so even if the N Word Constitution accords me a right to say it, in the real world I do not have license to use it. My point is writing this is that I tell my story not to take liberties with language or to “get away with” saying things. I tell my story because it is my story. But increasingly (and I have noticed a lot more skepticism in the age of Trump from black people, just like many more white people commented and asked about my race after shows during Obama’s presidency) I am having these uncomfortable interactions. My theory is that under Obama, white people were wondering if I was cashing in on the cache of being bi-racial (if they can’t be cool then why should this Italian looking guy get to be), whereas black people have been saying a lot more things to me since Trump’s election – perhaps wary of whether I am a racial and political ally or just someone trafficking in race. But whatever the case, don’t touch my hair! #BlackGirlMagic
Missed References, Guns, Thots and Prayers: Saturday
Saturday I went to LA Fitness again and got even more swole AF. I emailed the cast and crew of Comedian Combine the final script (filming June 16th – this will be one of my best sketches) and then walked 2.5 miles to the closest Catholic Church for vigil Mass. Now the weather was beautiful, but it was also 80+ degrees and after a while 2.5 miles starts to get super hot. I arrived at Church looking, as I often do in summer months, like an ISIS operative having a panic attack. Another weird thing about the Church, was the demographics of the attendees. Not an exaggeration – there was one beige dude (me), 4 Asians and about 800 extremely white people. I have noticed this more and more on the road and after reading Richard Rothstein’s The Color of Law (which made my last blog – my recommended U.S. History reading list) I can’t help but think of the historical shame of how segregated our cities are (and how the book thoroughly explains was done by design at the highest levels of federal and state government, in addition to local and personal prejudices that created, and sustain, a world of white middle class wealth). I wanted to ask the people around me “Don’t YOU think it is weird that EVERYONE looks the same in here?”
As I walked back from Mass I stopped in a Wendy’s for a chicken sandwich. It was just me and these two people:
Coupled with my Mass experience I almost want to ask “If you moved to a town without scary minorities to feel safe, why the need for the gun you paranoid, fat Nick Offerman-looking cuck!? Al Qaeda is not coming for you, no matter what your Greyhound Bus Depot security thinks (see video above). And you probably have zoning laws that would bar people that have the same skin color as people in MS13 or the Crips from moving here. Besides I could take that from you if I wanted to – I AM THE CAPTAIN NOW!” During my meal two girls came in and ordered food and then one proceeded to sit with her bare feet on the seat and I thought, “Excuse me Donald Glover, but THIS IS AMERICA – an old, scared white dude with a glock on his side and a millennial putting her bare feet up in a restaurant.”
The first show went OK that night, but in the same set I made an Alex Jones reference (and then polled the crowd and only 1/3 had even heard of him) and a Nino Brown reference (and only about 7 people knew what I was talking about) in the same set and thought America’s ability to get references has to be somewhere between those two, but alas it was an epic fail. I also made a Rocky IV reference on the late show and almost no one had seen it. And they call themselves patriots?
I went back to the condo after the first show to upload the video to my computer and by the time I got back to the club everyone had left (the headliner did a shorter set than he had been doing) so I sold nothing after the first show. Fortunately the late show would be the best crowd (only heckling I got was on the late crowd, so they sucked under normal definitions of crowd quality, but as I wrote earlier, albums sales are the sole factor determining a crowd’s quality form here on out). I did get a good new bit, as well as a pop culture phrase I have invented. Enjoy “”Tater Thots”:
As my set was winding down I started going into my bit about how it is tough to ask a guy to settle down in 2018. A bit that has been doing well for me and was 4/4 in Dayton, but then some dumb, attractive woman and her tatted up, sleeveless shirt, dip swallowing boyfriend/man/friend decided to chime in (I think she was also a Trump supporter, so let’s just use another one of my linguistic inventions – she was a Trunt). I do not hate stupid people. They were stupid based on their support of Trump and their inability to understand the premise of a joke. But they were confident stupid people and I hate those mfers. So I aborted the joke, but I think it helped propel album sales because when I made my self-deprecating album pitch a black man yelled out “We Got You!” and I thought “I don’t believe in Wakanda Forever, but perhaps today we are all Wakandans!” I sold well after the show and even gave two black men (I believe one of them was the man who shouted his support) and their dates a breakdown of their relationships as Trump (I gave my endorsement to the black man dating a black woman, but told the black man dating a white woman that I did not approve, which had them all laughing). I then went back to the condo to find The Dark Knight was on. I stayed up til 2am watching it because it was only Wakanda for a day – it is The Dark Knight forever. And here is a beautiful shot of Beaver Creek I took on my way to Church:
As promised on my podcast this week this blog is my recommended reading list for the third era of United States History. I think U.S. History (so far) has had three great and co-equal eras. The first is the American Revolution, when the United States became a nation. The second is the Civil War, when America freed its people. And the third, a longer era, is the struggle for Civil Rights that fought and continues to fight for the equality promised, but not delivered, by the Declarations and Amendments of the first two eras. I have been wanting to write this for a while, but wanted to finish the books related to the topic before compiling this list. I was also recently inspired to do this by something I heard on the Adam Carolla Show. I am a big fan of Carolla and have been a guest numerous times on his show. I agree with many of his views on day-to-day life and find him to be an incredibly quick and sharp wit, but politically, and on racism’s role in America, I am often nearly a polar opposite to him. Breaking this down will require another blog post (or appearance on his show), but on a recent show he played a Morgan Freeman interview clip where Freeman said he did not think Black History Month should be a thing because Black History is American History. Of course this quote was used by Carolla as a way of saying “See, dividing by race only perpetuates problems,” but I believe part of Freeman’s point is that the story, struggles and contributions of black people are central to American History and should not be treated as some niche branch of American History and perhaps Black History Month is a copout that allows people to deny the centrality of Black History to American History. At least that is the way I took it. And as I have said on my podcast, I feel that the civil rights struggle and Black History should be considered a co-equal of the first two major events/eras, but often feels like more of an elective course than a core requirement.
The list I am going to post also feels necessary in an era of Trump. He is a man with poor reading skills and an apparent aversion to reading itself (he needs “killer graphics” for even important national security briefings), a disdain for facts, an ignorant and bigoted view of minorities and history and a willingness to use racial animosity to exploit, manipulate and exacerbate anxieties and hostilities among poor and middle class white people. So although I know most people who would be willing to read these books might be people seeking confirmation of things they already believe and/or know, the folks who should really read this are those who believe the myths on race that we learn in schools and are told from mostly “conservative” politicians and thinkers. If you read at a moderate pace like myself this list could take you a year to complete but I think it is worth it. So, without further adieu here is the list in recommended order:
Stamped from the Beginning: The Definitive History of Racist Ideas in America by Ibram X. Kendi
The National Book Award winner for History provides an epic scope of how racism developed and evolved in America. In early cases racism was a justification for policies (like cheaper labor) rather than the starting point of people’s beliefs and then of course, evolved into culturally held beliefs that had to continue to evolve to both maintain white supremacy and justify poor treatment across the spectrum of American life of black people. The book also examines how some heroic figures in American history, both black and white, held compromised views that were moderately racist (one broad example of this – believing slavery was wrong, but that black people were not endowed by their creator with the same abilities as Caucasians) and how this two steps forward, 1.5 steps back dance with America and race persists to this day, perpetuated at times by black leaders’ desire for accommodation and compromise and not just white supremacy and hate.
Grant by Ron Chernow
A phenomenal biography about the hero of the Civil War and the only President in the 80+ years until Lyndon Johnson occupied the White House to use the power of the federal government to affirmatively push for full equality of black people. The bittersweet tragedy of this great book is that Grant showed what was possible if the North and Republicans had stayed vigilant to protect the rights of blacks and how Grant saw the terrible future that awaited black citizens once he left the White House due to Republican and northern fatigue over the “Race issue.” Obviously a lesson not learned well by America if you look all the way back to the 2016 election.
Slavery by Another Name: The Re-Enslavement of Black Americans from the Civil War to World War II by Douglas A. Blackmon
This Pulitzer Prize winner explores how during and especially after Reconstruction the South and major industries used the criminal justice system as a way of using thousands of Black Americans to work as free labor (at times even worse than slavery because prisoners working for free did not give employers the same incentive to preserve the health of the labor as they would have had they been owned by the employer). There were heroic efforts by some US Attorneys (Warren Reese Jr. is the particular hero of a good portion of the book – the son of a Confederate who becomes a passionate fighter for stopping the new slavery in Alabama) at times to investigate and stop this, but companies like U.S. Steel still reaped enormous profits knowingly from slave labor. Reading this book made it laughable that someone could think there is NOT a case for reparations, at least for those able to prove definitive links to these laborers.
Devil in the Grove by Gilbert King
This Pulitzer Prize winner follows a pre-Brown case of Thurgood Marshall in Florida (and after reading this book you will not have to ask me why I did not want to see the hip hop swagger-inspired (from the preview at least) Chadwick Bozeman interpretation of Marshall). In an era full of depressing and heartbreaking stories and histories, this book was especially gut-wrenching. The story is a familiar one of black WWII veterans returning to the South and earning the resentment and hostility of poor whites. A false rape allegation and an impossible fight for justice are the main points of the story, but when you hear about a father forced at gun point to watch his son jump to his death or an NAACP worker named Harry Moore, a Florida Civil Rights worker assassinated in 1951, you realize you have not learned nearly enough about this era. This is not a book with a happy ending, quite the contrary. It is impressive for the depths of despair it will make you feel.
American in the King Years (trilogy) by Taylor Branch
This 2000+ page trilogy has won most book awards between the three volumes (Parting The Waters won the Pulitzer, Pillar of Fire & At Canaan’s Edge). These books cover the Civil Rights struggle from 1954-1968 and the big takeaway from them for me, other than the great and important history, is the number of American heroes that I had not heard of. As I have said on my podcast, the fact that many school kids could probably name as many Confederate generals as Civil Rights heroes speaks to a horrible deficiency in our collective education. Of all the names I learned about in these books, the one that stuck out to me was Bob Moses. The man was basically a one man voter registration drive in early 1960s Mississippi. That would be like being a one man gay marriage advocacy group in Taliban-controlled areas of Afghanistan and Pakistan. And I don’t make that comparison to be funny – reading these books you realize that the 1960s South (and plenty of the North – as MLK Jr said “Chicago could teach Mississippi something about hate” when he worked to eliminate housing discrimination in Chicago) was nothing short of White Christian terrorism. This is a decade where both of my parents were adults, not some far off time with horses and carriages.
The Color of Law by Richard Rothstein
This book from 2017, that I just finished, breaks down how throughout the 20th century the federal and state governments were instrumental in developing and augmenting black poverty and black ghettos. It is too often viewed as an issue of individual racism and black failure for housing blight and poverty, but Rothstein breaks down everything from the New Deal to present day to show that discrimination against black people created and exacerbated poverty and housing issues in the black community, allowed for white middle class people to build intergenerational wealth while also preventing black families from doing the same. While many of the other books on this list give historical perspective that is valuable, this was the first one on the list to show how today’s problems have historical roots that persist (for anyone who wants to act like the 1940s, 60s, 80s and 2000s exist in some vacuum). Individual racism has a mighty role to play, but based on the substantial role that government has played (and now continues to play) in creating a segregated society both in geography and wealth, the government has a Constitutional obligation to put forth remedies.
Locking Up Our Own by James Forman Jr
The most recent National Book Award winner examines (as sort of a companion to The New Jim Crow) the role that the black community and leaders had in stablishing the world Michelle Alexander discusses in her book. What is interesting in this book is that poverty, drugs and guns represented epidemics in the black community, and contrary to the “What About Chicago?” fake concern of Trumpists, the reason for some of the worst punishments affecting black people in the criminal justice system are because black leaders and communities felt desperate enough and fearful enough to co-sign draconian measures. However, what the book also points out is that leaders of both parties, though significantly more Republicans, would listen to black leaders ask for an all of the above approach (tough on crime, more education and job opportunities, etc.) and only latch on to the first, while cutting benefits thus exponentially increasing the problem – more black people in jails couple with less opportunity than before.
The New Jim Crow by Michelle Alexander
A great book that examines the use of the criminal justice system to continue the subjugation and lower class status of black people in America. If you have made it this far in the blog than I am guessing you have heard me or dozens of other people discuss this book.
American Tapestry by Rachel L Swarns
Disclaimer – this book is written by my sister-in-law.
This book traces the roots of Michelle Obama all the way back to slavery. What it shows in (if my recollection serves me – 5 generations?) is that in America anything is possible (“Yay” – conservatives), but also shows how it took not one extraordinary ancestor, but many extraordinary leaps to go from slavery to the White House. Steps that would not be needed or required for white Americans. Of course, anyone getting to the White House is extraordinary, but I remember thinking while reading the book (admittedly several years ago) “If any one of these people slips up, or gets killed, or any number of things that would have been far more commonplace for black people than white people, then Michelle Obama may not be here at all, but certainly not in the White House.” And I guess that is why I included it on the list, because it has an enjoyable narrative and an even more important narrative lesson – Anything is possible in this country, but you must acknowledge that it was and still is harder for a black person to achieve that opportunity. And once that is acknowledged then maybe real change can be had for all and not just the exceptional.
One of the keys to success in stand up comedy, after having management, having lots of followers on social media, being under 30, projecting a false air of confidence, having other talents and avenues to success besides stand up comedy and talent, is having meaningful engagement with your fans. I was in Hartford this weekend (technically I am still in Hartford awaiting Sunday’s final show, but with day job work looming tomorrow morning I wanted to get this written now so that the 80-200 readers I have would not be deprived of a prompt recap) where I have a solid and loyal fan base of 5-9 people. But these are album recording attending, ticket purchasing, movie review watching, podcast listening sons of guns and I am having a hard time convincing them my career is a complete dead end – WOOOOOO! (Ric Flair for those who have no idea why I wrote this sentence like this) so I must keep them (they are basically the Rod Tidwells to my Jerry Maguire – “SHOW ME THE PUNCHLINES! Congratulations J-L we will continue to be your fans”). Before a breakdown of the weekend specifics here is what I gave to my 3 fans +1 spouse that showed up this weekend:
Thursday – gave Jacquelyn a hug though she bolted to allow me to (try to) sell merch. She came with her sister to my last album recording.
Thursday – Jon also shows up – he has been a fan since my 1st appearance in Hartford in 2010 (I had a 5 year stint in Funny Bone prison when I was not given a week of work from April 2011 until mid 2016 (basically this will go down as the Ted Williams going to WWII or the Ali getting stripped of his belt in his prime of stand up comedy – 5 years of being exiled from the largest chain of clubs when I could still have been considered a “young comic” for part of it and networked and met dozens of headliners all while getting money and stage time) because a few morons in Des Moines gave me bad reviews (even though it was still one of my best weeks of CD sales – perhaps it was my 10 minute story about the woman who kept calling me a fa**ot via email because I wouldn’t invite her to my hotel and was still emailing me during the show because she was at a bar next to the club story that did it #ComedySexSymbol #FunnyBone #PsychoSkank). Well Jon is a huge movie fan so I went with him after the show to see Deadpool 2 (enjoyed it and was thrilled to see the Freddie Mercury trailer – I would give the trailer a best pic nomination).
Saturday – Keith (and his wife, +1) came to the early show and I forgot to call a buddy of mine in LA because we talked for about an hour (sorry Nick, but 4 comedy fans are more rare than my 9 comedy friends, but you are still a valued member of my failing comedy career team #SquadGoals). I brought Keith a hard copy of Keep My Enemies Closer because the last time he saw me at the Hartford Funny Bone he said he had lost his copy – it was the only CD stolen from his car! #ComedyKnowledgeableCarThief
The lesson of this long preamble is that it pays to be a comedy fan of mine – you get hugs, movie dates and albums just for prolonging the ebola riddled corpse I call a comedy career. Ok, let’s do the more specific breakdown.
Travel & Accommodations
I took Amtrak up to Hartford on Thursday and immediately found myself enraged. I got on the train, secured a seat and got up to put my bag above me. Just then, the man sitting across from me jumped up and put his suitcase above my seat as I was preparing to put mine up there. Most people, including me, have tics and weird things they do. But like religion, masturbation and bare feet, I prefer to keep those things outside of the public accommodations of travel. So I looked at the guy and asked “Is there something wrong with your luggage space?” and he replied that he “can keep an eye on his bag better if it is there.” Does this assume Tom Cruise is going to Mission Impossible your suitcase by hovering above you? And even if he did that you would know because I would be screaming “G.O.A.T.!!!” at the sight of TC. I was very tempted to pull a TJ Miller and call in the bag and behavior as suspicious, but instead I just sat and steamed. And then, despite 20% of the car still being open a woman asked if she could sit next to me, the largest human in the car. Of course she was a white woman over 70, which if you have read my long distance travel blogs you know that I could probably become the Jon Voigt of an Amtrak-Midnight Cowboy if I wanted to with how many of these old ladies like to chat me up. I think some people claim to have old souls, but I have an old, crotchety and bitter soul so I think it comes off more attractive and authentic to these golden girls.
The club manager piced me up at the train and drove me to my
hotel motel, America’s Best Value Inn. From the exterior I thought “well if it is any more than free there is no way it is the ‘best value.'” However, my room was actually quite solid and a great flat screen tv, that had a remote that worked like a real remote and not a “20 seconds of ‘did I turn it on’ delay for no reason” hotel motel remote. The hotel motel manager told me at check-in that if I wanted service I needed to open the shade so they knew to help me. As Ben Franklin once said “Those willing to give up room service for security deserve neither.” If you can’t tell from my Midnight Cowboy and Ben Franklin references I am slowly morphing into a real-life version of my new Righteous Prick Podcast character “Beige Dennis Miller” and when I tried to recall the room service story Thursday night it fell flatter than a Larry Nasser patient cha cha cha (damn it STOP Beige Dennis Miller!). “Can they not invest in three cent placards that say ‘do not disturb?’ Instead I have to resort to old time spy tradecraft to get my towels changed?” I think it was the general silence and realizing I had said “tradecraft” when I realized I was finally becoming Beige Dennis Miller. But to be fair – to the average comedy club audience these days anything beyond weed and jerking off starts to feel high brow.
Merchandise Is Dead… Almost
Only Friday’s late show seemed openly hostile to me, but CD sales basically reflected 5 (and counting) audiences that hated my existence. Now my post-show handshake game was on point, but I only made one sale Thursday and 5 on Saturday (between the 2 shows). And all joking aside – these were from crowds that liked me! A few factors affect this – the headliner, Chris Porter, was selling his DVDs, so naturally that will eat into the merch sales of “the middle guy.” And most people will say “no one buys CDs anymore.” That is true generally, but up until late 2017 I was selling really well so something else feels afoot. I don’t know what it is other than God’s 988th sign that I “should quit while I am behind” (credit for this quote belongs to Coach Kreso – football coach and high school gym teacher at my high school.
Another feature of my road work is my weekly journey to America’s Catholic Churches. The closest one to my
hotel motel was St. James (#Lebron), which was 3.1 miles away. And as fate would have it, Sunday was, by far, the hottest day of the week so I ended up sweating substantially by the time I arrived on time for 11am Mass. I looked like a black Baptist preacher when I walked in because of both the sweat and the fact that I looked like the only person in attendance who wouldn’t turn into a lobster in the Sun (actually there were 3 black people and 4 Indian people giving the Church a 3.5 black, 4 Indian and 277 bleach ethnic breakdown). Mass was good, though nothing compared to the Voice of God in Tampa (though the Choir was very good and they even had a horn player, which I consider acceptable, unlike Church bands with full on rock band components). It is OK to have a little Chicago in your Church band, but you cant go full Journey.
So that is all I have for you this week. I am taking Greyhound home after the show tonight, so really the only possible news from this point on relative to this road work would be some sort of horrific incident on the bus or at NY Port Authoirty at 1am. I will give my girlfriend my wordpress password so she can amend the blog in that event. Otherwise, just enjoy this new clip from Hartford and have a good week!
This week took me back on the road to Albany, New York, home of grey skies and the Albany Funny Bone. The week has been unique for its general lack of eventfulness or even humor derived from awkward or uncomfortable circumstances. Some cuck once said “The opposite of love is not hate; it’s indifference.” Now I believe that he was completely wrong, but assuming Elie Weisel was correct, then Albany has had very little love for me this week. I am writing this just before the final show on Sunday, so that should demonstrate how little I feel another show will change the tenor of the weekend.
I took Amtrak up on Thursday drenched in sweat. I was lugging a suitcase and a backpack and also a small bag full of CDs for sale. And it was 90 degrees in NYC. So by the time I settled into my seat on the train I had the brown complexion and sweaty gloss of someone who was nervously preparing for jihad. The train made it to Albany on time and I was picked by the manager and taken to the Hampton Inn near the club.
The Thursday show was a smaller crowd, but I ended up making two sales and offending no one. I figured that was a good omen for the main part of the weekend – the two shows Friday and two Saturday. And like every other business instinct I have had in 14 years, 11 months of performing stand up comedy, I was mistaken. On a bright note I shared a brief clip of myself on Twitter the next day and Jim Gaffigan liked it which then propelled it to well over 10K views. I have never worked with the great Gaffigan, but he pays me a compliment or shares some piece of my comedy content a few times a year, which makes me think we will never work together, but out of respect he will be the celebrity that pays for my funeral.
Friday’s early show was fantastic. Big crowd, big laughs, zero sales. And almost no acknowledgement – in an age where it feels like more and more audiences care about the fame level of the people performing, being a middle act has begun to feel more like club staff than one of the entertainers in terms of post show reception. And I would admit it if I were having bad sets, but these are the reactions after killing sets, which makes it all the more disheartening.
The late show Friday is often the show that is most predictably terrible. It is usually people who have had a long work week and decide, “Hey, can we drag down any struggling entertainers with us?” This late show was no exception. And they were led by an older drunk lady (she was the type where you didn’t know if she was a 38 year old who had been through the ringer or a 55 year old who was just taking a break from banging her middle school students in northern Florida. She had the orange complexion of a woman who either tanned too much or had just finished tossing Donald Trump’s salad (hence my nickname for her, “Trunt,” as in Trump/C- you can figure it out). She was loud, drunk and threw the show off repeatedly. And even worse, she spent 15 minutes after the show at the headliner’s merchandise table repeatedly saying “Oh my God, they hated me – I was getting reprimanded!” in that way that let’s you know she didn’t actually feel bad – she just wanted to remind everyone that there had been focus on her. In better news, one couple bought the three albums I had for sale. And making the evening a complete disaster was the Utah Jazz getting annihilated by the Houston Rockets in the western conference semi-finals.
Saturday I got up early, eager to change my luck. So I GPS’d the nearest gym, which was a Planet Fitness 2.6 miles away. I started walking figured that walk would be a good warmup before some light exercise and ice cream sundae eating at America’s most embarrassing gym chain (pizza day and bagel days are real things at PF). When I was .6 miles away all roads disappeared. Much like a lot of fat America, New York above New York City apparently becomes a place where you need to drive everywhere. So I walked back to the hotel, gathered my computer and went and finished my next YouTube masterpiece (142 views at least), “Comedian Combine,” which should be filmed and launched in June. I then made my way to All Saints Parish for Saturday evening Mass to pray for album sales and Donovan Mitchell’s jump shot.
Saturday night I had two great sets and sold zero albums. I went back to the hotel and had a chipwich and promised myself that if I experienced this disappointment another 322 times then I might have to call it quits on my comedy career.
Sunday I made a guest appearance on The Black Guy Who Tips podcast and then went to Dave and Busters with the headliner Dale Jones. We got a Lyft from the hotel because it was raining and here is the conversation we had with the driver:
Me: Just two grown men going to play video games.
Driver: Haha well it’s a good day to do it. Where you guys in from?
Me: New York City
Dale: Los Angeles
*brief pause where driver realizes how weird it is for a 39 year old man and a 48 year old man to be from opposite coasts meeting up to play video games at a shopping mall. Moment of contemplation if this is a new tactic used by closeted married men and wondering if Albany is a new hotbed for down low activities #TheNewAtlanta*
Driver: What are you guys in for?
Dale: We are both performing at the Funny Bone.
Driver: OH! (puts away Grindr app)
So we played some video games, ate some Pizzeria Uno and now I am back writing this masterpiece. Tonight I have one show, but cannot stay to sell CDs (HAHAHAHAHAHA) because my train is at 9:15. So if all goes well I will have a good set, get on the train and watch the Utah Jazz win on my phone on the way home.
This week I was on three different podcasts (including a new podcast I started with comedian Jay Nog), so here is hoping you can enjoy me on a variety of topics – all funny.
- Making Podcasts Great Again – I play Donald Trump on this new, weekly podcast. Listen on Podomatic or use iTunes to subscribe and give 5 stars.
- Playable Characters Podcast – I play the brother of NBA Jam’s announcer, who happens to be promoting his new game WNBA Jam – super funny stuff – Playable Characters #56: WNBA Jam on podbean
- Locked on Pistons Podcast – A guy who runs the Detroit Pistons podcast wanted to talk to me about comedy and the Utah Jazz playoff run so here it is!
“Orlando is like a city stripping its way through college. Tampa is like a city turning tricks so it can save up for clear heels and get a job stripping.” – J-L Cauvin
This week’s fresh installment of RCR is of my trip to Tampa. I am currently working on 3 hours of sleep since I took a 5:50am flight from Tampa to LaGuardia (I always thought 6 am flights were the first of the day), so hopefully I don’t forget any good details or make any egregious grammatical errors. So let’s just get into it.
Wednesday – Southwest to the Southeast
Tuesday at work, while taking a break from working I noticed that Southwest was trending. Assuming one of their flight attendants did not book a 3 comedy special deal with Netflix this did not seem like a good thing. As we all know that was because the Southwest flight from LaGuardia to Dallas endured basically the nightmare scenario of anyone who fears flying – engine blows up, passenger sucked out of the plane (to be saved by some heroic people, though the woman died later) and landing in Philly – basically the unholy Trinity. This had special significance to me because I would be flying Southwest to Tampa less than a day later (as it turns out from the same gate as the ill-fated Dallas flight) so I was even more anxious than I normally am before a flight.
Well, I had nothing to worry about as the flight from NYC to Tampa went smoothly. I was headlining that Wednesday night in Tampa and it makes me bring up that age old question: If a comedian headlines, but no one shows up for it, did it really happen? Well, for about 28 people it did happen and it was a very mundane experience. There were some laughs, some botched jokes (full disclosure – I had not been on stage in a month) and zero albums sold after the show. However, after the show I went to Buffalo Wild Wings across the street and watched the conclusion of Game 2 of the Jazz-Thunder series. Here is a photo from the watch party/meet n greet I did:
The most entertaining and uncomfortable moment of the night was walking the 8 minutes from BWW to the comedy condo (a pretty solid condo, by comedy club standards – though the C word that offends most comedians, including myself is “condo” when it comes to road work). The area around the club is Ybor City area of Tampa – a place where chickens roam the streets (I averaged crossing paths with 35 chickens a day) and the ambiance feels like Bourbon Street in New Orleans minus the jazz and culture and with more tattoos and meth. On my walk back I encountered 2 black bikers (after all that white people have stolen from black people I never understand why some black dudes choose skateboarding or motorcycles as their areas of reverse cultural appropriation), a homelss black man arguing with a white garbage pail drummer, a whacked out chick randomly dancing with 2 dudes and then for finale – I was yelled at and followed for a block by a meth head with a mustache (“Methstache”) as he ripped leaves off of a tree near the comedy condo. All in all it was a memorable and weird intro to the Tampa area and exactly what I expect for a place with 19 tattoo parlors in a 4 block area.
Thursday: The Barber from Atlanta Arrives
Starting Thursday I was opening for Robert Powell, a comedian who just had a star making turn on Atlanta on FX. He played Paperboy’s barber and his career is about to blow up big time. He encouraged the emcee and I to stay at it because all it takes is that one shot. I nodded, even though in my head I was saying “Nope.” But allow me to discuss more of my surroundings.
I found a coffee shop with NYC prices, just so I wouldn’t feel like I was saving money. The Blind Tiger was near the condo and was basically what a hipster coffee shop would be if it were rebelling against all other hipster coffee shops to prove that it, in fact, was the rightful Cis-King of hipster coffee in Ybor City. I had a cup of black coffee every morning and finished reading the recently crowned Pulitzer Prize winning book Locking Up Our Own so that they knew I was Hoke (“Hipster Woke”).
I also spent some time sun bathing (#TanBae) at my condo pool where I saw the most plentiful of Tampa’s native creatures – the 50+ year old woman with a tramp stamp and fake breasts. Basically the neighbors of the condo that went to the pool felt like the creators of a YouPorn channel that doesn’t get a ton of hits.
The show went well on Thursday. Headliner did well ,but so did the emcee who had me laughing all week. I had an expected strong set. Not much of note on that front. Besides you don’t read this to hear how well I did anyway! But here are two new stand up bits I am very happy with from the weekend:
Friday – I Feel Pretty
On Friday I went to see Amy Schumer’s new movie I Feel Pretty. I laughed some and thought Schumer and co-star Rory Scovel actually gave good performances and had good chemistry. I thought the movie was worth a rental (or a movie pass), but I may never know how much I enjoyed it because of the women in the theater with me. Here is what I wrote on Instagram after the movie:
Watching the new Schumer movie. 3 white trash women wouldn’t stop talking for the first 15 minutes. There was also a loud black woman a few rows behind them who was also yelling support for Amy Schumer at the screen. So the Trashdashian trio invited the black boom box to join them and now they are just a quartet of nonstop chattering barefoot jerks who won’t stop talking (1 hour nonstop). Also telling, they keep repeating every laugh line, except every Dave Attel line got silence. #Floridumb #Tampa
The first show went really well on Friday. The second show (the dreaded Friday late show – where everyone who is tired from a week of work, but whose couples’ therapist has insisted that they make time for each other with date nights, shows up to half-nap before beginning their weekend) was just OK (and of course that was the one where a couple of fans showed up #CauvinsLaw).
Saturday – Take it to Church… at Church
Saturday, after another early afternoon of sunbathing with the Florida Project cast again I headed to the vigil Mass at Our Lady of Perpetual Help (which almost made me laugh thinking of the Leslie Nielson line from The Naked Gun when he said Nordberg was at “Our Lady of the Worthless Miracle).” If you have ever discussed religion with me you will know that I am a regular Mass attendee and that part of the reason I go to Mass regularly is because I hope to regain the strength of my feelings that I had when I was younger. There is still a core made up of guilt and faith that keeps me going each week, but often it does not feel as it once did. Pardon me for having a genuine moment here, but it did occur on the road so it goes in the RCR.
The Church was really nice, the temperature perfect and the lighting welcoming. Often when I go to Church I find it psychologically soothing, even if not always spiritually. And then the Church singer started singing. Oddly enough, whenever someone refers to a “voice from God” they are almost always referring to a popular singer, but this dude singing in a 70% empty church had a voice from God. I have been going to Mass since probably the age of 5 or 6 and I literally cannot remember being so moved by Catholic Mass hymns. The man was sort of a nerdy looking Latin man (so I thought, further research has indicated he may be Filipino – FIRST THE GUY IN JOURNEY AND NOW THIS?!). Khakis, tucked in polo, short, quasi-Dad bod. But every song he sang, almost all familiar to me, were sung to perfection. I felt like Nick Nolte in Blue Chips when he goes into a small gym in Louisiana and discovers Shaq dunking all over grown men (#ALGIERS!). Maybe I was still stressed about flying, or having increasingly frequent doubts about why I am still pursuing comedy with my life, or maybe the guy was just that good, but whatever the factor or factors it was a rejuvenating experience. And the closing hymn was How Great Thou Art and it was comically brilliant. Like so good I started laughing at the end because I knew he couldn’t help himself and he finished with a flourish that almost felt more appropriate for the Met than for a lightly attended Mass in Tampa (And then instinctively I yelled “PRIDE COMETH BEFORE THE FALL!” just to keep him level-headed). The Church, including myself, clapped for him when he was done. I heard often as a youth that “singing is like praying twice” in Church. I am pretty sure that is because they just want people to sing. But this man in Tampa literally boosted my spirit in a way I have not felt in years… which is going to make next Sunday’s Mass at my midtown Church awfully disappointing when the off-key organ playing lady does her thing.
I thought to myself after the Mass that the guy should have a recording contract or something, but at the same time I thought maybe part of the purity and soulfulness comes from the fact that he is singing for faith and for God and not for some material purpose. Then I went with a bag full of albums to the Improv and said “Spirituality isn’t paying my cable bill LORT!”
The first show was outstanding. Full house, great set and zero albums sold. And just like that I was back in a funk. To boot, a black guy came up to me, not mean-spirited, but still annoyingly and said “I’m Haitian. When you said you were Haitian I was like ‘bullshit!.'” And that was our exchange. This happens to me often. I don’t use my half black-ness as some excuse to say the N word or use it as cover for jokes. I offer it simply to tell autobiographical material, nothing more, nothing less. The flip side of this was what happened after the second show.
The second show went well and I ended up selling a decent number of albums. One was to a young white couple. The drunk woman said to me “you were the guy pretending to be black, right?” And then later her boyfriend repeated a sentiment that his girlfriend had stated earlier – that I “had a lot of guts” doing comedy in front of an almost all black crowd. I was not sure which way to be more offended – racially or as a comedian, but it was also the type of ignorant stuff I get from time to time where it is not necessarily mean spirited, but I also don’t feel like having a discussion about it with people that I will know for a total of 8 minutes at most.
More people bought albums, including a guy who had a huge wad of $100s and $50s and gave me a $50 and said keep the change. His generosity was appreciated, but after the first exchange I could not tell if this was another white guy giving me “respect” for doing my thing in front of a black crowd or if he just really liked my stuff solely on the merits. Of course he said nothing like what the earlier couple said so there was no reason to think anything but nicely of his generosity, but for the creeping insecurity.
I ended the night watching the 4th quarter of the Utah Jazz beat down of the OKC Thunder in Game 3 of their series. Ricky Rubio, the Spanish point guard for the Jazz, had a huge night so I tweeted him my respect for how well he played against all those black guys on OKC.
Sunday I had a fan show up (she was visiting her Aunt nearby), so that was nice, but of course because of #CauvinsLaw the crowd was an odd mixture of offended strippers and offended Church goers and the laughs were not as plentiful as I had hoped. However, lots more people came up to me with compliments after the show than from the other shows so maybe they were just a more subdued crowd. All in all it was an interesting week and an entertaining week, but I still had my Southwest flight the next morning.
I got a cab at 4am to the airport for my 5:50am flight. All you need to know about Tampa is I saw more women wearing 3+ inch heels at the Tampa airport at 5 am than I have seen at any other airport at any time of day. I got on the plane and as we were getting our pre-take off speech from the pilot he informed us that we would be flying at 39,000 feet because there was some weather issues they wanted to try to fly above. So now, as we leave in the still dark skies of Tampa I am nervously listening to podcasts just wanting to get home safe. About 25 minutes into our flight the Sun starts to illuminate our journey and I see that we are flying right above an endless see of black clouds (think The Nothing from The Neverending Story. But we never get any real turbulence and arrived slightly early into NYC at 815am. When I got to baggage claim I saw a weather report on the news that there were tornado issues in the southeast. I am just glad I did not listen to any weather reports before getting on the plane because if I had the combination of Southwest engine and tornado stories would have me on an Amtrak right now instead of penning this masterpiece.
As a 6’7″, bi-racial New Yorker I didn’t need any other reasons to be a fan of Aaron Judge, but he gave me 52 more last year as he set a rookie home record for the New York Yankees. He will be the cover for this year’s edition of Play Station’s MLB The Show and is poised for another huge year with the Yankee lineup stacked to a level not seen since maybe at least the early 1960s. But there is a story that is not being told that relates to Aaron Judge. And it involved another Aaron.
Aaron Gordon is a super-athletic forward for the Orlando Magic. He stands 6’9″ and put on one of the three best dunk competition performances of all time a couple of years ago (including the best dunk ever – though unfortunately for him – Zach LaVine is one of the two others on the list, joining the GOAT Vince Carter). For the record here is a frame of Gordon’s historic dunk:
Aaron Gordon grew up in San Jose, California with his parents and siblings. He was born in April of 1992 and his athletic genes are likely the product of his father, Ed Gordon, who played both basketball and football at San Diego St, before a short stint in the NFL with the New England Patriots. You may be asking, why am I reading this J-L? Is there a point? Yes, there is. And it is this:
Using advanced biological data and research, more commonly referred to as “my eyes,” I noticed a distinct similarity in Gordon and Judge. But as for other data – Judge, born 3 years earlier in 1992 and adopted at birth was born in Linden, California. Gordon was born in San Jose, CA – a distance of less than 90 miles from Linden. Both are elite, freak athletes and that generally begins with great genetics. We know Gordon’s lineage, but Judge’s we do not. Both are exceptionally tall and Judge excelled at football and basketball (the sports of Ed Gordon) in high school, not just baseball.
The real figure on intrigue here is Ed Gordon. Aaron Gordon was the youngest of his three kids, so it would mean that Ed would have to have stepped out on his marriage (not unheard of for athletes, ex-athletes, men with a pulse, etc.) during the marriage to father another child in northern California. But wouldn’t it then make sense for that child, if carried to term, to be adopted? Rather than be a single mom, perhaps Ed Gordon’s hypothetical sidepiece said “I will give up the child for adoption, rather than abort or embarrass Ed Gordon.” See, not everyone is just looking for Anderson Cooper to interview them about their thottery!
Now I have no direct evidence of this, except photographic resemblance and their otherworldly athletic skills, but someone had to ask the question. And what if Ed Gordon, in a moment of guilt and tribute, decided to name his youngest child Aaron, as a tribute to the one he never met? Or, what if I am completely wrong?
*When I came up with this blog idea months ago I never looked up to see if anyone had written on this topic, so if it has been covered I am not copying it* And if no one has yet written about this, please email me for my address for where you can send my Pulitzer. And for another interpretation of Aaron Judge’s origin story please watch this video: